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Signs and symptoms of temporomandibular disorders in instrumental performers

악기연주자의 측두하악장애 징후와 증상

  • Jang, Jae-Young (Department of Orofacial Pain & Oral Medicine, College of Dentistry, Yonsei University) ;
  • Choi, Young-Chan (Department of Orofacial Pain & Oral Medicine, College of Dentistry, Yonsei University) ;
  • Bae, Jung-Hee (Division in Anatomy and Developmental Biology, Department of Oral Biology, College of Dentistry, Yonsei University) ;
  • Kim, Seong-Taek (Department of Orofacial Pain & Oral Medicine, College of Dentistry, Yonsei University)
  • 장재영 (연세대학교 치과대학 구강내과학교실) ;
  • 최영찬 (연세대학교 치과대학 구강내과학교실) ;
  • 배정희 (연세대학교 치과대학 구강생물학교실) ;
  • 김성택 (연세대학교 치과대학 구강내과학교실)
  • Received : 2015.04.06
  • Accepted : 2015.05.31
  • Published : 2015.06.30

Abstract

Purpose: The aim of the study was to evaluate the subjective symptoms and clinical signs through the TMD-questionnaire, clinical examination and radiography against the many instrumental performers and to investigate the association between playing instruments and TMDs. Materials and Methods: A total of 803 instrumental performers received TMD-related questionnaire and evaluations of prevalence and disease distribution were performed. Among those who reported at least one symptom of TMD, 70 volunteers visited in clinic then received clinical examination and radiography for diagnosis and evaluations of prevalence and disease distribution were performed. 70 subjects were divided into three groups as woodwind, brass wind, string. Comparative analysis of disease distribution was performed. Results: Among 803 instrumental performers, 610 people (75.97%) were reported to one or more symptoms of TMD. The most frequent symptom was click (29.68%).70 subjects underwent a clinical examination and radiography survey results, the most frequent symptom was a click (29.75%). Most commonly diagnosed disease was a myofacial pain (30.53%).Comparison of the three groups, a significant difference was not observed in the clinical sign. But among subject symptom, muscle pains howed significant differences in accordance with the Group (P = 0.024). During the 70 people who underwent clinical examination, 66 people (94.3%) showed moderate to severe attrition, mild to severe tongue ridging, mild to severe cheek ridging assigns of parafunction. Conclusion: Instrumental performers showed a high prevalence of TMD and the most of the musicians with temporomandibular disorder had bruxism or clenching habits.

목적: 이 연구의 목적은 다양한 종류의 악기연주자를 대상으로 설문지검사, 임상검사 및 방사선검사를 시행하여 측두하악장애와 관련된 주관적 증상 및 임상적 징후를 평가하고, 이를 토대로 악기 연주와 측두하악장애의 연관성에 대해 알아보는 것이다. 연구 재료 및 방법: 803명의 악기연주자를 대상으로 측두하악장애에 대한 설문지검사를 시행하여 대상자가 느끼는 주관적 증상의 유병률과 분포를 살펴보고, 그 중 한가지 이상의 측두하악장애와 관련된 증상을 보고한 사람들 중 70명의 자원자를 진료실에 내원시켜 임상검사 및 방사선검사를 시행하여 임상적 징후의 유병률과 분포를 살펴보았다. 70명의 대상자는 목관악기 연주자, 금관악기 연주자 그리고 현악기 연주자의 세 군으로 나누어 각 군에 따른 질환 분포를 살펴보고 비교평가 하였다. 결과: 803명의 악기연주자 중 610명(75.97%)이 한가지 이상의 측두하악장애 관련 증상을 가지고 있었다. 설문지검사에서 가장 많이 보고된 증상은 단순관절음으로 전체 증상의 29.68%를 차지했다. 지원자 70명의 객관적인 임상검사 및 방사선검사 결과 가장 많은 진단명은 근막동통으로 전체 진단의 30.53%를 차지하였다. 악기종류에 따라, 비교 시, 객관적 임상 징후에서는 유의할 만한 차이가 발견되지 않았으나 주관적 증상에서는 근육통에서 현악기 연주자가 유의성 있게 높게 나타났다(P = 0.024). 70명의 임상검사 결과 66명(94.3%)에서 이갈이나 이악물기 같은 부기능성습관의 징후를 보였다. 결론: 악기연주자에서 측두하악장애가 높은 유병률을 보였으며 측두하악장애를 가진 악기연주자들은 대부분 이갈이나 이악물기 같은 부기능성습관을 가지고 있었다.

Keywords

References

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