패션비즈니스 (Journal of Fashion Business)

  • 제11권2호
  • /
  • Pages.14-31
  • /
  • 2007
  • /
  • 1229-3350(pISSN)
  • /
  • 2288-1867(eISSN)
한국패션비즈니스학회 (The Korean Society of Fashion Business)
권호 표지

비비안 웨스트우드 디자인 연구(硏究)-1980년대(年代) 이후(以後)를 중심(中心)으로-

A Study on Fashion Design of Vivienne Westwood -Focusing on since 1980's -

  • 김길라 (이화여자대학교 의류직물학과) ;
  • 조규화 (이화여자대학교 의류직물학과)
  • Kim, Gil-La (Dept. of Clothing and Textiles, Ewha Womans University) ;
  • Cho, Kyu-Hwa (Dept. of Clothing and Textiles, Ewha Womans University)
  • 발행 : 2007.06.30
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초록

The Vivienne Westwood's design is divided into four eras : The 'Punk and Ethnic Style' era, The 'Feminine Style' era, The 'Eclectic Style' era and The 'Retrospective Style' era. The aesthetic characteristics of Vivienne Westwood's design vastly divided into Parody and the Punk Couture. Westwood's parody is exprssed by british materials, that is traditional British tailoring, dressmaking techniques, traditional british fabrics and her debt to the past. Also Westwood has presented the special characteristics of Punk Couture showing Punk-Style clothes by applying Couture sense to her own Pret a Porter Collection. She pursued newness breaking the conventional aesthetic consciousness through her cutting, mix and match of fabrics and cordy of punk details. Westwood pursued new aesthetics by deconstruction and destruction regulated existing ideas that had been systematized, conventionalized and standardized by history and culture. She had shown pluralistic fashion through her design that exactly reflected characteristics of the modern society demanding variety.

키워드

참고문헌

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