References
- Arnold, R. (2000). Luxury and restraint: Minimalism in 1990s fashion. In N. White & I. Griffiths (Eds.), The fashion business: Theory, practice, image (pp. 167-182). Oxford & New York: BERG.
- Becker, H. (1982) Art worlds. London: University of Califonia press, Ltd.
- Boucher, F. (1996). A history of costume in the west. London: Thames and Hudson.
- Bourdieu, P. (2005). la distinction: critique sociale du judgement [Distinction: A social critique of the judgement of taste] (J. C. Choi, Trans.). Seoul: Samoolgyeol. (Original work published 1984)
- Boodro, M. (2007). Art and fashion. In L. Welters & A. Lillethun (Eds.), The fashion reader (pp. 256-260). Oxford & New York: BERG.
- Brand, J. (Ed.). (2009). Fashion and imagination: About clothes and art. Arnhem: ArtEZ Press.
- Chanel Mobile Art. (2008, October 20). The exhibition: The inspiration. Chanel Mobile Art. Retrieved November 15, 2013, from https://www.chanel-mobileart.com
- Crane, D. (2012). Boundaries: Using cultural theory to uravel the complex relationship between fashion and art. In A. Geczy & V. Karaminas (Eds.), Fashion and art (pp. 99-110). London & New York: BERG.
- Curtis, E., & Watson, H. (2007). Fashion retail. New York: Race Pointing Publishing.
- Duggan, G. (2001). The greatest show on Earth: A look at contemporary fashion shows and their relationship to performance art. Fashion Theory: The Journal of Dress, Body & Culture, 5(3), 243-270. https://doi.org/10.2752/136270401778960883
- Evans, C. (2007). Fashion at the edge: Spectacle, modernity, and deathliness. London: Yale University Press.
- Finkelstein, J. (1996). After a fashion. Carlton: Melbourne Uni- versity Press.
- Geczy, A., & Karaminas, V. (Eds.). (2013). Fashion and art. London & New York: BERG.
- Hollander, A. (1993). Seeing through clothes. London: University of California press, Ltd.
- Kang, B. S., & Kim, Y. M. (2012). A study on the characteristics of art marketing observed in contemporary fashion. Journal of the Korean Society of Basic Design & Art, 12 (3), 97-109.
- Kim, H. J. (2001). A study on art marketing strategy of luxury fashion brand through contemporary art. Unpublished master's thesis, Ehwa Womans University, Seoul.
- Kim, S. B. (1998). Is fashion art? Fashion Theory: The Journal of Dress, Body & Culture, 2(1), 51-71. https://doi.org/10.2752/136270498779754515
- Kim, S. H., & Rhee, S. C. (2009). A study on the collaboration of art and fashion brand. Journal of the Korean Society of Design Culture, 15(3), 225-233.
- Lee, D. (2008). Collabonomics. Seoul: NextWaveMedia.
- Lipovetsky, G., & Manlow, V. (2009). The 'Artialization' of luxury stores. In J. Brand & J. Teunissen (Eds.), Fashion and imagination: about clothes and art (pp. 154-167). Arnhem: ArtEZ Press.
- Louis Vuitton Young Arts Project. (2010). theguardian.com. Retrived December 23, 2013, from http://www.theguardian.com
- Mackrell, A. (2005). Art and fashion: The impact of art on fashion and art (2nd ed.). London: Batsford.
- Marie, C. (2011). Louis Vuitton. Marie Claire. Retrieved November 15, 2013, from http://www.marieclairvoyant.com
- Martin, R. (1999). Art & fashion, Viktor & Rolf. Fashion Theory: The Journal of Dress, Body & Culture, 3(1), 109-120. https://doi.org/10.2752/136270499779165662
- Mendes, V. (2003). Twentieth-century fashion (J. E. Kim, Trans.). Seoul: Sigongart. (Original work published 1999)
- Muller, F. (2000). Art and fashion. London: Thames and Hudson.
- Negrin, L. (2013). Aesthetics: Fashion and aesthetics-A fraught relationship. In A. Geczy & V. Karaminas (Eds.), Fashion and art (pp. 43-54). London & New York: BERG.
- Park, S. M. (2011). An observation on characteristic of mutualborrowing paradigm in twentieth century fashion and art. Journal of the Korean Society of Costume, 61(7), 80-100.
- Pasols, P. (2005). LOUIS VUITTON: The birth of modern luxury (L. Ammon, Trans.). New York: Harry N. Abrams, Inc., Publishers. (Original work published 2005)
- Prada the Evolution of DNA. (2010). Woman dongA.com. Retrieved April 5, 2014, from http://thewoman.donga.com/List_01/3/01/20100618/29170204/3
- Ryan, N. (2012). Patronage: Prada and the art of patronage. In A. Geczy & V. Karaminas (Eds.), Fashion and art (pp. 155-167). London & New York: BERG.
- Saisselin, R. (1959). From baudelaire to Christian Dior: The poetics of fashion. Journal of Aesthetics and Art Criticism, 18(1), 110-115.
- Shin, J. Y. (2008). Theoretical inquiry into the relationship between fashion and art. Journal of the Korean Society of Costume, 58(8), 1-12.
- Simon, M. (1995). Fashion in art: The second empire and impressionism. London: Philip Wilson Publishers.
- Steel, V. (2012). Fashion. In A. Geczy & V. Karaminas (Eds.), Fashion and art (pp. 13-27). London & New York: BERG.
- Svendsen, L. (2013). Fashion: A philosophy (S. Y. Do, Trans.). Seoul: MID. (Original work published 2004)
- Taylor, M. (2005). Culture transition: fashion's cultural dialogue between commerce and art. Fashion Theory: The Journal of Dress, Body & Culture, 9(4), 445-460. https://doi.org/10.2752/136270405778051112
- Teunissen, J. (2010). Fashion and art. In J. Brand & J. Teunissen (Eds.), Fashion and imagination (pp. 10-25). Arnhem: ArtEZ Press.
- Townsend, C. (2002). Rapture: Art's seduction by fashion since 1970 to 2002. New York: Thames and Hudson.
- Troy, N. (2003) Couture culture: A study in modern art and fashion. London: The MIT Press.
- Velters, L. (2007). Fashion and art. In L. Velters & A. Lillethun (Eds.), The fashion reader (pp. 253-255). Oxford & New York: BERG.
- WIKIPEDIA. (2013). List of most visited art museums in the world. Wikipedia. Retrieved October 10, 2013, from http://en.wikipedia.org/wiki/List_of_most_visited_art_museums_in_the_world
- Wilson, E. (2003). Adorned in dreams: Fashion and modernity (2nd ed.). London: Virago Press Ltd.
- Yun, J. Y. (2009). An empirical study on the aesthetic consciousness and the aesthetic enjoyment of fashion as an art. Journal of the Korean Society of Costume, 59(2), 42-58.
Cited by
- Pastiche of Art-Works in Fashion Advertising vol.40, pp.6, 2016, https://doi.org/10.5850/JKSCT.2016.40.6.1072