한국멀티미디어학회논문지 (Journal of Korea Multimedia Society)

  • 제21권10호
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  • Pages.1211-1220
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  • 2018
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  • 1229-7771(pISSN)
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  • 2384-0102(eISSN)
한국멀티미디어학회 (Korea Multimedia Society)
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마야 데렌의 영화적 시간과 공간: '인위적 리얼리티'

Cinematic Time and Space in Maya Deren's Films: 'Artificial Reality'

  • 투고 : 2018.06.11
  • 심사 : 2018.08.28
  • 발행 : 2018.10.31
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초록

Maya Deren is well known as the 'mother' of the American avant-garde films by her first short, Meshes of the Afternoon (1943). One of the major contributions of Maya Deren's theoretical body of work to the visibility was the invention of a new vocabulary for independent film-making such as 'film-poems', and 'choreo-cinema'. To create experimental film forms, she chose poetry, dance, architecture and music as a metaphor to describe her images. On the top of these arts, Maya uses camera works and editing system to achieve an 'artificial reality' whose character is miraculous in that living whole, in order to help the audience to experience a protagonist's psychological journey.

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참고문헌

  1. B. Nichols, Maya Deren and the American Avant-Garde: The Modernist Poetics of Maya Deren, University of California Press, Calif., 2001.
  2. B. W. Jeon, M.C. Cha, "VR & Changes in Cinematic Storytelling-Focusing on Film Composition Unit, Montage, Space, Mise-enscene and Perspective", Journal of Korea Multimedia Society Vol. 21, No. 8, pp. 991-1001, 2018. https://doi.org/10.9717/kmms.2018.21.8.991
  3. A. Sitney, Visionary Film The American Avant-Garde 1943-2000, Oxford University Press, New York, 2002.
  4. M. Deren, An Anagram of Ideas on Art, Form and Film, Trans. B. Kim, The Cinema & Transmedia Institute at Dong-Eui University, Busan, 2018.
  5. G. Youngblood, Expanded Cinema, E. P Dutton and Company, New York, 1970.
  6. M. Deren, "Cinema as an Art Form", New Directions 9, p. 262, 1946.
  7. A. Sitney, Visionary Film The American Avant-Garde 1943-2000, Oxford University Press, New York, 2002.
  8. M. Deren, "Cinematography : The　Creative Use of Reality", Daedalus 89, no. 1, In Film Theory and Criticism, Edited by Gerald Mast, Marshall Cohen and Leo Braudy. Oxford University, New York, pp. 193-194, 1992.
  9. A. Sitney, Visionary Film The American Avant-Garde 1943-2000, Oxford University Press, New York, 2002.
  10. M. Deren, "Shooting Plan for A Study for Choreography for Camera", p.65, 1945.
  11. J. Amount, The Image, Trans. J. Oh, Dongmunseon, Seoul, 2006.
  12. M. Deren, "Choreography for the Camera", Dance Magazine, Dance Media, New York, p. 20, 1945.
  13. H. Kim, "A Study for A Study for Choreography for Camera," The Korean Society of Dance, Vol. 35, No. 70, p.15, 2003.
  14. M. Deren, "On Hollywood and the Chamber Film," Film Culture, Vol. 39, pp. 38-39, 1965.
  15. G. Youngblood, Expanded Cinema, E. P Dutton and Company, New York, 1970.
  16. C. Linde, Filmmaking : A Practical Guide, Englewood Cliffs, Prentice-Hall Inc., New Jersey, 1976.