1 |
Ahn, Yeonhi (ed.) (1999). Contemporary Art Dicitionary. Seoul: Mijin Press, p. 334
|
2 |
Retrieved from www.firstviewkorea.com. Jan. 18, 2008
|
3 |
Wilcox, Claire (2001). Radical fashion. London: V&A Publication, p. 109
|
4 |
Koda, Horold (2001). Extreme beauty: the Body Transfored. New York: Metropolitan Museum of art, p. 76
|
5 |
Retrieved from www.firstviewkorea.com. Jan. 18, 2008
|
6 |
Fukai, Akiko et al. (2002). Fashion: A History from the 18th to the 20th Century. K ln: Taschen, p. 684
|
7 |
Fukai, Akiko et al. (2002). Fashion: A History from the 18th to the 20th Century. Kln: Taschen, p. 658
|
8 |
Constantine, Mildred (1997). Whole cloth, New York: Monacelli Press, P. 199
|
9 |
Kawamura, Yuniya (2004). The Japanese Revolution in Paris Fashion. Oxford-New York: Berg, p. 131
|
10 |
Retrieved from www.firstviewkorea.com. Jan. 18, 2008
|
11 |
Evans, Caroline (2003). Fashion at the edge. New Haven & London: Yale University Press, p.84
|
12 |
Koda, Harold (2001). Extreme beauty: the Body Transfored. New York: Metropolitan Museum of art, p. 77
|
13 |
Arnheim, Rudolf (1982). Art visual perception. Kim, Choonil(Trans.). Seoul: Hongsung Press, pp. 558-560
|
14 |
Koda, Harold (2001). Extreme beauty: the Body Transfored. New York: Metropolitan Museum of art, p. 16
|
15 |
Steele, Valerie (2004). Abstraction and the avant-grade. View on color, (28), Paris: United Publishers S.A.S
|
16 |
Huh, J. S. & Geum, K. S. (2004). Deformation and distortion of the body in fashion art. The Journal of Korean Society of Costume , 54(3), p. 147
|