1 |
Gell, A. (1996), Vogel's net: Traps as artworks and artworks as traps. Journal of Material Culture, 1(1), pp. 15-38
DOI
|
2 |
Gell, A. (1998), Art and agency. Oxford: Clarendon
|
3 |
Martin, R. (1998), A note: Gianni versace's anti-bourgeois little black dress (1994). Fashion Theory, 2(1), pp. 95-100
|
4 |
Smith, R. (1996), Art after a fashion. Vogue, Jan., pp. 164-5, p. 184
|
5 |
Steele, V. (1998), Editorial. Fashion Theory, 2(1), pp. 1-2
|
6 |
Turner, D. (1996), Couture de force. Artforum, Mar., pp. 15-7, p. 116
|
7 |
Wilson, E. (1987), Adorned in dreams. Berkeley: University of California Press
|
8 |
Faris, J. (1988), ART/ARTIFACT: on the museum and anthropology. Current Anthropology, 29(5), pp. 775-9
|
9 |
Miller, D. (2003, in print), Materiality, Lecture Print, 27 October 2003
|
10 |
Munn, N. (1986), The fame of gawa. Cambridge: Cambridge University Press
|
11 |
Gell, A. (1993), Wrapping in images: Tattooing in polynesia. Oxford: Clarendon Press
|
12 |
Feldman, E. B. (1973), The teacher as model critic. Journal of Aesthetic Education, 7(1), pp. 50-7
DOI
|
13 |
Gell, A. (1992), The technology of enchantment and the enchantment of technology, in J. Coote & A. Shelton (ed.), Anthropology, Art and Aesthetics, Oxford: Clarendon Press
|
14 |
Sproles, G. (1985), Behavioral science theories of fashion, in M. R. Solomon (ed.), The Psychology of Fashion, New York: Lexington
|
15 |
Carney, J. D. (1991), Individual style. Journal of Aesthetics and Art Criticism, 49(1), pp. 15-22
DOI
ScienceOn
|
16 |
Kim, S. B. (1998), Is fashion art? Fashion Theory, 2(1), pp. 51-71
|
17 |
Carney, J. D. (1994), A historical theory of art criticism. Journal of Aesthetic Education, 28(1), pp. 13-29
DOI
ScienceOn
|
18 |
Danto, A. (1981), The transfiguration of the commonplace. Cambridge, MA: Harvard University Press
|
19 |
Schneider, J. (1987), The anthropology of cloth. Annual Review of Anthropology, 16, pp. 409-48
|
20 |
Steele, V. (2000), Editorial. Fashion Theory, 4(1), pp. 1-2
DOI
|
21 |
Saisselin, R. G. (1959), From baudelaire to christian dior: The poetics of fashion. Journal of Aesthetics and Art Criticism, XVIII(l), pp. 110-15
|
22 |
Kuchler, S. (2002), The anthropology of art, in V. Buchli (00.), The Material Culture Reader, Oxford: Berg
|
23 |
Danto, A. (1986), The philosophical disenfranchisement of art. New York: Prentice Hall
|
24 |
Danto, A. (1988), Artifact and art, in ART/ART/FACT: African Art in Anthropology Collection, Exhibition Catalogue, New York: Center for African Art and Prestel Verlag
|
25 |
Martin, R. (1987), A case for fashion criticism. FIT Review, 3(2), pp. 25-9
|
26 |
Boodro, M. (1990), Art and fashion. Artnews, Sep., pp. :120-7
|
27 |
Muller, F. (2000), Art & fashion. London: Thames & Hudson
|
28 |
Zelenko, L. S. (1981), Is fashion art? American Artist, June(12), pp. 87-8
|
29 |
Duggan, G. G. (2001), The greatest show on earth: A look at contemporary fashion shows and their relationship to performance art. Fashion Theory, 5(3), pp. 243-270
|
30 |
Hollander, A. (1978), Seeing through clothes. New York: Viking
|