• 물과 미래
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• 제28권6호
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• pp.147-158
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• 1995

본 논문에서는 상수도시설을 효율적으로 운영하는 데 필요한 1일 급수량 수요를 예측하는 방식에 대하여 통계학적 모형개념을 이용하여 연구하였다. 급수량의 변화는 기후와 많은 연관성이 있는 것으로 알려지고 있으나 급수량의 예측과 상수도시설의 운영에 있어서 급수량 변동요인을 고려한 수학적 혹은 통계학적 모형을 개발하여 실용화하지 못하고 있다. 따라서 본 연구에서는 시간이 지남에 따라 급수량이 증가하는 경향을 반영할 수 있는 경년변화, 급수인구와 더불어 상수도 급수량의 중요한 변동요인으로 간주되는 기후인자를 이용하여 상수도 1일 급수량을 예측할 수 있는 모형을 제안하고 그 유효성을 검증하였다. 급수량 예측모형식은 통계학적 방법중에서 회귀모형식을 사용하였으며, 연구대상 지역으로서는 자료수집이 용이한 광주광역시를 선정하였다. 1일 급수량을 예측하는데 있어서 회귀모형의 시계열구간을 년별, 월별, 계절별로 분류하고 시계열 구간별로 최적의 회귀모형식을 제안하고자 회귀분석을 시행하였다. 회귀분석을 시행하기 위해서는 먼저 급수량을 종속변수로 하고 급수인구, 경년변화 및 기후인자 즉, 최고기온, 평균기온, 강우량, 운량, 일사량, 상대습도, 일조시간 등을 설명변수로 하는 상관분석을 행하고 비교적 상관성이 높은 인자를 택하여 모형식을 구성하였다. 제안된 모형식은 사고 등에 의한 단수조치나 한발의 영향으로 인한 격일제급수를 실시하는 시기를 제외하고 실측치와 모형과의 오차율이 최대 10%, 평균 3%이내로 나타났으며, 모형식의 결과는 상수도 1일 급수량 예측이 필요한 시설에 적용 가능하다고 판단되었다.을 보여준다.EX>부근에서 진통하였으며 생산성은 약 $13.6g/\ell$-h이 다. 약 $12g/\ell$의 잔류 환원당 중에 약 $4.5g/\ell$의 포도당이 포함되어 있었다. 타피오카 당화액으로부터 분리된 고형분을 사용한 실험을 통하여 고형분도 기 질로서 효용가치가 어느 정도 있는 것으로 판명되었으며 당화액 발효조와 별도로 고형분 발효조의 개발도 필요한 것으로 생각되었다. ot only in this world but also in the other world., Keun-Kap, Scarf, Pee-Bak, Hung-Kap, Pok-Kap, Yang-Dang-Kap, We-Yo-Kap, Kum-Kap, and caries arms. Lower-level officials wore Pe-Bal, Kun-Mo, gae, won-leung, very small sleve jacket, a long coat reaching up to the knee length, slacks, belt, loin cloth and apron. 5) Children's bind their hair up angle shape and wore a half long jacket raching up to the hip and slacks. 나) Women's wear; 1. hair style and hair dress; 1) High rank women's hair style was very extravaganceful. They made their

• 복식
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• 제5권
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• pp.41-63
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• 1981

The mural portraits of the ancient Dukheungri tombs are very important for the study of our traditional costume because the tomb contains a stone. with the in-scription of the date of its erection, 408 A.D. and the name, and official status of the buried. The costumes shown in the mural paintings will be the basis on which historical research can be made concerning costumes before and after 400 A. D. The costume in the mural paintings is classified into five different categories; You (jacket), Po (overcoat), Go (trousers), Sang (skirt), and Gwan (hat). Comparing these categories with those of other mural paintings lead us to the following conclusions. 1. The length of the You (jacket) reaches below the buttocks and the sleeves are narrow. The edges of the sleeves are decorated with stripes. The You (jacket) over-laps on the right, center, and left sides, and there are many Jikryong (V-collar) and Danryong (rounded collar) styles, but it has a similar tendency to others of the Pyongyang area which exhibit many foreign influences. In a departure from tradition. the belts on the men's You (jackets) have only 3 knots in the front, with the back having more knots than the front. The belts of the women's You (jacket) seem to have had a band or button for fastening. We must re-evaluate the assumption that the You (jacket) and Go (trousers) of the northern peoples had the common characters of a belted You (jacket) and Po (over-coat) and that the Gorum originated from the Goryo or Unified Silla dynasty. The outside of the sleeves are longer and more to the side than the inner garment (underwear) so that the sleeves of the inner garment frequently overlapped the outer dress. The above mentioned facts have lead to the discovery of the "Hansam," "Tosi" and "Geodoolgi." 2. The Po (overcoat) was used only by the upperclasses and differs from those found in other mural tombs. The Po (overcoat) of the noble on the tomb mural is centered with an overlapping Jikryong (V-collar) while the other Po (overcoats) of the upperclasses are characterized by an overlap on the left, a Danryong (rounded collar) with two types of sleeves (wide and narrow). Foreign influences and traditional influences coexist in Po (overcoat). Belts have frontal knots without exceptions. The facts that the belts on the You (jackets) are on the front and the belts on the Po (overcoats) are on the back must be reexamined. 3. Go (trousers) is usually narrow, being wider in the rear and narrower below the knees. They were used by hunters on the back of horses with similar Go (trousers) from the Noinwoowha tombs being typical of the northern peoples. 4. Sang (skirts) are pleated as commonly seen in the Goguryo murals. The size of the pleat is varied, each pleat being characteristically wider and having different colors. Same types of pleat are discovered in Central Asia and China. It is uncertain whether the pleat of Goguryo was originated in Central Asia and China or only interrelated with those of the areas. 5. There are three kinds of Gwan (hats); Nagwan, Chuck, and Heukgun. Nag-wan was worn by the dead lords and their close relations. Chuck has three cone shaped horns. Heukgun was worn by military bandmen and horsemen. There are two kinds of hair styles. The up-style was used by the upperclass people closely related to lords, and other people used the Pungimoung hair style. The hair styles of the men and women are characterized by the Pungimoung style. which is a Chinese influence, but still retain their originality. The costume has a similar tendency from those from Yaksuri mural tombs, Anak No. 2 and Anak No. 3. We need to reexamine the costumes from $4{\sim}5$ century murals according to the Dukheungri murals. The costumes of Goguryo share many common factors with those of Western Asia, Central Asia and Ancient China (Han). It seems due to the cultural exchanges among the Northern peoples, the Western and Central Asians, and the Ancient Chinese. It may have resulted from the structural identity or morphological identity of the peoples, or their common social and natural environments and life styles. It will be very valuable to study the costumes of Japan, China, and Korea to find out the common factors. It is only regretful that the study is not based on direct observations but reported information made by 77 persons, because Dukheungri is an off-limits area to us.