1 |
박영욱. (1997). 뮤직비디오 형식의 사회적 의미. 시대와 철학. 8(2), 36-51
|
2 |
백지숙. (2000, 9). 뮤직비디오와 MTV의 문화적 의미 몇 가지. 월간미술. 자료검색일 2004, 3. 15, 자료출처 http://www.wolganmisool.com
|
3 |
최민성, (2002). 뮤직비디오 이미지 연구의 출발. 한국언어문화, 22, 365-382
|
4 |
Hayt, E. (2000, Jan. 2). Style directives for 2000: Make it extravagant. New York Times, p. 91
|
5 |
Roediger, D. (1995). Guineas, wiggers, and the dramas of racialized culture. American Literary History, 7(4), 654-668
|
6 |
St. Lawrence, J. S. & Joyner, D. J. (1991). The effects of sexually violent rock music on males' acceptance of vio-lence against women. Psychology of Women Quarterly, 15, 49-63
|
7 |
Tiggemann, M. (2002). Media influences on body image development. In T. F. Cash, and T. Pruzinsky (Eds.), Body image (pp. 91-98). New York: Guilford Press
|
8 |
Verden, P., Kathleen, D. & Powers, C. H.(l989), Heavy metal and adolescent delinquency. Popular Music and The Society, 13(1), 73-82
|
9 |
Miller, K. (1991). People and ideas. Apperture, 122(win), 118-120
|
10 |
Lyrics World, 1998-2000. retrived from http://lyrics.natant.com.br
|
11 |
Holtzman, L. (2000). Media messages: what film, television, and popular music teach us about race, class, gender. and sexual orientation. Annonk, N.Y.: M.E. Sharpe
|
12 |
김영식, 권중문, 지현호. (2000). 국내 뮤직비디오의 영상적 특성에 따른 유형분류 연구. 한국사진학회지 AURA, 7, 74-82
|
13 |
Kaplan, E. A. (1986). History, the historical spectator and gender address in music television. Journal of Communi-cation Inquiry, 10(1), 23-34
|
14 |
김강석, (1997). 한국 뮤직비디오의 장르적 범주화와 영상적 특성에 관한 연구. 서강대학교 언론대학원 석사학위논문
|
15 |
Bennett.A. (2000). Popular music and youth culture. Hound-mills, Basingstoke, Hampshire: Macmillan. p.196
|
16 |
유송옥, 한자영. (2001). 1990년대 이후 국내 대중음악 스타의 패션연출 특성에 관한 고찰. 복식, 51(5), 61-75
|
17 |
Englis, B. G, Solomon, M. R. & Olofsson, A. (1993). Con-sumption imagery in music television: A bi-cultural per-spective. Journal ofAdvertising, 22(4),21-33
|
18 |
김훈순. (2001). 한국 뮤직비디오의 포스트모더니즘과 성 정치학. 한국방송학보 통권. 15(3), 87-129
|
19 |
Christenson, P. G. (1998). It's not only rock & roll: : popular music in the lives of adolescents. Cresskill, N.J. : Hamp-ton Press
|
20 |
Diamond, B. & Moisala, P. (2000). Music and Gender. Urbana: University of Illinois Press
|
21 |
Gans, H. J. (1974). Popular culture and high culture. New York: Basic Books
|
22 |
Moisala, P. Diamond, B. & Koskoff, E. (2000). Music and Gender. Urbana: University of Illinois Press
|
23 |
Berland, J. (1993). Sound, image and social space: music video and media reconstruction.(pp. 25-44) (ed in) Simon Frith, Andrew Goodwin, and Lawrence Grossberg. Sound and Vision: The Music Video Reader. London; New York:Routledge
|
24 |
최문규, 김희봉, 조경식, 서규환. (2000). 새로운 매체현실과 문화변화. 독일어문학, 11, 257-322
|
25 |
Gow, J. (1990). The relationship between violent and sexual images and the popularity of music videos. Music and society, 14(1), 35-46
|
26 |
양숙희, 김주영. (2002). 마돈나 의상에 나타난 젠더 정체성-뮤직비디오 텍스트를 중심으로-. 복식문화연구, 10(1), 60-75
|
27 |
How MTV has Rocked Television Commercials. (1989, Oct. 9). New York Times, p. D6
|
28 |
Rice, F. P. (1981). The Adolescent: Development, Relation-ships, and Culture. Boston: Allyn and Bacon
|
29 |
Watson, L. (2002, Dec 27). Sex appeal of 'video girls' sends wrong message to young people. Recorder. 107(52), p. A7
|