The Text Analysis of Plasticity Expressed in the Modern Art to Wear (Part I) - Focused on the West Art Works since 1980s -

현대 예술의상에 표현된 조형성의 텍스트 분석 (제1보) - 1980년대 이후 서구작가 작품을 중심으로 -

  • Seo Seung Mi (Dept. of Clothing & Textiles, Sookmyung Women's University) ;
  • Yang Sook Hi (Dept. of Clothing & Textiles, Sookmyung Women's University)
  • 서승미 (숙명여자대학교 의류학과) ;
  • 양숙희 (숙명여자대학교 의류학과)
  • Published : 2005.06.01

Abstract

The new paradigm of the 21st century demand an openly different world of formative ideologies in respect to art and design. The purpose of this study is focused on trying to comprehend aesthetic essence of clothing as an, with the investigation of artistic theories manifested by art philosophers. Art to Wear was categorized into style to understand its artistic meaning as well as to analyze its character. Upon the foundation of semiotics theory, the feature of Art to Wear and its analysis category were argued in the context of Charles Morris three dimension of semiotics analysis. The conclusion to the research is like so. The feature and analysis category of Art to Wear upon a semiotics perspective was divided into syntactic dimension, semantic dimension and pragmatic dimension. The analytical categorization upon the perspective of syntactic dimension fell into the category of topology, shape and color. The semantic dimension of Art to Wear was divided into categories of denotation and connotation. In addition, the pragmatic dimension of Art to Wear analytical categorization was divided into a delivering function and common function.

Keywords

References

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