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http://dx.doi.org/10.5392/JKCA.2020.20.03.275

A Study On The Iranian Woman Film Director: Samira Makhmalbaf - Centering on (1998), (2000), (2003)  

Kang, Nae-Young (경성대학교 연극영화학부)
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The Journal of the Korea Contents Association / v.20, no.3, 2020 , pp. 275-285 More about this Journal
Abstract
The purpose of this study is to explore the Iranian Woman Film Director Samira Makhmalbaf and her cinema world. Samira represents Iranian Islamic social problem base on her woman identity, and She is a symbolic director who is working Iranian new wave at the 21th. She has directed five movies as (1998), (2000), (2002), (2003), (2008). For this study, explore traits of esthetics, subject and context meaning by analyzing representative three movies. Lastly examines significance of his movies in Iranian film history. In terms of esthetics, she tends to combinate between metaphor and reality, And, In thematic consciousness, consistently describes Islamic women's lives and liberty, anti-war and peace, sympathy for the under-privileged, etc. She inherits the tradition of Iranian third wave 'Children Cinema', and simultaneously tries to overcome Iranian art film tradition. Director Samira Makhmalbaf is a symbol of progress and change in Iranian film history, and is opening the new future of Iranian film.
Keywords
Woman Director; Samira Makhmalbaf; Iranian Film; New Wave; Mohsen Makhmalbaf;
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