1 |
Akiyama, T. (1992). Japanese Painting (S. M. Lee, Trans.). Seoul. Korea: Yekyung. (1961)
|
2 |
An, H. j. (1980). Korean painting history. Seoul. Korea: Iljisa
|
3 |
Choi, S. E. (2002). Comparison between Korea and Japan: aesthetic characteristics of traditional costume. Korea Society for Science of Eastern Art, 6, pp. 317-349.
|
4 |
Gyeonggi Provincial Museum. (Ed.) (2010). The Essential Art of Costume in Joseon Dynasty. Yongin, Republic of Korea: Gyeonggi Provincial Museum.
|
5 |
Han, J. H., Bae, J. H., Han, D. S., & Ju, K. M. (2007). Oriental Art History(1) [동양미술사(상권)]. Seoul. Korea: Mijinsa.
|
6 |
Hanbok Traditional Korean Dress (2016, May 23). Retrieved from http://www.freeridebikepark.com/hanbok-traditional-korean-dress
|
7 |
Hanbok Advancement Center. (2015). Hanbok, korean costume we want to wear [입고 싶은 우리옷 한복] September 2015 N02. Seoul, Korea: Hanbok Advancement Center
|
8 |
Hara, K. (2009). White, (J. H. Lee, Trans.). Seoul. Korea: Ahn Graphics. (2008)
|
9 |
Hong, N. Y., Kim, C. j., You, H. K., & Lee, J. H. (1999). A Study on Comparative Culture about the Development Process of the Cultural Heritage Style in Asia (2). Asian Comparative Folklore Society, 17, pp. 315-334.
|
10 |
Jang, S. E. (2007). A Study on the Clothing Styles of Renaissance and Baroque Focused on H. Wolfflin's Methodology. Journal of the Korean Society of stume, 57(7), pp. 15-29.
|
11 |
Ji, S. H. (2015). South Korea, China, Japan aesthetic [한중일의 미의식]. Seoul. Korea: Artbooks.
|
12 |
Jung, H. R. (2003). A study On the History and Patterns of the Japanese Kosode. Korean Antiquity 62, pp. 87-112.
|
13 |
Junihitoe (2016, May 23). Retrieved from https://commons.wikimedia.org/wiki/File:Crown_Prince_Akihito_%26_Michiko_Shoda_Wedding_1959-4.jpg
|
14 |
Kim, M. J. (2004). A study on the Source of Hanbok in ancient times and the position of te Hanbok on the Globalism. Journal of korean Traditional Costume, 7(1), pp. 7-15.
|
15 |
Koike, M., Noguchi, H., Yosimura, K., & Shibata, M. (2005). Costume History and Life Culture History of Japan, (E. J. Hur, trans.). Seoul, Korea: Eomunhaksa. (2000, 2002)
|
16 |
Kim, M. J. (2013). Aestherics in Dress. Seoul. Korea: Kyomunsa.
|
17 |
Kim, M. K., Hwang, S. H. (2008). Critics of Korean Painting. Seoul. Korea: Kariart
|
18 |
Kim, S. H. (2002). Traditional Style and Chinese Style appears in Costume of the Joseon Dynasty period. Oriental Art, 5, pp. 5-42.
|
19 |
Lee, J. M., & Kim, M. J. (2006). Aesthetic Characteristics of Korean and Japanese Women's Traditional Costumes From the Viewpoint of Oriental Aesthetics. Journal of the Korean Society of Costume, 56(5), pp. 132-149.
|
20 |
Lee, K. J. (1986). A Study of the Aestical Features of Traditional Korean Costume. Journal of Research Institute of Korean Culture, 51, pp. 281-308.
|
21 |
Lee, K. J. & Kim, J. G. (1997). The Spatial Space Analysis on Naksunjae. Journal of Conference of the Architectural Institute of Korea, 17(2), pp. 449-455.
|
22 |
Lee, K. H. (2011). Transition of Japanese Kimono Design. Fashion & Textile Research Journal, 13(1), pp. 32-43.
DOI
|
23 |
Lee, M. L., Park, H. K., Kim, I. G., Lee, J. H., Ku, H. W., & Lim, Y. A. (2007). Oriental Art History(2) [동양미술사(하권)]. Seoul. Korea: Mijinsa.
|
24 |
Lee, O. Y. (2015). Lee O Young's Wrapping cloth Humanities [이어령의 보자기 인문학]. Seoul. Korea: Maroniebooks.
|
25 |
Lee, S. M. (2007). The Compositional Principle of Kim Jeong-hui's Sehando and the Evolution of its Mounting Format. Arts Resource, (76), pp. 59-84.
|
26 |
Namgung, M. J. (1999). (A) Study on the Influence of Japanese Folkcostume in the Modern Japanese Fashion. Seoul Women's University Graduate School, Master's Thesis.
|
27 |
Lim, Y. J. & Pack, J. S. (2002). A study of Costume Aesthetic consciousness between Ancient Northeast Asia countries. The Journal of Asian Ethno-Forms and Culture 3, pp. 155-168.
|
28 |
Lim, Y. J., & You, S. L. (2000). Special Character of Korean Costume & Changing Process Aesthetic. Journal of the Korean Society of Costume, 50(8), pp. 57-66.
|
29 |
Masuiwaya (2016, May 23). Retrieved from http://www.masuiwaya.co.jp/furisode/hanasaki02.html
|
30 |
Oh, S. Y. (1995). Ideology study of Ink painting focusing on blank space. (Unpublished mater dissertation). Sookmyung Women's University, Republic of Korea.
|
31 |
Park, M. H. & Shim, S. B. (2016). Modern fashion design development using morphological characteristics of Hanbok. Journal of the Korean Society of Costume, 66(2), pp. 134-147.
DOI
|
32 |
Ryu, H. K., Kim, M. J., Cho, H. S., Park, M. Y., Shin, H, S., Kim, Y. J. & Choi, E. S. (2008). 2000 Years of Korean Fashion and Culture. culture of art.
|
33 |
Saski, J., Lee, H. W. (1997). Literati painting of Japan. Art History Forum, 4, pp. 65-76.
|
34 |
Shin, M. Y. (2009). Characteristics of Paintings by Literary Artists from Kim Jeong-hee's Sehando. (Unpublished mater dissertation). Chungbuk National University, Republic of Korea.
|
35 |
Soh, H. O. (2002). Korean costume's association with a foreign culture. Proceedings of the World Congress of Korean Studies, 1, pp. 476-487.
|
36 |
Tabane-Noshi Furisode (2016, May 23). Retrieved from http://www.thekimonogallery.com/1885.html
|
37 |
Wolfflin, H. (1994). Kunstgeschichtliche Grundbegriffe. (J. H. Park, Trans.). Seoul. Korea: Sigomgsa. (1915)
|
38 |
Tsuji, N. (1994). Nihon bijutsu no mikata, (W. H. Lee, Trans.). Seoul. Korea: Sigomgsa. (1992)
|