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Research on the Making Technology of Virtual Orchestral Instrument

  • Wang, Yan (Dept. of Applied Arts, Kyung Hee University)
  • 투고 : 2016.12.15
  • 심사 : 2017.01.06
  • 발행 : 2017.01.31

초록

In this paper, we propose an analysis of the sound source of virtual orchestral music in detail by using the production technology of sampling and playback, and technical experiments and verification for the most advanced Hollywood Library series of timbre and the timbre production and control technology of Vienna instrument Pro and other softwares, to find their solutions and come up with the best timbre production method for orchestral music from the perspective of the specific design ideas of the productions of virtual orchestral instruments. The so-called virtual orchestral instruments are non-real orchestral instruments, which are based on the imitation of timbre of real orchestral instruments, processed and synthesized through the scientific and technological means, and produced by the use of electronic equipments or computers. The study of virtual timbre production technology is very important, and it is like the study of composers' creative techniques. Not only scientific and advanced timbre production methods can be obtained from the study, but also new ways of future timbre production are expected to be explored.

키워드

참고문헌

  1. Martin Russ, Xia Tian (translator), "Sound Synthesis and Sampling Techniques",The People's Posts and Telecommunications Press, January, 2011.
  2. Roey Izhaki,"Sound Mixing Guide" The People's Posts and Telecommunications Press, June, 2014.
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  5. Ji Lifen, "The Application and Charm of Music in Television Documentaries", Journal of Big Stage, February, 2013.
  6. Cheng Liang, Luan Lian, "The Music composition of Zbigniew Preisner's 'Rouge Blanc and Bleu'", Journal of Beijing Film Academy, December, 2013.
  7. Qin Shiyue, "Technical Implementations and Aesthetical Transmutation of Virtual Orchestral Music", Shanghai Conservatory Of Music, July, 2013.
  8. Li Kai, "Research on Virtual Sound Field Design of Music Production", Central Conservatory of Music, July, 2012.
  9. Ma Guang, "The Advantages and Expansion of Production Thinking Space of the Timbre in Computer Music Creation", Hebei Normal University, April, 2012.

피인용 문헌

  1. Design System of Stationery and Creative Products Based on Information Technology vol.1574, pp.None, 2017, https://doi.org/10.1088/1742-6596/1574/1/012122