Journal of the Korean Society of Clothing and Textiles (한국의류학회지)

The Korean Society of Clothing and Textiles (한국의류학회)
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What Causes Haptic Experience in Fashion Film?

패션필름에 나타난 촉지각 경험 유발 요인

  • Kwon, Jeanne (Dept. of Fashion Design, School of Art, Sungkyunkwan University) ;
  • Lee, Sooyong (Dept. of Mechanical & System Design Engineering, Hongik University) ;
  • Yim, Eunhyuk (Dept. of Fashion Design, School of Art, Sungkyunkwan University)
  • 권지안 (성균관대학교 의상학과) ;
  • 이수용 (홍익대학교 기계.시스템디자인공학과) ;
  • 임은혁 (성균관대학교 의상학과)
  • Received : 2019.02.18
  • Accepted : 2019.06.25
  • Published : 2019.08.31
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Abstract

Fashion films with screen limits have a way of changing communication methods through sensorial organs in order to go beyond limits. This study shows that such change is possible if fashion films are based on haptic factors. This study examines haptic factors of fashion films from the three perspectives of filming factors of different shot size, synesthetic, and cinematic screen methods. First, when the subject to be emphasized is enlarging, the observer comes to project themselves to the situation and incurs a haptic sensation. Second, when associating an experience by personal recollection or social customs when more than two senses are stimulated simultaneously, haptic sensations, triggered by multiple senses, takes place. Third, a blurred image shows haptic sensations through inducing observers to see into the meaning of a shot. As a result, the senses of the observer enlarge and enhance a communication ability through absorbing and accepting a fashion film. Furthermore, fashion films are effective in understanding the cultural forms of the age.

Keywords

Acknowledgement

Supported by : 한국연구재단

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