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A Convergence Research Study of Southern Fujian Region in China during the Song Dynasty analyzing the Export of Ceramics

송(宋)대 민남(閩南)지역의 수출 도자기 융합현상 분석

  • Lim, Chun (Division of Formative Design, Kongju National University) ;
  • Kun, Yue (Division of Formative Design, Kongju National University) ;
  • Zheng, Zheng (Division of Formative Design, Kongju National University) ;
  • Park, Jungwon (Division of Formative Design, Kongju National University) ;
  • Kim, Won-Seok (Division of Formative Design, Kongju National University)
  • 임천 (공주대학교 조형디자인학부) ;
  • 악쿤 (공주대학교 조형디자인학부) ;
  • 정정 (공주대학교 조형디자인학부) ;
  • 박중원 (공주대학교 조형디자인학부) ;
  • 김원석 (공주대학교 조형디자인학부)
  • Received : 2019.11.14
  • Accepted : 2019.02.20
  • Published : 2019.02.28

Abstract

A Convergence Research Study of Southern Fujian Region in China during the Song Dynasty analyzing the Export of Ceramics During the Song Dynasty in China ceramics made in the Southern Fujian (also known as Minnan) region were exported to different countries in Southeast Asia including the Philippines, Thailand and more. They were even exported to Korea, Japan and through trade they traveled as far as Africa. Ceramics was one of the three main sea route export item of China at the time and there were active commercial trading between Korea as well as other countries, enabling ceramics to develop rapidly. The harmonious reciprocal relationship between the geographical, political, cultural, economical characteristics of Southern Fujian enabled a unique type of celadon ware widely recognized to develop. Ceramics of this region is one of a kind in terms of history when we relate it to research on integrating different elements. It suggests a unique convergence of culture when we study its forms and its industrial characteristics. The study attempts to analyze the influence of geography, politics, economy and culture on the different phenomena found in ceramics. Different paradigms associated with changes of environment reflect on continued development in the field of ceramics.

송(宋)대 민남(?南)지역의 수출 도자기 융합현상 분석 중국 송(宋)나라 시대(960-1279) 민남(?南)에서 제작된 도자기는 필리핀, 태국 등 동남아시아지역을 비롯한 한국, 일본, 멀리는 아프리카까지 무역을 통해 수출되었다. 중국 역사에서 3대 해양무역의 제품인 도자기를 통해 국내를 비롯한 해외와 교역하면서 왕성하게 발전하였다. 민남의 청자가 세계적으로 알려진 것에는 당시 민남 지역만의 지리적, 문화적, 정치적, 경제적 특성들이 조화롭게 상호작용을 통해 융합된 결과이기도 하다. 이는 민남 도자기가 중국 도자기 역사상 유일한 융합의 가치를 세운 근본 원인이기도 하다. 또한, 이러한 민남 도자기는 특수한 문화적 융합의 형태와 산업 모델을 제시하였다. 이 연구에서는 민남에서 보이고 있는 다양한 융합현상을 지리적, 문화적, 정치적, 경제적 환경에서 발생한 민남 도자기의 특성을 통해 분석한다. 이를 통해 도자분야의 지속적 발전을 위한 새로운 패러다임으로서 환경적 영향에 의한 융합의 가능성을 전망해보고자 한다.

Keywords

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Fig. 1. Maritime Trade Routes on the Southern Song

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Fig. 2. Yuezhoyao, Longquannyao, Cizhouyao Ceramics on the Southern Song

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Fig. 3. Comparison of Quanzhou and Jingdezhen Ceramics

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Fig. 4. Longquannyao Ceramics, and Jingdezhen Decoration Techniques(반칼: 半刀泥)

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Fig. 5. Exportable Kundika for South-East Asia

Table 1. Representative kiln in Minnam Province

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Table 2. Pattern Design of Exportable Ceramics in Minnam Province

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