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A Study of Surrealistic Hat Designs and Their Organic Relationship with Clothes in Modern Fashion (1990-2008)  

Kim, Eun-Sil (Dept. of Fashion Design, Honnam University, Gwang-Ju Design Center)
Publication Information
Journal of the Korean Society of Costume / v.59, no.8, 2009 , pp. 66-81 More about this Journal
Abstract
The purposes of this study were to analyze the formative relationship between Surrealistic clothes and hat with the focus on the period from the 1990's to 2008 and to find out the development direction of next hat design. The method to analyze the relationship between clothes and hats was the formative analysis by Marian L. Davis and Marilyn R. Delong. Hat design of surrealism was cylindrical or tear drop in a shape according to the principle of $D{\acute{e}}paysement$ and Trompe l'oeil, and was similar with the Form of a jacket, a sleeve, or a skirt. In color, accent color coordination mainly appeared and sometimes contrast color coordination induced illusion effect. In material, a variety of materials were used according to the principle of $D{\acute{e}}paysement$ and Trompe l'oeil, and contrast was widely used like color. In Decoration, the decoration or pattern of clothes was intactly applied to hats. The results suggest that clothes and hat have an organic relationship, and a hat style is changed with formative elements of clothes.
Keywords
formative relationship; surrealistic characteristics; Marian L. Davis and Marilyn R. Delong; form; color; material; decoration;
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