DOI QR코드

DOI QR Code

Exploring Movement Culture's Perception Based on Semantic Network Analysis: Focusing on K-pop Dance and Taekwondo performance

의미연결망 분석을 적용한 Movement Culture의 인식 탐색: K-pop Dance와 태권도 공연을 중심으로

  • Shin, Jin-Ho (School of Global Sport Studies, Korea university) ;
  • Kim, Hye-Ryeon (Institute of Physical Science, Korea National Sport University)
  • 신진호 (고려대학교 국제스포츠학부) ;
  • 김혜련 (한국체육대학교, 체육과학연구소)
  • Received : 2020.07.26
  • Accepted : 2020.08.20
  • Published : 2020.08.31

Abstract

The purpose of this study is to explore the perception of K-pop dance and Taekwondo performances in Movement culture using semantic network analysis. The research subjects were selected from 105 students from K University in Daejeon. The method of selecting the research subject was a snowball sampling method among non-probability sampling methods, and a mobile Google questionnaire was used as the research tool. The results are as follows. First, it was found that the concepts of 'globalization', 'culture', and 'celebrity' in K-pop dance are the main cognitive concepts calculated more than 20 times. Second, as a result of analyzing the meaning network of K-pop dance recognition, it was found that the concepts of 'culture', 'popularity', and 'famous' are the main concepts of k-pop dance recognition. Third, the Taekwondo performance can be confirmed that the concepts of 'good', 'Korea', and 'temperance' are the main concepts calculated more than 20 times. Fourth, as a result of analyzing the meaning network of Taekwondo performance recognition, it was found that the concepts of 'movement', 'Korea', and 'good' are the main concepts of Taekwondo performance recognition.

이 연구는 의미연결망 분석을 활용하여 Movement culture 중 K-pop 댄스, 태권도 공연의 인식을 탐색하는 것이 목적이다. 연구대상은 대전 소재 K 대학의 105명으로 선정하였다. 연구대상의 선정방법은 비확률 표집방법 중 눈덩이표본추출법을 사용하였으며 조사도구는 모바일 구글 설문지를 사용하였다. 결과는 다음과 같다. 첫째, K-pop 댄스는 '세계화', '문화', '유명'의 개념이 20회 이상 산출 된 인식의 상위 개념임을 알 수 있었다. 둘째, K-pop 댄스 인식의 의미연결망 분석 결과, '문화', '인기', '유명' 개념이 k-pop 댄스 인식의 주요 연결개념임을 알 수 있었다. 셋째, 태권도 공연은 '좋음', '한국', '절제의 개념이 20회 이상 산출된 상위개념임을 확인할 수 있다. 넷째, 태권도 공연 인식의 의미연결망 분석 결과, '움직임', '한국', '좋음' 의 개념이 태권도 공연 인식의 주요 연결개념임을 알 수 있었다.

Keywords

References

  1. Y. J. Lee, "Possibility of gugak fusion bands as shin-hallyu content", Journal of the Korea Entertainment Industry Association, Vol.14, No.3 pp. 323-331, (2020). https://doi.org/10.21184/jkeia.2020.4.14.3.323
  2. S. A. Jung, A study on the acceptance of korean cultural contents by the post-90s generation in china [doctoral dissertation], Hankuk University of Foreign Studies, (2017).
  3. J. N. Lee, "A study on the effects of intangible attribute of hallyu in china on korean national image", Journal of Convergence for Information Technology, Vol.10, No.1 pp. 93-98, (2020). https://doi.org/10.22156/CS4SMB.2020.10.01.093
  4. I. S. Kim, "Correlation between the use of korean media contents, korea's country image, and the intention to visit korea: a survey of college students in china", Journal of China Studies, Vol.23, No.1 pp. 19-40, (2020). https://doi.org/10.20288/JCS.2020.23.1.19
  5. Korean Foundation for International Cultural Exchange, 2018 Survey on the hallyu in Foreign Countries, Korean Foundation for International Cultural Exchange, (2018).
  6. I. K. Kim, W. H. Jang, "Korean wave and anti-korean wave in china from acculturation to hybridization", Korean Regional Sociology, Vol.14, No.2 pp. 175-202, (2013).
  7. E. K. Han, W. S. Chang, J. H. Lee, "The exploratory study of the constructs of Anti korean wave", Korean Journal of Hospitality & Tourism, Vol.16, No.3 pp. 217-235, (2007).
  8. S. J. Lee, "A study on korean wave and its negative feelings: focusing on chinese netizens", Korean Journal of Communication Studies, Vol.25, No.5 pp. 81-101, (2017). https://doi.org/10.23875/kca.25.5.4
  9. S. J. Lee, "A study on the anti-korean wave and getting a social problem by analysis and solutions", The Society of Korea Illusart, Vol.19, No.2 pp. 1-7, (2016).
  10. H. R. Kim, C, H, Choi, "Exploring the Teaching Competency of University Korean Dance Instructor : Application of Semantic Network Analysis", Official Journal of Korean Society of Dance Science, Vol.35, No.3 pp. 59-72, (2018).
  11. S. J. Oh, "Attractiveness factors in K-POP: Focused on American Consumer of K-Pop in U. S. A.", Journal of Kssss, Vol.24, pp. 205-223, (2012).
  12. H. J. Im, "Perceptions and Experience of Pre-Physical Education Teachers on Integrated Education of Takwondo and K-pop Dance", Taekwondo Journal of Kukkiwon, Vol.10, No.2 pp. 111-131, (2019). https://doi.org/10.24881/tjk.2019.10.2.111
  13. M. Y. Lee, "Exploring the Possibility of Taekwondo Performances as Cultural Marketing", Taekwondo Journal of Kukkiwon, Vol.7, No.3 pp. 83-107, (2016). https://doi.org/10.24881/tjk.2016.7.3.83
  14. N. H. Jeon, O. H. Kim, "The Globalization of Taekwondo Recognized by Overseas Taekwondo Leaders", Taekwondo Journal of Kukkiwon, Vol.10, No.4 pp. 23-46, (2019). https://doi.org/10.24881/tjk.2019.10.4.23
  15. R. J. Lee, "Commercialization Measurement for Taekwondo Performance as Contents of the Cultural Arts Industry", Korean Journal of Sociology of Sport, Vol.27, No.3 pp. 1-26, (2013).