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http://dx.doi.org/10.17703/JCCT.2019.5.1.107

The calligraphy theory of Lee, Jeongzic and Criticism of Korean and Chinese calligraphers  

Kim, Doyoung (Dept. of the faculty of liberal arts, Yewon Arts Univ)
Publication Information
The Journal of the Convergence on Culture Technology / v.5, no.1, 2019 , pp. 107-112 More about this Journal
Abstract
Seokjeong LeeJeongzic(1841~1910) is a representing scholar in Honam Confucianism and master of three classes, caligography, painting. Seokjeong's calligraphy activities include not only creative activities, but academic activities as calligraphers and critics. Seokjeong uses Wang Hui-ji as an example of calligraphy. And if hard beauty is mastered truly and skillfully and skillfully, it reaches harmony level by itself and is Bugochangsin. Meanwhile, in "Geseokyoulsanglon5go8su" "Yeonseoksanbangmijeungsigo" there is a 5ungosi8su who criticizes Chinese calligrapheres. There are including WangHuij criticized their calligraphy by selecting 11 people in China. Also wrote reviews for "WonkyoJinjeok" "SonghaJinjeok" "ChangamSeocheub". And here, he made his own calligraphy theory by making calligraphy comments about calligraphy artists such as Wonkyo, Songha, Changam in Korea.
Keywords
LeeJeongzic; Yeonseoksanbangmijeonggo; Seokjeong LeeJeongzicYugo; criticism of calligraphy; Bupgochangsin;
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  • Reference
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2 Jeongzic Lee, SonghaJinjeok (송하진적)
3 Jeongzic Lee, WonkyoJinjeok (원교진적)
4 Jeongzic Lee, ChangamSeochub (창암서첩)
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