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http://dx.doi.org/10.14400/JDC.2020.18.10.409

A Study on the relationship between a film's visual effects and psychoanalysis -Focusing on Jean-Luc Godard's Le Méris-  

kim, Seok-Weon (Dept of Visual Culture in Korea University)
Kim, Seong-Ho (Dept of Convergence Design in Jungwon University)
Publication Information
Journal of Digital Convergence / v.18, no.10, 2020 , pp. 409-418 More about this Journal
Abstract
The study focused on Jean-Luc Godard's about the relationship between visual effects and psychoanalysis of the film. Godar set up an interpreter for communication between the scenario adaptors and producers, producers and directors, producers and interpreters, and assistants in However, the role of an interpreter is based on the premise that although there is an interpreter, accurate communication is impossible. Such a break in communication is used as a strategy to clearly clarify Godar's own direction while revealing the difficulties of filmmaking as the gap between the two sides in filmmaking becomes clear. Based on Freud's theory of psychoanalysis, the meaning of the study is to analyze Jean-Luc Godard's relationship with filmmakers, directors, writers, actors and how the director visually reproduces the conflict among the invisible participants in the film.
Keywords
Jean Luc Godard; Le $M{\acute{e}}ris$; Andre Bazin; Uncanny; Freud;
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