1 |
Textile, 1700-1710, French or Italian. (n.d.). Retrieved September 17, 2016, from https://www.metmuseum.org/art/collection/search/228939
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2 |
Chalice veil date: 1690-1699(made). (n.d.). Retrieved October 15, 2016, from https://collections.vam.ac.uk/item/O357269/chalice-veil/
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3 |
Chinese export for the European market, c. 1708-1710. (n.d.). Retrieved September 15, 2016, from http://coraginsburg.com/catalogues/2009/cat2009pg4-5.htm
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4 |
Clarke, M., & Clarke, D. (2001). The concise Oxford dictionary of art terms. New York, NY: Oxford University Press Inc.
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5 |
Cope hood, late 17th or early 18th century. (n.d.). Retrieved September 1, 2016, from https://collection.cooperhewitt.org/objects/18130881/
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6 |
Davison, M. (1958). Printed cotton textiles. The Art Institute of Chicago Quarterly, 52(4), 82-89. Retrieved from http://www.jstor.org/stable/4119836
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7 |
Detail of the Cloak, Lampas, Venice 1705. (n.d.). Retrieved October 15, 2016, from http://www.indarpasricha.co.uk/collection/pages/ET015_Cape_Red.html
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8 |
Dress fabric, Spitalfields, 1709, Artist/Maker: James Leman. (n.d.). Retrieved September 9, 2016, from https://collections.vam.ac.uk/item/O1328407/dress-fabric-leman-james/
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9 |
Dress fabric, Spitalfields, c. 1708. (n.d.). Retrieved October 15, 2016, from https://collections.vam.ac.uk/item/O15330/dress-fabric-unknown/
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10 |
Emerson, J., Chen, J., & Gates, M. G. (2000). Porcelain stories from China to Europe. Seattle: Seattle Art Museum & University of Washiongton Press.
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11 |
Slomann, V. (1955). Bizarre designs in silks. The Burlington Magazine, 97(631), 334-325.
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12 |
Fragment, England, Spitalfields, c.1705-1706. (n.d.). Retrieved October 15, 2016, from https://collection.cooperhewitt.org/objects/18671013/
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13 |
Italian fabric. c.1715. (n.d.). Retrieved September 17, 2016, from http://www.metmuseum.org/art/collection/search/227847?rpp=60&pg=401&ao=on&ft=textiles&pos=24047
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14 |
Hayward, H. (Ed.). (1990). World furniture: An illustrated history. New York, NY: Crescent Books.
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15 |
Irwin, J. (1955a). Origins of the 'Oriental style' in English decorative art. The Burlington Magazine, 97(625), 106-114.
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16 |
Ackermann, H. C. (2000). Seidengewebe des 18. jahrhunderts I: Bizarre seiden [18th-century silks I: Bizarre silk]. Riggisberg, Switzerland: Abegg-Stiftung Riggisberg.
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17 |
Battie, D. (Ed.). (1995). Sotheby's concise encyclopedia of porcelain. London, England: Conran Octopus Limited.
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18 |
Irwin, J. (1955b). Bizarre designs in silks. The Burlington Magazine, 97(626), 153-154.
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19 |
Kim, L. (2009). The meeting of East and West and artistic exchanges, 미술사연구 [The study of the art history]. 23, 7-28.
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20 |
King, M., & King, D. (1990). European textiles in the Keir collection 400 BC to 1800 AD. London, Boston: Faber and Faber.
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21 |
Textile, 18th century. (n.d.). Retrieved September 17, 2016, from https://collections.artsmia.org/art/91699/bizarre-silk-panel-france
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22 |
Harris, J. (Ed.). (2004). 5000 years of textiles. Washington, DC: Smithsonian Books.
