Browse > Article

The Text Analysis of Plasticity Expressed in the Modern Art to Wear (Part I) - Focused on the West Art Works since 1980s -  

Seo Seung Mi (Dept. of Clothing & Textiles, Sookmyung Women's University)
Yang Sook Hi (Dept. of Clothing & Textiles, Sookmyung Women's University)
Publication Information
Journal of the Korean Society of Clothing and Textiles / v.29, no.6, 2005 , pp. 793-804 More about this Journal
Abstract
The new paradigm of the 21st century demand an openly different world of formative ideologies in respect to art and design. The purpose of this study is focused on trying to comprehend aesthetic essence of clothing as an, with the investigation of artistic theories manifested by art philosophers. Art to Wear was categorized into style to understand its artistic meaning as well as to analyze its character. Upon the foundation of semiotics theory, the feature of Art to Wear and its analysis category were argued in the context of Charles Morris three dimension of semiotics analysis. The conclusion to the research is like so. The feature and analysis category of Art to Wear upon a semiotics perspective was divided into syntactic dimension, semantic dimension and pragmatic dimension. The analytical categorization upon the perspective of syntactic dimension fell into the category of topology, shape and color. The semantic dimension of Art to Wear was divided into categories of denotation and connotation. In addition, the pragmatic dimension of Art to Wear analytical categorization was divided into a delivering function and common function.
Keywords
Art to wear; Syntactical dimensions; Semantical dimensions; Pragmatical dimensions;
Citations & Related Records
연도 인용수 순위
  • Reference
1 박영원. (2001). 디자인기호학. 충북: 청주대학교출판부
2 Floch, J. M. (1985). 조형기호학. 박인철 옮김 (1994). 서울: 한길사
3 Felshin, N. (1993). Empty Dress:Clothing as Surrogate in Recent Art. N.Y: ICI
4 Quarante, D. (1984). Element de design industrial. Paris: Maloine
5 Morris, C. (1939). Science, Art and Technology. The Kenyon Review, 1(4), 415
6 Lise, K. (1992). Kejsarens nya Klader. Stockholm: Carlsson Bokforlag
7 Peirce, C. S. (1935). Collected Papers of Charles Sanders Peirce. Cambridge: Harvard Univ. Press
8 Morris, C. (1970). Foundation of the Theory of Sign. Chicago: Chicago Univ. Press
9 Floch, J. M. (1985). Pour une semiotique plastique, Petites mythologies de l'oeil et de l'esprit. Hades-Benjamins
10 Goldberg, J. (1986). Art to Wear Visionary. Ornament, 10(2), 42
11 Scarborough, J. (1985). Art to Wear: Looking at the movement. Fiberarts, May/June, 56
12 Schafler Dale, J. (1978). Style; The nontraditional Wearables. Horizen Craft
13 김치수, 박인철. (1998). 현대기호학의 발전. 서울: 서울대학교출판부
14 전선희. (1999). 현대 미술의상의 조형성에 관한 연구. 한양 대학교 대학원 석사학위 논문
15 Irene, W. (1977). Textile Sculpture. Taplinger Publishing Co
16 소두영. (1996). 기호학. 서울: 인간사랑