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Continuity and Discontinuity of the Neoclassic Style in Early Twentieth Century Fashion Modernism  

Ham Youn-Ja (Dept. of Fashion Design, Dong-Eui University)
Kim Min-Ja (Dept. of Clothing & Textiles, Seoul National University)
Publication Information
Journal of the Korean Society of Costume / v.56, no.4, 2006 , pp. 148-159 More about this Journal
Abstract
The purpose of this study is to understand continuity and discontinuity of the neoclassic style in early twentieth century fashion modernism. Researching relations in fashion between eighteenth to nineteenth century and twentieth century, the theory of 'linked solution' suggested by Kubler and Broadsky has been accepted. The results of this study are as follows: In early twentieth century fashion, continuity of the neoclassic style is considered as presentation of geometric form based on anatomical truth of the human body and moderation of decoration. Also simple construction to present practical purpose of the dress in honesty were continued. On the other hand, discontinuity of the style is found in the imitation of men's classic tailored suits and standardization of sizes and styles. These are considered to reflect such early twentieth century sociocultural contexts as equality of the sexes and mechanical aesthetics. Hopefully this study will contribute to the broadening of insight in fashion connecting traditions.
Keywords
neoclassic style; continuity of a style; discontinuity of a style; the clarity of form;
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