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23 |
Textile, France, 1712-1724. (n.d.). Retrieved September 17, 2016, from http://www.indarpasricha.co.uk/collection/pages/ET004_Bizarre_Silks_Lyon_Venice.html
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24 |
Textile, France, c.1705-1720. (n.d.). Retrieved September 17, 2016, from https://collections.vam.ac.uk/item/O78861/woven-silk-unknown
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25 |
Textile, Lyon,18th century. (n.d.). Retrieved September 17, 2016, from http://www.indarpasricha.co.uk/collection/pages/ET009_Bizarre_Silk_Yellow.html
|
26 |
Textile, silk, late 17th-early 18th century. (n.d.). Retrieved September 7, 2016, from https://collection.cooperhewitt.org/objects/18318407/
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27 |
Textile, silk metallic thread, late 17th or early 18th century. (n.d.). Retrieved September 1, 2016, from https://collection.cooperhewitt.org/objects/18482025/
|
28 |
Textile, silk, metallic thread, late 17th - early 18th century. (n.d.). Retrieved September 7, 2016, from https://collection.cooperhewitt.org/objects/18485167/
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29 |
Textile, silk, metallic yarns, late 17th - early 18th century. (n.d.). Retrieved September 8, 2016, from https://collection.cooperhewitt.org/objects/18434333/with-image-74032/
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30 |
The Holburne Museum. (n.d.). The witcombe cabinet, English, japanned and silvered wood, about 1697 [Object Description 2006.4]. Retrieved November 6, 2016, from http://collections.holburne.org/object-2006-4
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31 |
Wilson, K. (2002). A history of textiles (N. Park & I.-S. Cha, Trans.). Seoul: Book Publishing Ye Gyeong. (Original work published 1979)
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32 |
The J. Paul Getty Museum. (n.d.). Mounted teapot [Object Description 2001. 76]. Retrieved November 6, 2016, from http://www.getty.edu/art/collection/objects/132932/unknown-maker-mounted-teapot-chinese-and-french-porcelain-about-1662-1690-mounts-about-1700-1710/
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33 |
The witcombe cabinet, England, 1697. (n.d.). Retrieved September 7, 2016, from http://collections.holburne.org/object-2006-4
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34 |
Thornton, P. (1958). The bizarre silks. The Burlington Magazine, 100(665), 265-270.
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35 |
Thornton, P. (1965). Baroque and rococo silks. New York, NY: Taplinger Publishing Co.
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36 |
Yoon, J.-I. (2010). A consideration on influence of pottery development on Europen culture: Focusing on brands of the 18th century, The Journal of Tea Culture & Industry Studies, 16, 1-25.
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37 |
Kraatz, A. (2002). [Review of the books Seidengewebe des 18. jahrhunderts, 1: Bizarre seiden, by Hans Christoph Ackermann; Seidengewebe des 18. jahrhunderts: Die industrien in England und in Nordeuropa [18th-Century Silks: The Industries of England and Northern Europe], by Regula Schorta; La seta in Italia dal medioevo al seicento: Dal baco al drappo, by Luca Mola, Reinhold C. Mueller and Claudio Zanier]. Studies in the Decorative Arts, 9(2), 141-147. Retrieved January 15, 2016, from http://whttp://www.jstor.org/stable/40663013
DOI
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38 |
Lacquer cabinet c.1680, Kyoto, Japan, and Paris, France. (n.d.). Retrieved November 8, 2016, from http://wallacelive.wallacecollection.org/eMuseumPlus?service=ExternalInterface&module=collection&objectId=63644&viewType=detailView
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39 |
Lee, E.-S. (2014a). Britain's perception of China before and after the 18th century, 한중인문학연구. 42, 181-203.
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40 |
Lee, E.-S. (2014b). 중국 지식정보 유통과 시누아즈리 형성 [Distribution of knowledge information about China and formation of chinoiserie]. The Society of China Culture in Korea, 41, 215-236.
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41 |
Peck, A. (Ed.). (2013). Interwoven globe: The worldwide textile trade, 1500-1800. New York, NY: The Metropolitan Museum of Art.
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42 |
Lemire, B., & Riello, G. (2008). East & West: Textiles and fashion in early modern Europe. Journal of Social History, 41(4), 887-916.
DOI
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43 |
Minneapolis Institute of Art. Panel from a Chasuble. (n.d.). [Object Description 2000.20]. Retrieved November 10, 2016, from https://collections.artsmia.org/art/174/panel-from-a-chasuble-italy
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44 |
Mounted teapot, porcelain about 1662-1690, mounts about 1700-1710. (n.d.). Retrieved October 8, 2016, from http://www.getty.edu/art/collection/objects/132932/unknown-maker-mounted-teapot-chinese-and-french-porcelain-about-1662-1690-mounts-about-1700-1710/
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45 |
Porter, D. L. (2002). Monstrous beauty: Eighteenth-century fashion and the aesthetics of the Chinese taste. Eighteenth-Century Studies, 35(3), 395-411.
DOI
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46 |
Riccardi-Cubitt, M. (1992). The art of the cabinet: Including a chronological guide to styles. London, England: Thames and Hudson Ltd.
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47 |
Rothstein, N. (1994). The Victoria & Albert museum's textile collection: Woven textile design in Britain to 1750. New York, London, Paris: Canopy Books.
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48 |
Shin, S. (2011). The relationship between the art market and the formation of taste: On the chinoiserie in eighteenth-century. Art History, 25, 155-179.
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49 |
Silk Italy, early 18th century. (n.d.). Retrieved September 17, 2016, from https://www.hermitagemuseum.org/wps/portal/hermitage/digital-collection/11.+textiles%2c+tapestry/262886/
|
50 |
Slomann, V. (1953). Bizarre designs in silks: Trade and traditions. Copenhagen: Ejnar Munksgaard.
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