1 |
Dick Higgins, "Intermedia," Leonardo, Vol.34, No.1, pp.49-54, The MIT Press, February 2001.
DOI
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2 |
Halldor Bjorn Runolfsson, "The Kitchen-An Offspring of Steina and Woody Vasulka," in Tania Orum and Jesper Olsson (eds.), A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975, Deiden: Brill Rodopi, p.88, 2016.
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3 |
Doug Hall and Sally Jo Fifer (eds.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture, p.54, 1990.
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4 |
Marita Sturken, "Steina and Woody Vasulka: In Dialogue with the Machine," in Steina and Woody Vasulka: Machine Media, San Francisco: San Francisco Museum of Modern Art, p.38, 1996.
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5 |
Johanna Gill, Video: State-of-the-Art, New York: Rockefeller Foundation, p.49, 1976.
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6 |
David Dunn and Woody Vasulka, "Digital Space: A Research Proposal," Ars Electronica, Virtuelle Welten, Band II, Linz, p.273, 1990.
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7 |
Shan Lim, "A Medium of Art as the Relational Circuit: Paul Ryan's Video Art," The Journal of Convergence on Culture Technology (JCCT), Vol.5, No.3, p.81, 2019.
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8 |
"The Vasulkas: Interview with Video Artists Woody and Steina Vasulka," Cantrills Filmnotes: Report from USA, No.13, pp.10-17, Melbourne, April 1973,
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9 |
David L. Shirey, "Video Art Turns to Abstract Imagery," The New York Times, July 4, 1972.
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10 |
Lucinda Furlong, "Notes Toward a History of Image-Processed Video: Steina and Woody Vasulka," Afterimage, p.14, December 1983.
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