1 |
Christina Chau, Kinetic Systems: Jack Burnham and Hans Haack, Contemporaneity: Historical Presence in Visual Culture, Vol.3, No.1, 2014.
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2 |
Ian Chilvers & John Glaves-Smith, Oxford A Dictionary of Modern and Contemporary Art, OUP Oxford, 2009
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3 |
George Rickey(translated by Yoon Nan-Ji), Kinetic Art, YeolHwaDang, 1965(1988).
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4 |
Pamela.M. Lee, Bridget Riley's Eye/Body Problem October, Vol. 98 Autumn, 2001, pp. 26-46, 2001.
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5 |
Nikos Stangos(ed.)(Translated by Sung Wan-Kyong and Kim An-Rye, Concepts of Modern Art, MoonYe Publications, 1994.
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6 |
Frank Popper, Kinetic art : Yesterday, Today and Tomorrow, In: Four Essays on Kinetic Art, Motion Books, 1966.
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7 |
E.Lucie Smith(Translated by Misool Segye), Op Art and Kinetic Art, Misool Segye, pp.167-175, 1985.
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8 |
Laszlo Mology-Nagy, Vision in Motion, Paul Theobald, 1964.
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9 |
Hee-Jung Suh, The Formation of Concept about the creation with light on Moholy-Nagy, The Korean Society of Aesthetics and Science of Art 20, pp.199-221, 2004.
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10 |
Simon Rycroft, Art and micro-cosmos: kinetic art and mid-20th century cosmology, Cultural Geographies, 19(4), pp.447-467, 2012.
DOI
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11 |
Florence de Meredieu(Translated by Chong Jae-Gon), Arts et Nouvelles Technologies, YeolHwaDang, 2005.
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12 |
Guy Brett, Teresa Grandas & Mark Nash, Force Fields: Phase of the Kinetic, Hayward Gallery, 1999
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13 |
Christiane Paul (Translated by Cho Choong Yeon), Digital Art, Si-Gong Art, 2003(2007)
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14 |
Ha Im-Sung & Song, Dae-Sup, Study upon the Phantasm of Interactive Media Art and Position Media, Bulletin of Korean Society of Basic Design & Art, Vol. 13, No.5, pp.591-599, 2012.
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15 |
Jay David Bolter & Diane Gromela(translated by Lee Jae-Joon), Windows and Mirrors(Vibration_Oscillation: Digital Art, Interactive Design), Misool-Moonhwa, 2003(2008).
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