Browse > Article

Facial Asymmetry Found in Facial Masks  

Hwang, Kun (Department of Plastic Surgery, and Center for Advanced Medical Education by BK21 Project, Inha University School of Medicine)
Hwang, Pil Joong (Department of Plastic Surgery, and Center for Advanced Medical Education by BK21 Project, Inha University School of Medicine)
Kim, Yeon Soo (Department of Plastic Surgery, and Center for Advanced Medical Education by BK21 Project, Inha University School of Medicine)
Publication Information
Archives of Craniofacial Surgery / v.11, no.2, 2010 , pp. 69-72 More about this Journal
Abstract
Purpose: All masks are created by craftspeople. Accordingly, most masks are generally predictable in dimensions, and the portraitures usually depict the faces and heads of humans. The authors found some masks representing the features of facial asymmetry, such as hemifacial microsomia and rerely lateral facial cleft. Methods: Reviewing the legends of wearing masks with a medley of grotesque features, the authors could deduce the tone of society in those days. Results: A mask, 'crooked mouth', of Native Americans shows typical lineament of hemifacial microsomia. The deformity of the face was legendarily regarded as resulting from trauma caused by either 'one's fault' or a 'curse of God'. 'Grandmother' mask, used in the Korean masque dance of the Kosung province and Sooyoung province also shows the typical features of hemifacial microsomia which represent the old, deserted wife. 'Kori sanni yakka' mask in Sri Lanka, shows the facial asymmetry. In the legend, the child who became demon captured humans and caused illness through wind, phlegm, and bile to revenge on his father who killed his mother by deception of her maid. Conclusion: The authors presume that the victims of severe facial asymmetry were treated contemptuously at that time.
Keywords
Facial asymmetry; Masks;
Citations & Related Records
연도 인용수 순위
  • Reference
1 McCarthy JG, Cutting CB, Hogan VM. Introduction to facial clefts. In: McCarthy JG (ed). Plastic Surgery. Philadelphia: WB Saunders, 1990, p 2437
2 Pertschuk MJ, Whitaker LA. Social and psychological effects of craniofacial deformity and surgical reconstruction. Clin Plast Surg 9: 297, 1982
3 Mack J. Masks and the art of expression. New York: Time Mirror, 1994, p 9
4 Hwang K, Chung RS. Masks depicting hemifacial microsomia and cleft lip. J Craniofac Surg 13: 721, 2002   DOI   ScienceOn
5 Billard JB (ed). The world of the American Indian. Washington, DC: National Geographic Society, 1979, p 122
6 Korean museum research society. Korean Museums I. Seoul, Munyemadang Publishing Co., 1998, p 66, 93, 173, 189, 214
7 Lee DH. Mask dances of Korea. Seoul: Iljisa Publishing Co, 1981, p 15
8 http://www.asiarecipe.com/srimasks.html
9 National Museum of Korea. Masterpieces of Japanese art. Seoul: Sol Publishing Co. 2002, p 61, 202
10 Housman SB. Psychosocial aspects of plastic surgery. In: McCarthy JG (ed). Plastic Surgery. Philadelphia: WB Saunders, 1990, p 113
11 Carson BS, Dufresne CR. Patient-family counseling and education. In: Dufrence CR (ed). Complex craniofacial problems: a guide to analysis and treatment. New York: Churchill Livingstone Inc, 1992, p 131