• Journal of the Korean Society of Costume
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• v.64 no.6
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• pp.78-90
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• 2014

This paper examines the way that the principles of coloration for Hoecha(繪次) and Sucha(繡次) were applied for shoe making in ancient China and Korea. Hoecha is the principle of drawing, and Sucha is the principle of embroidery. Hoecha and Sucha is the application principle of the five colors(五方色) from the five elements(五行: metal, wood, water, fire, and earth). Hoecha matchs a color with the opposite side color, and Sucha matchs a color with the beside color. A shoe consists of Sinul(body of shoe) and ornaments attached to it. According to the ratings of shoes, Hoecha and Sucha were differently applied for coloration of Sinul and its ornaments. In general, shoes were classified into Seok and Gu. For Seok, which was the high-ranked shoes, Hoecha was applied, while Sucha was applied to Gu, the low ranked shoe. As Hoecha was originally a principle of coloration for patterns on tops(jacket. 上衣), it was applied to the high ranked shoes i.e., Seok. Also, as Sucha was a principle of coloration for patterns on bottoms(skirt. 下裳), it was applied to the low ranked shoes i.e., Gu. Thus, black was decorated on red Seok, blue on white Seok, red on black Seok, yellow on hyeon(玄: a kind of black color) Seok, and white on blue Seok, all of which were applications of the principle of Hoecha. As the application of the principle of Hoecha to Seok was also done for red Seok for males and females in late Joseon, and red Seok for the crown prince in the period of the Korean Empire, black decorations were used for red Sinul. However, for blue Seok, worn by females in the period of the Korean Empire where Ming's systems prevailed, black decorations were used, which was an application of Sucha. Though there had been no discrimination between genders in the application of Hoecha and Sucha originally, the low ranked principle of coloration was applied to Seok for females.

• Journal of the Korean Society of Costume
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• v.53 no.1
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• pp.1-15
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• 2003

This study as one of a series of systematic studies about dancing costumes will compare the costumes of the middle age with their normal style of dress. In brief, this study wants people to know about middle a9e dancing costumes and understand the culture in the middle ages. It was found that people's everyday clothes in the middle age such as Surcot. Surcot-ouvert, Pourpoint, Houppelande were used as dancing costumes. They were, however. changed from the public's clothes which were tight and long. Rather than wearing costume over others. dancers wore costumes which had slits on skirt or sleeves to increase motion. With the Wild Man of the Wood's which only nobles used for their dancing costumes. costumers highlighted the beauty of human body There were various costume materials used in the middle ages like silk. cotton fabrics, linen or brocade. These materials were used for Surcot and Pourpoint as dancing costumes. The naturalness of nature or geometric patterns also was expressed on the costumes. Further about those patterns, because the development of stained glass, vivid colors were used especially red, light green, blue etc. As for the hair styles used, dancers let their hair down and put a jeweled crown over their hair. In summation. dancers wore the same clothes that normal People did, but the costumes were different depending on social status and gender. The costumes of ordinary people's were based upon ordinary clothes that moved and emphasized the dynamic motion. On the other side, the court dancers' costumes were very fancy. symbolizing a measurement of nobles' from wealth and authority. as well as an expression of a sense of beauty, The main features of middle ages follows. : To emphasize vitality, there were long slits on the side of skirt. Hair decorations and jewels are more used than in the ancient age's. To hide a dancer's social status. they could use a mask. Wild Man of the Wood's was used for the body makeup. All these features of the dancing costumes must contribute to the progress of the dance in the middle age's.

• Ecology and Resilient Infrastructure
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• v.8 no.4
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• pp.165-178
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• 2021

We studied driftwood behaviors including generation and deposition in a tsunami using a numerical simulation. We used an integrated two-dimensional numerical model, which included a driftwood dynamics model. The study area was Sendai, Japan. Observation data collected by Inagaki et al. (2012) were used to verify the simulation results by comparing them with driftwood deposition patterns. A simplified model was developed to consider the threshold of driftwood generation by the drag force of water flows. To consider the volume of driftwood generated, we estimated the total wood number in the study area using Google Earth. Therefore, we simulated more than 13,000 pieces of driftwood that were generated and transported inland from approximately 300,000 trees that were growing in the forest. The final distribution of the driftwood was similar to the observation data. The reproducibility of the generation and deposition patterns of driftwood showed good agreement in terms of longitudinal deposition pattern. In the future, a sensitivity analysis on driftwood parameters, such as the size of the wood, boundary conditions, and grid size, will be implemented to predict the travel patterns of driftwood. Such modeling will be a useful methodology for disaster prediction based on water flow and driftwood.

• 한국문화재보존과학회:학술대회논문집
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• 2005.11a
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• pp.300-305
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• 2005

Tree-ring chronologies can be used to date historical buildings and furniture by matching them with the chronologies of living trees or previously dated samples. Tree-ring dating gives a calender year to each tree ring and produces the felling dates of logs or woods which had been used for buildings. In Korea, several chronologies of Japanese red pine(Pinus densiflora Sieb. et Zucc.,'sonamu' in Korean), a major species for the wooden building materials, have been developed and used for dating historical buildings. Daejojeon of Changduck Palace is known to be reconstructed in A.D. 1920 after burned-out in A.D. 1917. Instead of new woods, Daejojeon was reconstructed by reusing the woods of Kyotaejeon in Kyungbok Palace. We sampled total of 26 wood samples which were replaced during the repair process of Daejojeon in 1995. Felling dates of the samples were determined by the dendrochronological crossdating method. Crossdating method employs graphic comparison of the master patterns (ring-width plots of living trees or known dates) with those of the sample chronologies of unknown dates. The cutting dates of Daejojeon woods were divided in two groups. One was the late 1860s and the other 1880s. The results confirmed that Kyotaejeon was reconstruced first in the A.D 1860s and then in late 1880s after burning out in 1876.

