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M. Miller, Theorizing "The Plunge": (Queer) Girls' Adolescence, Risk, and Subjectivity in Blue is the Warmest Color, Girlhood Studies, Vol. 10, No. 1, pp. 39-54, January 2017.
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Q. Chen, Adel's Postmodern Self-Identifications in Spatial Contexts in Blue is the Warmest Color, Quarterly Review of Film and Video, Vol. 37, No.6, pp. 508-526, October 2020.
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Zhu Qi, The Blur of Images, Hunan Fine Arts Publishing House, 2007.
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J. Yang, Queer Theory and Critical Practice, Beijing: China Social Science Press, 2011.
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M. Parscal, My Beautiful Laundrette: Hybrid "Identity", or the Paradox of Conflicting Identifications in "Third Space" Asian-British Cinema of the 1980s, Miscelanea: A Journal of English and American Studies, Vol. 26, pp. 59-70, 2002.
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L. Williams, Blue is the Warmest Color: or the after-life of 'Visual Pleasure and Narrative Cinema', New Review of Film and Television Studies, Vol. 15, No. 4, pp. 465-470, October 2017.
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