1 |
Paul Ryan, "A Genealogy of Video," Leonardo, Vol.21, No.1, 1988, p.39.
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2 |
Chris Meigh-Andrews, A History of Video Art: The Development of Form and Function, Oxford and New York: Berg, 2006, p.61.
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3 |
Song Jooh-hee and Lim Chan, "A Study on Activation of Movie Marketing Using Interactive Media," The Journal of Convergence on Culture Technology, Vol.5, No.1, 2019, p.244.
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4 |
Gene Youngblood, Expanded Cinema, New York: E. P. Dutton & Co., Inc., 1970, pp.341-343.
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5 |
Michael Shamberg, "Guerilla Television - Media America," Radical Software, No.6, 1971, p.13.
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6 |
Paul Ryan, "Cable Television: The Raw and the Overcooked," Radical Software, No.1, 1970.
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7 |
Paul Ryan, "Cybernetic Guerilla Warfare," Radical Software, No.3, Spring 1971.
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8 |
Paul Ryan, "The Earthscore Notational System for Orchestrating Perceptual Consensus about the Natural World," Leonardo, Vol.24, No.4, 1991, p.457.
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9 |
Gregory Bateson, Steps to an Ecology Mind, Chicago: University of Chicago Press, 1972, p.441.
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10 |
Paul Ryan, Video Mind, Earth Mind: Art, Communications and Ecology, Collected Writings, New York: Peter Lang, 1992.
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11 |
Paul Ryan, "The Ecochannel Design," IS Journal, Vol.2, No.2, 1987, pp.46-64.
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