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David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 76, 1997.
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2 |
David Mamet, Theatre, London, Faber and Faber, p. 37, 2010.
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3 |
David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 76, 1997.
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4 |
Franc Chamberlain, Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? in Twentieth Century Actor Training, eds. Alison Hodge, London and New York, Routledge, p. 80, 2000.
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5 |
David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 76, 1997.
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6 |
David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 103, 1997.
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7 |
Jerzy Grotowski, Towards a Poor Theatre, New York, Simon and Schuster, p. 37, 1968.
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8 |
Maria Shevtsova, Rediscovering Stanislavsky, Cambridge, Cambridge University Press, 2020, p. 239.
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9 |
David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 84, 1997.
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10 |
David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 82-84, 1997.
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11 |
Victoria Worsley, Feldenkrais for Actors: How to Do Less and Discover More, London, Nick Hern Books, p. 60, 2016.
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12 |
David Mamet, True and False: Heresy and Common Sense for the Actor, New York, Pantheon Books, p. 101, 1997.
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13 |
Peter Zazzali, Acting in the Academy: The History of Professional Actor Training in the US Higher Education, p. 34, 2016.
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14 |
Toby Cole and Helen K. Chinoy, Actors on Acting: The Theories, Techniques and Practices of the World's Great Actors, Told in Their Own Words, Crown Publications, p. 533, 1970.
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15 |
Peter Zazzali, Acting in the Academy: The History of Professional Actor Training in the US Higher Education, p. 33, 2016.
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16 |
Rhonda Blair, The Actor, Image, and Action: Acting and Cognitive Neuroscience, London and New York, Routledge, p. 40, 2008.
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17 |
David Mamet, Theatre, London, Faber and Faber, p. 37, 2010.
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18 |
Dick McCaw, Training the Actor's Body: A Guide, London and New York, Bloomsbury Methuen Drama, p. 55, 2018.
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19 |
Phillip. B. Zarrilli, Acting (Re) Considered: A Theoretical and Practical Guide, London and New York, Routledge, p. 164, 2002.
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20 |
Peter Zazzali, Acting in the Academy: The History of Professional Actor Training in the US Higher Education, p. 30, 2016.
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