Journal of English Language & Literature (영어영문학)
- Volume 64 Issue 4
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- Pages.617-628
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- 2018
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- 1016-2283(pISSN)
DOI QR Code
Literature as a Strange Body: Modernity, Literariness and Dislocation
- Lee, Alex Taek-Gwang (Kyung Hee University)
- Received : 2018.11.30
- Accepted : 2018.12.20
- Published : 2018.12.31
Abstract
The aim of this essay is to discuss the relationship between Korean literature and Korean intellectual scenes. Since its first introduction to the local context, literature as a genre has served as a field in which colonial and post-colonial intellectuals have attempted to win the accreditation of Western enlightenment. Literature has been regarded as a crucial instrument of liberal arts and education in Korea. Literature has functioned as a social movement in Korea since its inception. During the colonial period, radical intellectuals and literary writers published essays and articles in literary journals. This status as a social movement is still a distinctive characteristic of Korean literature. From the outset, Korean literature has functioned as an enlightenment project for cultural development. As such, Korean literature retains a political meaning of "literariness," which reshuffles the hierarchy of the sensible and creates novelty against given aesthetic regimes. As a result, in the process these regimes are thereby de-purified of their status as purely aesthetic movements; their perspectives thereby come into contact with other discourses and practices outside the art world. This essay argues that as a genre, Korean literature always functions as "world literature" in Korean intellectual scenes.