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2 |
The Third Man, Dir. Carol Reed, London Film Productions, London,1949.
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3 |
Syd Field, Screenplay: The Foundations of screenwriting, A Divisionof Random House Inc., New York,p.41, 2007.
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4 |
Graham Greene, Ways of Escape, Viking Penguin Inc, London, pp.103-104, 1988.
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5 |
S. T. Coleridge, Biographia Literaria, Princeton University Press, New Jersey, Chapter XIV, p.89,1983.
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6 |
V. F. Perkins, Film as Film, Penguin Books, London, pp.119-120, 1972.
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7 |
Gorge Wilson, Film, Perception and Point of view, MLN, Vol.91, No.5, The Johns Hopkins University Press, Philadelphia, p.91, 1976.
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8 |
http://www.learner.org/interactives/literature/read/pov1.html
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9 |
Aristotle, Trans. Ingram Bywater, The Poetics, Kessinger Publishing, M.T., p.21, 2004.
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10 |
Alfred Hitchcock, "Core of the Movie-The Chase," originally published in the New York Times Magazine, in Hitchcock on Hitchcock, p.125, 1950(10).
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11 |
Sol Stein, Stein on Writing, St. Martin's Griffin, New York, pp.82-84, 2000.
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12 |
Sara Cliffordand Anna Herrmann, Makinga Leap: Theatre for Empowerment, Jessica Kingsley Publishers, London, p.217, 1999.
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13 |
Costnzo Cahir, Linda & Welsh, and M. James, Literature into Film: Theory and Practical Approaches, McFarland & Company, North Carolina, p.70, 2006.
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14 |
Edited by Ward E Jones & Samantha Vice, Ethicsatthe Cinema, Oxford University press, New York, p.298, 2011.
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15 |
William Acher, Play-making: A Manual Of Craftsmanship, BiblioBazaar, London, p.147, 2006.
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16 |
Alex Epstein, Crafty Screenwriting: Writing Movies That Get Made, Owl books, New York, p.4, 2002.
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17 |
A. Mackendrick, On Film-making: An Introduction to the Craft of the Director, Faber and Faber, Inc., New York, p.21, 2005
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