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A Case Study on the Local Culture Festival in the Contact-free Era

비대면 시대의 지역문화축제 사례연구

  • 안혜령 (한양대학교 문화콘텐츠학과) ;
  • 김치호 (한양대학교 문화콘텐츠학과)
  • Received : 2021.08.23
  • Accepted : 2021.11.20
  • Published : 2021.11.28

Abstract

The purpose of this study is to analyze local cultural festivals hosted contact-free in the corona era and to suggest the direction for sustainable festivals in the post-corona era. To this end, by analyzing the cases of well-known festivals held contact-free in 2020 and 2021, we tried to get implications for the festivals in the post-corona era from there. As a result of this study, contact-free festivals had the following characteristics. First, the on-tact method, which produces and transmits a video or allows interaction through real-time participation, was prominent. Second, in order to compensate for the shortcomings of the contact-free method, various efforts have been made to enable on-tact experience by making and delivering experience kits in the case of experiential elements of the festival in advance. Third, communication was secured through real-time comments, and fourth, products were sold through the Internet and live commerce channels, and a certain effect was obtained. In particular, in the case of online festivals, there is a problem of loss of the sense of place of the festival, but there are cases of online festivals with more participation than offline festivals. It is judged that the problem of how to achieve this will become a reference material for the future development of contact-free festival contents.

본 연구는 코로나 시대에 비대면으로 주최된 지역문화축제들을 분석하고 포스트코로나 시대에도 지속가능한 축제 진행의 방법에 대하여 그 방향을 제시하는데 목적이 있다. 이를 위하여 2020년, 2021년에 비대면으로 진행한 인지도 있는 축제들의 사례를 분석하여 거기에서 포스트코로나 시대의 축제에 대한 시사점을 얻고자 하였다. 이렇게 연구를 진행한 결과 비대면 축제들의 경우 다음과 같은 특성이 있었다. 첫째, 영상을 제작하여 송출하거나 실시간 참여로 상호작용을 하도록 하는 온택트의 방식이 두드러졌고 둘째, 비대면 방식의 단점을 보완하고자 축제의 체험적 요소의 경우 체험 키트 등을 제작하여 사전에 전달하는 방식으로 온택트 체험을 가능하게 하는 등 다양한 노력이 있었으며 셋째, 실시간 댓글을 통해 소통성을 확보하였고 넷째, 인터넷 및 라이브 커머스 채널을 통해 상품 판매를 진행하여 일정한 효과를 얻은 것으로 나타났다. 특히 온라인 축제의 경우 축제의 장소성 상실이라는 문제가 내재해있지만, 오프라인 축제보다 더 많은 참여가 이루어진 온라인 축제의 사례도 있어, 온라인 축제의 접근의 용이성을 어떻게 잘 활용할 것 인가하는 문제와 참여자와의 소통을 어떻게 이루어 내느냐는 문제가 향후 비대면 축제 콘텐츠 개발을 위한 참고자료가 되리라 판단한다.

Keywords

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