[KSCI] Korea Science Citation Index Service

Thai Mudmee Design and Development for Contemporary Use

Laistrooglai, Namfon (Decorative Arts Faculty Silpakorn University)

Publication Information

International Journal of Costume and Fashion / v.13, no.1, 2013 , pp. 49-59 More about this Journal

Abstract

This research study investigates the cultural significance and meaning of Thai Mudmee, their historical content, and the variety of the Thai Mudmee techniques, including patterns, symbol and colours. The aim has been to develop the traditional pattern and designs of the Thai Mudmee and produce contemporary textile pieces more appropriate for modern lifestyle tastes both in Thailand and Internationally. By reviving the Thai weaving tradition it is also hoped to encourage and maintain the continuous survival of tradition Mudmee, providing new sales opportunities and markets both in Thailand and abroad. Studying various attempts to redevelop traditional crafts in different countries brought to me the idea of how to develop folk crafts, the problems that occur in this area have encouraged me to express how folk crafts could be benefit from the design process. In this thesis I also express my recommendations for other researchers and the Thai government, as well as other people who interested in Mudmee design. The thesis concludes with the possibilities of how to improve the design of the Mudmee fabric and further areas of research.

Keywords

Citations & Related Records

Reference

1	Atwater, M. (1961). Design and the Hand weaver. California: Craft and Hobby.
2	Baron, S. (1995). Sonia Delaunay: The life of an artist. London: Thames and Hudson.
3	Battenfield, J. (1978). Ikat Technique. United States of America: Litton Education Publishing.Inc. Braddock, S and O, MA.
4	Hony, M. (1998). Techno textiles, revaluation fabrics for fashion and Design, Italy: Giunti Industries Garfishes.
5	Bunnayasop, D. (2001). Patterns and Colours on the Hand Weaving. Bangkok: Silpakorn University.
6	Colehester, C. (1991). The new textile trend and tradition. London: Thames and Hudson Ltd.
7	Connors, M. (1996). Lao Textiles and Traditions. New York: Oxford University Press.
8	Colchester, C. (1991). The New Textile: Trends and Tradition. London: Thames and Hudson.
9	Cheesman, P. (1988). Lao Textiles: ancient symbol-living art. Thailand: White Lotus Co; Ltd
10	China Art and Crafts (2003).
11	Christopher, J. (1992). Design Methods. New York: Van Nostrand Reinhold.
12	Connars, M. (1996). Lao Textile and Tradition. United States: Oxford University Press.
13	American Craft Council (2001). at http://www.craftcouncil.org/html/about/craft_is.shtml.
14	Asur (2001). 'Description of Asur's Activity Programme and Project' at http:// www.bolivianet.com /asur /textilin.htm.
15	Conway, S. (1992). Thai Textiles. London: British Museum Press.
16	Damase, J. (1991). Sonia Delaunary: fashion and fabrics. New York: Harry N.
17	Abrams, Incorporated. Craft (1999). 'An umbrella for the craftsmen'at www.hinduonnet.com/foloi/fo9903/9 9030320.htm.
18	Dansilp, T. & Michael, F. (2002). Things Thai Craft & Collections. Thailand: Asia Books Co., Ltd.
19	Davies, L. & Fini, M. (1994). Arts and Crafts of South America. London: Thames and Hudson.
20	Desai, C. (1989). Ikattextile of India. London: Thames and Husdson.
21	Dormer, P. (1994). Theart of the maker. London: Thames and Hudson.
22	Appadurai, A. (1986), The social life of things: commodities in cultural perspective, New York: Cambridge University press.