• International Journal of Advanced Culture Technology
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• 제9권3호
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• pp.232-237
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• 2021

Pre-Corona cultural content was largely formed face to face. For example, the service was great while visiting tourist attractions, visiting performances to see K-Pop, or visiting lectures to learn K-Beauty. However, after the coronation, the virtual world-centered Metaverse began to take the spotlight as non-face-to-face services changed. IT and cultural contents have been combined and developed into various digital services. In that sense, Metaverse, which breaks the boundaries between real-world space and virtual space, has the potential to escape from physical time and space constraints. However, Korea still lacks a Metaverse platform for cultural content. In particular, it is necessary to match each other's necessary services by providing Metaverse -oriented cultural contents that users want, including experienced cultural contents such as K-pop and K-beauty, away from cultural contents that are developed around history museums. Therefore, in this paper, we would like to propose a Metaverse-based cultural content matching platform where users can experience cultural content directly or indirectly.

• 한국의류학회지
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• 제34권11호
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• pp.1836-1843
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• 2010

This research examines the possibilities of a traditional costume revival and digital exhibition as well as the application of 3D virtual clothing modeling data in order to preserve and record a disappearing costume heritage to realize it as a social education tool through the newly emerging technology of 3D virtual clothing. A 3D revival of costumes worn by royal families and aristocrats was accomplished through the 3D animation and simulation technology of Maya 2011 (Autodesk, Inc.) and Qualoth (FX Gear, Inc.). The simulation shows the possibility of a 3D revival and digital exhibition of costume heritage. However, further technology support to analyze and realize the composition and design is still necessary to develop the digital contents of traditional garment culture that includes skirt pleats, petticoat silhouettes, that exaggerates the skirts and knots of traditional upper garments (Jeogori). Further studies on design attributes of historic costumes and the upgrading of 3D simulation software are required to realize 3D virtual clothing. Korean traditional costumes will be revived as a cultural content in the digital era as a result of outstanding issues detected by this study.

• 한국정보통신학회논문지
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• 제22권11호
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• pp.1489-1494
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• 2018

최근 문화콘텐츠와 IT기술을 접목시킨 문화기술(CT: Culture Technology)이 신 성장 동력으로 각광받고 있는 가운데 문화유산을 보존, 계승, 활용하는 과정에 IT기술을 적극 이용하고 있다. 이를 위해 IT기술과 문화유산이 융합된 새로운 영역이 주목 받고 있는데 특히, 가상현실은 4차 산업혁명 시대의 IT융합의 대표적인 분야이다. 문화유산을 보존하고 알리기 위해 가상현실기술을 활용하는 연구가 일부 진행되고 있지만, 주로 유형문화재에 국한되어 있다. 본 연구에서는 무형문화재에 가상현실기술을 적용한 무형문화재 콘텐츠를 개발하기 위한 방법론을 제안한다. 이를 위해 무형문화재의 각 유형의 특성에 맞는 기술을 적용시키기 위한 무형문화재의 유형을 분류 한다. 분류된 무형문화재에 가상현실, 증강현실, $360^{\circ}VR$동영상기술을 적용한다.

• 문화기술의 융합
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• 제7권1호
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• pp.151-161
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• 2021

본 연구는 간호대학생의 가상현실 기반 시뮬레이션 실습 경험을 이해하기 위한 기술적 질적 연구이다. 연구는 일개 대학의 간호학과 3학년 학생으로 '성인간호학 I, II'를 수강하면서 가상현실 기반 시뮬레이션 실습을 시행한 53명을 대상으로 하였다. 자료는 학생들이 익명으로 작성한 성찰일지를 내용분석법을 사용하여 분석하였다. 분석 결과 5개의 주제범주와 12개의 하위범주로 분류되었으며, 5개의 주제범주는 "필요한 간호역량을 깨달음", "지식이 확장됨", "심리적으로 안전함을 느낌", "문제 중심으로 사고함", "만족감을 얻음"으로 나타났다. 이는 가상현실 온라인 실습이 안전한 실습 환경에서 사고와 지식을 확장시키는 긍정적인 효과를 가져올 수 있음을 시사하고 있으므로 가상현실 실습을 위한 다양한 컨텐츠 개발이 필요하다.

• 한국멀티미디어학회논문지
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• 제23권5호
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• pp.721-727
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• 2020

The change in 21st century imaging media technology is changing our modern visual system. Virtual reality HMD devices, one of the core technologies of 5G, reproduce the new visual system. However, there is a lack of analysis and understanding of the visual operating system to understand the visual system of the fast-changing variety of imaging media. This study analyzed the three visual systems appearing in the recent imaging media art area and presented an engineering perspective algorithm for its procedures and methods. Through these results, we want to build algorithms that understand the visual system of virtual reality HMD devices.

