Browse > Article
http://dx.doi.org/10.5392/IJoC.2014.10.2.001

Designing an Interdisciplinary Learning Environment for Conservatory Students: Using the Liberal Arts to Expand Education and Better Support Performance Interpretation  

Auh, Yoonil (Instructional Technology Kyung Hee Cyber University)
Shin, Yeon Sook (Sociology of Education Chungnam National University)
Publication Information
Abstract
This paper discusses designing an interdisciplinary learning environment to promote learning of the liberal arts for advanced music students in order to expand the boundaries of their education experience beyond the technical mastery of their musical instruments. The paper discusses the utilization of salient features of information, communications, and technology and the use of instructional theory to promote the understanding of how individual pieces of music can be connected to knowledge of the context in which they were created to support the understanding of the relationship between experience in the world and musical composition.
Keywords
ICT (information, communications and technology); connected knowledge; global network; learning technology; integrated application technology; learning environment; cognitive flexibility theory; multisensory learning; and interdisciplinary learning;
Citations & Related Records
연도 인용수 순위
  • Reference
1 K. A. Ericsson, R. T. Krampe, and C. Tesch-Romer, "The role of deliberate practice in the acquisition of expert performance," Psychological Review, vol. 100, 1993, pp. 363-406.   DOI   ScienceOn
2 R. Lynn, G. Wilson, and A. Gault, "Simple musical tests as measures of Spearman's g," Personality and Individual Differences, vol. 10, 1989, pp. 25-28.   DOI   ScienceOn
3 R. Shuter, The psychology of musical ability, London: Methuen and Co. LTD., 1968.
4 K. A. Ericsson and N. Charness, Expert, "performance: Its structure and acquisition," American Psychologist, vol. 49, 1994, pp. 725-747.   DOI   ScienceOn
5 P. L. Ackerman, "Individual differences in skill learning: An integration of psychometric and information processing perspectives," Psychological Bulletin, vol. 102, 1987, pp. 3-27.   DOI
6 D. K. Detterman, and J. M. Ruthsatz, "Toward a more comprehensive theory of exceptional abilities," Journal for the Education of the Gifted,vol. 22, 1999, pp. 148-158.   DOI
7 K. A. Ericsson, K. Nandagopal, and R. W. Roring, "Giftedness viewed from the expert performance perspective," Journal for the Education of the Gifted, 28(3), 2005, p. 287, p. 311.
8 D. K. Detterman, and J. M. Ruthsatz, "Toward a more comprehensive theory of exceptional abilities," Journal for the Education of the Gifted, vol. 22, 1999, p. 148, p. 158.
9 K. A. Ericsson, and N. Charness, Expert, "performance: Its structure and acquisition," American Psychologist, vol. 49, 1994, pp. 725-747.   DOI   ScienceOn
10 B. L. Sand, Teaching Genius Dorothy Delay and the Making of a Musician Amadeus Press, 2005.
11 J. Ruthsatz, D. Detterman, W. S. Griscoma, and B. A. Cirullo, "Becoming an expert in the musical domain: It takes more than just practice," Intelligence, vol. 36, 2008, pp. 330-338.   DOI   ScienceOn
12 R. J. Spiro, R. L. Coulson, P. J. Feltovich, and D. Anderson, "Cognitive flexibility theory: Advanced knowledge acquisition in ill-structured domains," In V. Patel (ed.), Proceedings of the 10th Annual Conference of the Cognitive Science Society, Hillsdale, NJ: Erlbaum, [Reprinted in R. B. Ruddell, and M. R. Ruddell (1994), Theoretical Models and Processes of Reading (4th Ed.), Newark, DE: International Reading Association, 1988.
13 I. A. Kang, "Cognitive Apprenticeships, Anchored Instruction, and Cognitive Flexibility Theory Alternative Constructivist Models," Journal of Educational Technology, vol. 12, no. 1, Dec. 1996, pp, 3-23.
