Journal of the Korea Fashion and Costume Design Association (한국의상디자인학회지)
- Volume 13 Issue 4
- /
- Pages.111-126
- /
- 2011
- /
- 1229-7240(pISSN)
Characteristics and Meanings of Collage Expressed in Fashion Illustrations
패션 일러스트레이션에서의 콜라주 표현의 특성과 의미
- Kim, Soon-Ja (Dept. of Fashion Design, Sangmyung University)
- 김순자 (상명대학교 패션 디자인학과)
- Received : 2011.08.31
- Accepted : 2011.10.21
- Published : 2011.12.31
Abstract
Cultural collage phenomena came to the fore where various differing elements combined to make a reality in the post-modern culture. Collage, a technique with which to express a unique sense of texture has been used since a long time ago by fashion illustrators, finds itself expressed in much more diverse forms and characteristics, and its meanings changed, too. The purpose of this study is to analyze the formative characteristics of collage as expressed in fashion illustrations since 2000s and look into its aesthetic meanings, and in doing so, examine effects of changes along the times that have sought plural diversity on fashion illustrations. This study selected and examined from various collage techniques three collage expression techniques including papier colle, photo montage and assemblage frequently used as techniques of fashion illustrations. Papier colle technique expressed in fashion illustration simplify forms, thereby stressing linear elements, and express lines and planes At the same time, such works provide depth to planar spaces by overlapping objects and putting together differing elements, In fashion illustrations utilizing photo montage more than one images taken from photos are cut up and reconstructed, where illusory and sometimes shocking images are conveyed through particular forms or unrealistic compositions created by casual combination of unrelated images. Unique and eccentric images are conveyed by means of assemblage through the combination of various kinds of heterogeneous materials in fashion illustrations. This not only conveys fashion images sensitively but presents each fragment as objets regardless of its original functions, and attempts at new concepts.