• Title/Summary/Keyword: voice timber

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A Correlation Study among Pitch, Nasalance, and Voice Quality (정상 성인의 음도, 비성도, 음질 간의 상관 연구)

  • Park, Sung-Jong;Yoo, Jae-Yeon
    • Phonetics and Speech Sciences
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    • v.1 no.4
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    • pp.159-163
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    • 2009
  • The purpose of this study is to conduct a correlational analysis among pitch, nasalance, and acoustic quality parameters estimated by two speech analysis softwares NasalView(version 1.31), Dr. Speech 4.5(Tiger Electronics). Thirty females and 25 males with normal voice participated in the study. The Pearson correlation coefficient was determined through a statistical analysis. The results came out as follows; Firstly, there was a correlation between $F_0$ and voice quality parameters, however there was no correlation between $F_0$ and nasalance. Secondly, nasalance showed a correlation with voice quality parameters.

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Diction Problem of Student Singers Based on the Vocal Tract Resonance (성도 공명을 중심으로 한 성악 전공 대학생의 발음법 연구)

  • Kim, Sun-Suk
    • Speech Sciences
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    • v.7 no.4
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    • pp.59-72
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    • 2000
  • Vocal tract resonances are of paramount importance to voice sounds. Resonance frequencies determine vowel quality and the personal voice timber. The aim of this study was to make an effective diction program according to tuning formant frequencies by adjusting the vocal tract shape in professional voice users. Twelve male student singers and eleven female student singers participated in this study. The subjects repeated five simple vowels /a, e, i, o, u/ in normal speech and singing. The spoken vowels and sung vowels were measured by formant frequencies and the singer's formant frequencies using CSL and DSP Sona-Graph. Separately, Plot formants program was used to draw the vowel chart. The results were as follows. (1) Total formant frequencies of female singers were 11% higher than those of males singers in singing. (2) The F1 and F3 of sung vowels increased compared to F1 and F3 spoken vowels. However, The F2 of sung vowels decreased in comparison with F2 of spoken vowels. (3) Posterior vowel /u/ were moved anteriorly. This phenomenon seemed to be due to head voice singing training. (4) Singer's formant frequencies in student singers appeared according to the part: 2560 Hz for baritone, 2760 Hz for Tenor, 2821 Hz for Mezzo soprano and 3420 Hz for soprano.

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