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http://dx.doi.org/10.5850/JKSCT.2019.43.4.474

What Causes Haptic Experience in Fashion Film?  

Kwon, Jeanne (Dept. of Fashion Design, School of Art, Sungkyunkwan University)
Lee, Sooyong (Dept. of Mechanical & System Design Engineering, Hongik University)
Yim, Eunhyuk (Dept. of Fashion Design, School of Art, Sungkyunkwan University)
Publication Information
Journal of the Korean Society of Clothing and Textiles / v.43, no.4, 2019 , pp. 474-490 More about this Journal
Abstract
Fashion films with screen limits have a way of changing communication methods through sensorial organs in order to go beyond limits. This study shows that such change is possible if fashion films are based on haptic factors. This study examines haptic factors of fashion films from the three perspectives of filming factors of different shot size, synesthetic, and cinematic screen methods. First, when the subject to be emphasized is enlarging, the observer comes to project themselves to the situation and incurs a haptic sensation. Second, when associating an experience by personal recollection or social customs when more than two senses are stimulated simultaneously, haptic sensations, triggered by multiple senses, takes place. Third, a blurred image shows haptic sensations through inducing observers to see into the meaning of a shot. As a result, the senses of the observer enlarge and enhance a communication ability through absorbing and accepting a fashion film. Furthermore, fashion films are effective in understanding the cultural forms of the age.
Keywords
Fashion film; Haptic; Shot size; Synesthetic; Blurred image;
Citations & Related Records
Times Cited By KSCI : 4  (Citation Analysis)
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