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http://dx.doi.org/10.5392/JKCA.2015.15.06.073

Pathos of S. Eisenstein's Film Form  

Kim, Jong-Guk (백석대학교 문화예술학부)
Publication Information
The Journal of the Korea Contents Association / v.15, no.6, 2015 , pp. 73-80 More about this Journal
Abstract
Sergei Eisenstein explains pathos as the basic principles of artistic creation in "The Structure of the Film" written in 1939. The definition of pathos is embodied as effect to leap the audience in ecstasy. Pathos aiming at qualitative configuration of the audience's emotions is film form and the core of cinematic expression as important as montage. Eisenstein as one of the greatest film directors sought to theorize cinematic art. He wanted to fuse the creative and theory of film through principles such as the collision montage, intellectual image, and construction of pathos. This study explores the background of the discussion that Eisenstein going beyond the status as an artist wanted to experiment with montage to lead the change in audience and build pathos effect in the extended. This article examines the meaning of pathos in works of art he explained. It should also be understood the construction of pathos for changing the emotion of the audience through the example of the film he analyzed.
Keywords
Pathos; Ecstasy; Montage; Leap;
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