1 |
Robert Leach, Makers of Modern Theatre - An Introduction, Routledge, p.71, 2004.
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2 |
Robert Gordon, The Purpose of Playing - Modern Acting Theories in Perspective, The University of Michigan Press, pp.111-113, 2006.
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3 |
Jonathan Pitches, "Two Perspectives on the Phenomenon of Biomechanics in Contemporary Performance," Studies In Theatre Production, Vol.16, p.101, 1996.
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4 |
Jonathan Pitches, Vsevolod Meyerhold, Routledge, p.127, 2003.
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5 |
Alma Law and Meyerhold Mel Gordon, Eisenstein and Biomechanics - Actor Training in Revolutionary Russia, McF, p.99, 1996.
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6 |
Jonathan Pitches, Vsevolod Meyerhold, Routledge, p.113, 2003.
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7 |
Jonathan Pitches, Vsevolod Meyerhold, Routledge, p.115, 2003.
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8 |
Jonathan Pitches, Vsevolod Meyerhold, Routledge, p.76, 2003.
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9 |
Nicole Potter, Movement for Actors, Allworth Press, p.4, 2002.
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10 |
Robert Leach, Makers of Modern Theatre - An Introduction, Routledge, p.77, 2004.
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11 |
Jonathan Pitches, Vsevolod Meyerhold, Routledge, p.99, 2003.
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