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A Study on the Upward Flow of the Majo and Maja Costumes in 18th Century Spain, Observed in the Paintings of Francisco de Goya

프란시스코 데 고야의 회화에 나타난 18세기 스페인 마호(majo), 마하(maja) 서민복식의 상향전파 사례연구

  • Bae, Soojeong (Dept. of Clothing & Textiles, Chonnam National University/Research Institute for Human Ecology, Chonnam National University)
  • 배수정 (전남대학교 의류학과/전남대학교 생활과학연구소)
  • Received : 2017.08.04
  • Accepted : 2017.10.15
  • Published : 2018.02.28

Abstract

This thesis investigated majo and maja costumes of depicted in Francisco de Goya's paintings from the middle of 18th to the early 19th century, and presented the costumes defined as the upward flow from the lower classes to the upper classes. The study methodology selected those describing the maja and majo among the figure paintings, portraits and genre paintings by Goya that identify unique characteristics with the qualitative analysis of the cases of the upward flow with that affect the costume of the upper classes. The influence of the majo and maja costumes were outstanding in the shape of the outfits while the French style gown of the upper class women were one-piece dresses in shape, those of the maja were two-piece dresses that consisted of the upper and gather skirts. The costume was perfected by use of the mantilla or head kerchief, instead of the headdresses prevalent at those times. The majo's costume affected the men's costume of the upper classes in the shape of the outfits. Short coat and tight breeches were preferred to the loose ones as well as instead of a long coat. Rather than the wigs or tri-corn hat, the head kerchief and sash belt applied, which could be evidence of the upward flow as well as shows proof of the influence of majo and maja costumes.

Keywords

References

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