| 1 | S. Seymour, Fashionable Technology, Springer Wien New York, 2007 |
| 2 | Y. Kim, "Materials and Technologies in Wearable Computing Art and Design Implementation", Korean Society of Basic Design & Ali vol. 11, no. 1, pp. 73-85, 2010. |
| 3 | Y Kim, "Stir It On!; A Wearable Technology Ali of Expressing Social Interaction in Public Space", Korea Digital Design Journal Vol. 10, no. 1, pp. 407-417, 2010 DOI |
| 4 | Y. Kim "Body Graffiti: Expressive Wearable Art Through Bodily Performance" The 17th ISEA 2011 Proceedings, http://isea2011.sabanciuniv.edu/paper/body-graffiti-expressive-wearable-art-through-bodily-performance |
| 5 | M. MaLuhan, "Understanding Media", The MIT Press, 1964 |
| 6 | Y. Kim, "Bodily Expression Through Wearable Technology", TEDx SNU Suwon, 2013 https://www.ted.com/tedx/events/9700 |
| 7 | Y.Kim, M. Iossifova, "HearWear: The Fashion of Environmental Noise Display" ACM SlGGRAPH 2004 |
| 8 | R. Manovich, 서정식 번역 "뉴미디어의 언어 The Language of New Media", 생각의 나무, 2004 |
| 9 | https://en.wikipedia.org |
| 10 | 김일태, 윤기헌, 김병수, 설종훈, 양세혁, [네이버 지식백과] 시각 잔상 효과 [persistence of vision, 視覺殘像效果] (만화애니메이션사전, 2008. 12. 30., 한국만화영상진흥원) |
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