1 |
Baudet, F. (2003). Chanel. Paris: Assouline.
|
2 |
Bolt, D. (2007). Chanel: Collections and Creations. London: Thames and Hudson, 2007.
|
3 |
Charles - Roux, E. (2004). The World of Coco Chanel: Friends, Fashion, Fame. London: Thames and Hudson.
|
4 |
Cooper, P. et al., (1994). Cubism London: Phiadon Press Ltd.
|
5 |
Cooper, D. et al., (2006). Picasso and the Theatre. Stuttgart: Hatje Cantz.
|
6 |
Cowling, E. et al., (1994). Picasso: Sculptor/Painter. London: Tate Gallery.
|
7 |
Cowling, E. et al., (2009). Picasso: Challenging the Past. Connecticut: Yale University Press.
|
8 |
Davis, M. E. (2010). Ballet Russes Style: Diaghilev's Dancers and Paris Fashion, London: Reaktion Books.
|
9 |
Degunst, S. (2008). Coco Chanel: Citations. Paris: Editions du Huitieme Jour.
|
10 |
De la Haye, A. et al., (1997). Chanel: Couturier at Work. London: V&A Publications.
|
11 |
Franck, D. et al., (2003). Bohemian Paris: Picasso, Modigliani, Matisse and the Birth of Modern Art . New York: Grove Press
|
12 |
Green, C. (2001). Picasso's 'Les Demoiselles d'Avignon'. Cambridge: Cambridge University Press.
|
13 |
Huffington, A. (1989). Picasso: Creator and Destroyer. New York: Avon Books.
|
14 |
Karmel, P. (2003). Picasso and the Invention of Cubism. Connecticut: Yale University Press.
|
15 |
Leymarie, J. (2010). Eternal Chanel: An Icon's Inspiration. London: Thames and Hudson.
|
16 |
Leal, B. et al. (2003). The Ultimate Picasso. New York: Harry N Abrams.
|
17 |
Mackrell, A. (1990). Poiret. London: Batsford Ltd.
|
18 |
Mackrell, A. (2005). Art and Fashion. London: Batsford Ltd.
|
19 |
Madsen, A. (1991). Chanel: A Woman of her Own. New York: Henry Holt and Company.
|
20 |
Martin, R. (1999). Cubism and Fashion. New York: Harry N Abrams.
|
21 |
Mauries, P. et al., (2000). Jewelry by Chanel. New York: Bulfinch Press.
|
22 |
Morand, P. et al., (2009). The Allure of Chanel. Paris: Pushkin Press.
|
23 |
Muller, M. (2011). Picasso: Linocuts. Munich: Hirmer Verlag.
|
24 |
Nealon, J. T. (2012). Post- Postmodernism: Or, the Cultural Logic of Just-In-Time Capitalism. California: Stanford University Press.
|
25 |
Picardie, J. (2010). Coco Chanel: The Legend and the Life. London: Harper Collins.
|
26 |
Richardson, J. (2010). A Life of Picasso: The Triumphant Years, 1917-1932. New York: Alfred A Knopf.
|
27 |
Umland, A. (2011). Picasso Guitars: 1912- 1914. New York: The Museum of Modern Art.
|
28 |
Vettese Forster, S. (2008). The Ballets Russes Connection with Fashion, Costume, 42, 134-145.
|
29 |
Vettese Forster, S. (2009). Connections Between Modern and Postmodern Art and Fashion. The Design Journal, 12(2), 217-242.
DOI
|
30 |
Walther, I. (1993). Pablo Picasso 1881-1973: Genius of the Century. Cologne: Benedikt Taschen.
|
31 |
Ashton, D. (1989). Picasso on Art: A Selection of Views. New York: De Capo Press.
|
32 |
Alain Bois, Y. (2009). Picasso Harlequin: 1917 - 1937. Milan: Skira Editore.
|