• Journal of the Korea Furniture Society
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• v.25 no.1
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• pp.1-10
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• 2014

The First bentwood chairs in the world, called "winsor chairs" were made by British craftsman in the 17th century. Since then, from the start of NO.14 using solid bentwood by 19th-century German Michael Thonet, furniture making techniques such as Bent knee, Y-leg, X-leg- were developed based on Llaminated bentwood made by Alvar Aalto of Finland in the 20th century. In the 20th century Charles Eames of the United States studied Molded plywood, using plywood to produce a variety of furniture and during the 17~20 century a variety of Bentwood were developed. Coming into the 21st century, American Matthias Pliessnig and Phil Seaton worked with past Bentwood designs, developing Bentwood further by adapting Bentwood's know-how and IT technology. Science and technology evolved and Reholz of Germany developed technology which can mold three-dimensional wood using a new matarial called 3D-veneer, In the past only plastic or metal could be moulded 3 dimensional but now beautiful wood grain patterns can be molded by utilizing this technology. Also this is comparable with the past two-dimensional molding technology. In this Sustainable Design techniauses era, Bentwood fused with IT technology has great potential as a high-tech and eco-friendly techniche.

• Journal of the Korean Wood Science and Technology
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• v.23 no.3
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• pp.16-22
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• 1995

The profiles of the heating temperature in three water vat temperatures (55, 66 and 77$^{\circ}C$) and the cooling temperature under the average ambient temperature of 3$^{\circ}C$ in 4 and 10cm depths from surface at the center of veneer bolts length showed similar patterns for Japanese larch (Larix leptolepis). Dahurian larch (Larix gmelinei) and Radiata pine (Pinus radiata). The difference of these core temperatures of 10cm depth from surface varied proportionally with the increase of vat temperatures. The average heating time based on final core temperature of 6$^{\circ}C$ lower than vat temperature required about 14.5 hours in vat temperature of 55$^{\circ}C$ and 13.5 hours in vat temperature of 66and 77$^{\circ}C$. Each internal temperature of 4 and 10cm depths from surface started to decrease from the beginning of cooling and after about two hours.

• Journal of the Korean Wood Science and Technology
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• v.25 no.1
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• pp.28-36
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• 1997

Several thick board and dimension lumbers of Japanese larch(Larix leptolepis), Dahurian larch(Larix gmelini) and radiata pine(Pinus radiata) air-dried in four different seasons to compare air-drying process. Patterns of air-drying curves were influenced by climatological conditions and limber thickness. The initial drying rates of summer were the highest, followed those of fall, spring and winter. The drying times to equilibrium moisture contents for four seasons were nearly the same except for winter. However, the drying time for winter required twice more time than the other seasons. The drying time of dimension lumbers required 1.3 times more than boards. The final moisture contents were lowest during spring, highest during winter and similar between summer and fall.

• Magazine of the Korean Society of Agricultural Engineers
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• v.45 no.4
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• pp.98-106
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• 2003

In order to set up structural improvement strategy against meteorological disasters of the shading structures in ginseng fields, structural safety analyses as well as some case studies of structural damage patterns were carried out. According to the results of structural safety analysis, allowable safe snow depth for type B(wood frame with single span) was 25.9 cm, and those for type A(wood frame with multi span) and type C and D (steel frame with multi span) were 17.6 cm, 25.8 cm, and 20.0 cm respectively. So types of shading structures should be selected according to the regional design snow depth. An experiential example study on meteorological disasters indicated that a strong wind damage was experienced once every 20 years, and a heavy snow damage once every 9.5 years. The most serious disasters were caused by heavy snow and it was found that a half break and complete collapse of structures were experienced by about 70% of snow damage. In addition to maintenance, repair and reinforcement, it is also recommended that improved model of shading structures for ginseng cultivation should be developed as a long term countermeasures against meteorological disasters.

• Journal of the Korean Wood Science and Technology
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• v.21 no.4
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• pp.60-63
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• 1993

In the present paper, we discribed distributions patterns of pits on the tracheids of Pinus koraiensis. The number of bordered pits on a tracheid is more numerous than that of cross-field pittings. And they appeared different in the number depending on the shape and size of tracheids. Both pit and cross-field pitting on a tracheid is fewer in number near the pith. The number of bordered pits on the tracheid increased rapidly from pith toward cambial zone but that of cross-field pittings increased gradually. The number of bordered pit and corss-field pitting is more frequent in the first-formed tracheid, and the number of bordered pit decreased rapidly from earlywood to latewood but that of corss-field pittings decreased gradually. Bordered pits on a tracheid are more numerous at the end of tracheids and cross-field pittings occur more frequently in the center part of a tracheid.

• Journal of Korea Technical Association of The Pulp and Paper Industry
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• v.41 no.3
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• pp.22-28
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• 2009

The rice hull could be the one of the most abundant agricultural waste in Korea. Since the efficient utilization of agricultural waste or byproducts of food industry would be critical for the sustainable growth, this study conducted the investigation of the chemical composition and the morphological properties of rice hull and rice hull fiber. It was found that there was big difference between the outer surface and the inner surface in the chemical composition and the morphological properties. Expecially, the outer surface showed the rugged patterns in which most of silica of rice hull existed. Little or no silica was found in the inner surface and rice hull fiber. The average fiber length of rice hull fiber was 0.45mm which was shorter than that of hardwood fiber. Rice hull fiber showed a round long shape which is typical shape of non-wood fibers