Browse > Article
http://dx.doi.org/10.6109/jkiice.2019.23.12.1738

Computer-Supported Piano Performance Science  

Roh, Kyeong Won (Department of Music, Inje University)
Eum, Hee Jung (Department of Music, Inje University)
Kim, Hee-Cheol (Department of Computer Engineering/IDA/u-HARC, Inje University)
Abstract
Music performance techniques have been primarily trained by apprenticeship. The technique transfer, which relies on the imitation of experience and actual performance without scientific evidence, required the pianists more time and effort than necessary. However, if the players in the field discover the principles of universally applicable piano playing techniques in collaboration with scientists, they will avoid errors and prepare a new paradigm in the development of piano playing techniques. This is why music performance science is needed. Little has been studied about it in Korea, but it has been activated abroad since the mid-1990s. The core science of music performance science is expected to be computer science fitting data analysis. In this paper, we introduce music performance science for the pianist and present how computer can help it.
Keywords
Artificial Intelligence; Computer Science; Music Performance Science; Performance Technique; Piano;
Citations & Related Records
연도 인용수 순위
  • Reference
1 Korean Society or Music Perception and Cognition, [Internet]. Available: https://www.ksmpc.kr/collection.
2 College of Music, Seoul National University News Letter. vol.8, pp.4 <2011-1> 1.-3. Sep. 2011.
3 V. Lazzarini, Computer Music Instruments: Foundations, Design and Development, springer, 2017.
4 Artificial Intelligence and Music: What to Expect? [Internet]. Available:https://towardsdatascience.com/artificialintelligence-and-music-what-to-expect-f5125cfc934f.
5 A Retrospective of AI + Music, [Internet]. Available: https://blog.prototypr.io/a-retrospective-of-ai-music-95bfa9b38531.
6 Motor control of finger/arm movements in piano playing [Internet]. Available: http://www.neuropiano.net/pianist%27sexpertise.
7 D.H. Moon, J.H. Yang, Y.W. Kim, and T.G. Kim, The effect of music and vibrotactile stimulation to the relaxation, Korean Society for Power System Engineering, pp.199-202, Nov. 2006.
8 D. Parlitz, T. Peschel, and E. Altenmuller, Assessment of dynamic finger forces in Pianist. Med Sci Sports Exerc 31(12) pp. 1834-8, 1998.   DOI
9 G. Sandor, On Piano Playing: Motion, Sound, and Expression, Wadsworth a division of Thomson Learning, 1984.
10 S. Fink, Mastering Piano Technique : A Guide for Students, Teachers and Performers, Amadeus, 1992.
11 P. E. Keller, S. Dalla bella, and I. Koch, Auditory imagery shapes movement timing and kinematics: evidence from a musical task. MJ. Exp Psychol Hum Percept Perform 36(2) pp.508-13, 2010.   DOI
12 S. Furuya, and H. Kinoshita, Roles of proximal-to-distal sequential organization of the upper limb segments in striking the keys by expert pianists. Neurosci Lett 421(3) pp. 264-9, 2007.   DOI
13 S. Furuya, and H. Kinoshita, Expertise-dependent modulation of muscular and non-muscular torques in multi-joint arm movements during piano keystroke. Neuroscience 156(2), pp. 390-402, 2008.   DOI
14 Center for Performance Science, [Internet]. Available: https://performancescience.ac.uk/about/.
15 S. Furuya, Scientific analysis of the pianist's brain: The mechanism of high-end technique, Shunjusha, 2012.
16 Researching the interface between science and the art of piano performance, piano symposium, [Internet]. Available: https://steinway.co.uk/researching-the-interface-between-science-and-the-art-of-piano-performance/.
17 International Symposim on Performance Science ISPS 2019, [Internet]. Available: https://performancescience.org/conference/isps-2019/.