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포스트-인터넷 아트에서의 이미지 특징과 예술적 적용에 관한 연구

A Study on the Characteristics and Artistic Application of the Image in Post-Internet Art

  • 노아영 (경북대학교 예술대학 미술학과) ;
  • 이정은 (경북대학교 예술대학 미술학과)
  • 투고 : 2020.09.28
  • 심사 : 2020.10.21
  • 발행 : 2020.11.30

초록

본 연구는 '포스트-인터넷 아트'라는 맥락에 기초하여 네트워크를 매개로 한 이미지의 실체에 대해 알아보고, 작품 이미지 안에서의 적용 사례를 분류·분석하는데 연구의 목적이 있다. 웹2.0의 배경과 확장된 디지털·네트워크 환경을 포괄하는 포스트-인터넷 아트에서 이미지는, 고정된 형태를 넘어 다양한 포맷으로 변형·재매개되는 성격을 지닌다. 특히 디지털상에서 저화질로 복제·다운로드·재편집되는 이미지를 히토슈타이얼은 '빈곤한 이미지'라 명명하였으며, 디지털 네이티브 세대인 젊은 작가들은 변화된 네트워크 환경을 포착·재맥락화하고, 다양한 이미지로서 묘사한다. 이러한 맥락에서 포스트-인터넷 아트에서의 이미지 적용을 SNS, 운영체제, 웹사이트에서 발견한 이미지를 수집 후 재구성한 '질료로서 수집된 이미지', 편집프로그램을 통해 새롭게 가공·재맥락화한 '작업에서 가공되는 이미지', 디지털 사회의 단면을 가상과 실재가 결합된 영상·이미지로 나타낸 '혼합된 디지털-현실 이미지'로 분류·분석 할 수 있다.

This study intended to examine the nature of image which uses the network as the medium in the context of 'post-internet art' and categorize and analyze the cases of applications within art images. In the post-internet art which embraces the background of Web 2.0 and extended digital and network environment, image is transformed and re-mediated into various formats beyond fixed forms. Hito Steyerl defined the image, copied, downloaded, and reedited digitally in low quality as 'poor image.' Young artists, the digital native generation, capture and re-contextualize the changed network environment and depict it in various images. In this context, the application of image in post-internet art can be categorized and analyzed into the 'Image Collected as Material' produced by collecting and recomposing images found in social media, operating system, and website, 'Image Processed through Work' which is newly processed and re-contextualized by using editing programs, and 'Combined Digital-Reality Image' which represents the section of the digital society as the film and image that combine virtuality and reality.

키워드

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