14 WCER (2004), Cognitive flexibility, Retrieved January 14, 2011, from WCERUW Organization's eSTEP Web site: http://estep.wceruw.org
15 G. Salomon, Distributed Cognitions: Psychological and Educational Considerations (Learning in Doing: Social, Cognitive and Computational Perspectives), Cambridge University Press; Reprint edition, 1996.
16 D. B. Graddy, 2001, Cognitive flexibility theory as a pedagogy for web-based course design, Retrieved on Jan. 2013, Available online at http://www.southalabama.edu/oll/mobile/theory_workbook/cognitive_flexibility_theory.htm
17 M. L. Kim and J. W. Chung, "Preservice Teachers' Perception in Future Learning Environment," Research Training Method, Article vol. 22, no. 3, Aug. 2010, pp. 97-121.
18 J. Sefton-Green, "Literature Review in Informal Learning with Technology Outside School," Futurelab Report no. 7, 2004.
19 D. Jonassen, D. Ambruso, and J. Olesen, "Designing hypertext on transfusion medicine using cognitive flexibility theory," Journal of Educational Multimedia and Hypermedia, 1(3), 1992, pp. 309-322.
20 T. Adorno, Essay on Music, University of California Press, 2002.
21 E. B. Goldstein, Cognitive Psychology: Connecting Mind, Research, and Everyday Experience, 3rd Edition, Belmont, CA: Wadsworth, 2001.
22 John D. Bransford, Ann L. Brown, and Rodney R. Cocking, editor, How People Learn: Brain, Mind, Experience, and School: Expanded Edition, 2000.
23 A Iran-Nejad, "The global coherence context in educational practice: A comparison of piecemeal and whole-theme approaches to learning and teaching," Research in the Schools, 1(1), 1994, pp. 63-76.
24 Course Bulletin, The Juilliard School, 2005.
25 Course Bulletin, Manhattan School of Music, 2005.
26 Lynne V. Cheney, American Memory, A Report on the Humanities in the Nation's Public Schools, 1987.
27 Course Bulletin, Mannes College of Music, 2005.
28 R. J. Marzano, "Fostering thinking across the curriculum through knowledge restructuring," Journal of Reading, 34(7), 1991, pp. 518-525.
29 A. Mendel, "Gustave Reese (1899-1977): A Personal Memoir," Journal of the American Musicological Society, University of California Press on behalf of the American Musicological Society, vol. 30, no. 3, Autumn 1997, pp. pp. 359-365.
30 J. Dewey, Democracy and Education, Simon & Brown (reprinted-2012), 1916.
31 J. Dewey, Experience and Education, Free Press (reprinted-2007), 1938.
32 J. W. Kim, "Art Area: Interdisciplinary studies of best practice teaching in Germany: Media focused on integrated interdisciplinary research," Digital Design Studies, vol. 28, no. 10, Oct. 2010, pp. 241-252
33 S. Livingstone, Young People and New Media, London: SAGE Publications Ltd. 2002.
34 R. P. Taylor, A Digital World in the School-E-Learning NEWS-Boletin Informativo de los Postgrados Virtuales, 2004.
35 R. Caine and G. Caine, Making connections: Teaching and the human brain, Alexandria, VA: Association for Supervision and Curriculum Development, 1991.
36 S. A. Gallagher and J. J. Gallagher, "Using Problem-based Learning to Explore Unseen Academic Potential," The Interdisciplinary Journal of Problem-Based Learning, vol 7. issue 1, 2013.
37 M. Kemp, Leonardo da Vinci: The Marvellous Works of Nature and Man, Oxford University Press, 2006.
38 R. Sherman, Piano Pieces, North Point Press, 1997.
39 S. Bramly, Leonardo: The Artist and the Man, Penguin Books, 1995.
40 K. Clark, Leonardo Da Vinci an Account of His Development as an Artist, Pelican, 1965.
41 R. J. Spiro, P. J. Feltovich, M. J. Jacobson, and R. L. Coulson, "Cognitive flexibility, constructivism, and hypertext: Random assess instruction for advanced knowledge acquisition in ill-structured Domains," In T. Duffy and D. Jonassen (Eds.), Constructivism and the Technology of Instruction. Hillsdale, NJ: Erlbaum, 1992.