• 한국멀티미디어학회논문지
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• 제23권1호
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• pp.74-84
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• 2020

In November 2018, virtual pop band K/DA, with the use of holograms and actual K-pop girl group members, performed its debut album titled "POP/STARS" at the opening ceremony of the League of Legends S8 final, hosted by Riot Games. The fan culture that exists for real singers adapts itself to virtual bands, and K/DA, consisting of virtual characters, encouraging the production of user created content (UCC). However, this form of UCC is different from the most common one, meaning that this type of band generates another way of consuming content. Therefore, this study examines how K/DA's digital characters are transformed and reproduced by UCC and how the original producers' content differs from them. Firstly, the development of this study considers the open characteristics of UCC, such as user type, created motivation, created process, content type and sharing method. In the second part, the virtual idol Hatsune Miku and virtual band Pentakill will be analysed to understand UCC. Thirdly, K/DA will be analyzed as a case study based on three factors: created motivation, content type and sharing method. In this manner, this study aims to explain how UCC for virtual bands reproduce and consume original content and expand their commercial value.

• 디자인학연구
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• 제17권2호
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• pp.157-170
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• 2004

아바타는 가상공간 상의 가상신원으로 2D, 3D등의 다양한 그래픽형태로 표현된다. 아바타는 단순히 캐릭터의 조합으로 그치는 것이 아니라 그 시대나 사회의 문화적인 아비투스를 드러내게 되는데 이는 세대나 계층에 따라 차별화 혹은 대중문화의 무의식적인 선택에 의한 취향으로 표현되기도 한다. 현대는 대중문화의 영향을 절대적으로 받고 있으며 이는 현실세계 뿐만 아니라 가상공간에서도 마찬가지로 적용되어 패션의 트렌드, 문화적인 취향, 혹은 개인의 행동양식에까지 영향을 미치고 있다. 이에 아바타 캐릭터의 그래픽활용사례를 분석해 기술적인 아바타 표현방법과 문화적인 측면에서, 적용된 의상, 소품과 배경의 사용과 선택에 따른 대중문화의 전반적인 트렌드와 개인의 생활패턴, 취향을 살펴보고 아바타 소비에 있어 서 키치적인 특성을 알아보도록 한다. 또한 이에 따른 대중의 사이버공간 상의 개인의 정체성이 아바타의 표현과 소비가 단순히 이미지의 무의미한 선택 조합이 아닌 사이버 상에서 자신의 존재를 알리는 가상신원으로서의 발전적인 모습으로서 아바타의 모습을 기대해 본다.

• International Journal of Advanced Culture Technology
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• 제10권3호
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• pp.174-183
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• 2022

The abstract should summarize the contents of the paper and written below the author information. Use the word "Abstract" as the title, in 12-point Times New Roman, boldface type, italicized, centered relative to the column, initially capitalized, fixed-spacing at 13 pt., 12 pt. spacing before the text and 6 pt. after. The abstract content is to be in 11-point, italicized, single spaced type. Leave one blank line after the abstract, and then begin the keywords. All manuscripts must be in English. When it comes to the issue of "virtual and real" in traditional Chinese painting, the first impression is to describe the problems of painting strokes and ink, layout of pictures, etc., but it runs through the initial conception of the work, creation in the middle and aesthetic appreciation of the work. It exists in the whole process of artistic creation and appreciation. In essence, it is a problem of aesthetic thinking and philosophical thinking. Because the traditional Chinese painting theory is influenced by Taoism, when the concept of "virtual and real" is implemented in the specific picture of Chinese painting, it is contained in the specific shape of "physics", that is, the painting theory research of "blank space" in the picture. Based on the traditional Taoist philosophy of China, this paper takes the "virtual and real" view in Lao Zhuang's thought as the research object, deeply analyzes and compares its relationship with the "virtual and real" in Chinese landscape painting, and finds out their artistic spirit, essential characteristics and how to present them. This paper mainly discusses the internal relationship between Taoist philosophy and "virtual and real" in Chinese landscape painting from the following aspects. The introduction expounds the origin, purpose, significance, innovation and research methods of the topic. This paper analyzes the philosophical thoughts about landscape in the philosophical thoughts represented by Lao Tzu and Zhuangzi. The development of Chinese traditional aesthetics theory is closely related to Taoist philosophy, which has laid the foundation and pointed out the direction for the development of Chinese painting theory since ancient times. It also discusses the influence of the Taoist philosophy of "the combination of the virtual and real" on the emergence and development of the artistic conception of landscape painting. Firstly, through the analysis of the artistic conception of landscape painting and its constituent factors, it is pointed out that the artistic conception is affected by the personality and the painting artistic conception. Secondly, through the Taoist thought of "the combination of the virtual and real" in landscape painting, so as to reflect that it is the source of the artistic conception of Chinese landscape painting. It is the unique spiritual concept of "Yin and Yang" and "virtual and real" that creates the unique "blank space" aesthetic realm of Chinese painting in the composition of the picture. Finally, it focuses on the "nothingness" in Taoist philosophy and the "blank space" in Chinese landscape painting. The connotation of the "blank space" in Chinese painting exceeds its own expressive significance, which makes the picture form the aesthetic principle of emotional blending, virtual and real combination and dynamic and static integration. Through the "blank space", it deepens the artistic characteristics of the picture and sublimates the expression of "form" in Chinese painting.

• 문화기술의 융합
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• 제8권6호
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• pp.979-986
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• 2022

본 연구에서는 3D 건축공간을 활용한 가상 전시를 관람자의 경험이라는 측면에서 분석하고 앞으로의 발전 방향을 모색하였다. 이를 위하여 가상 건축공간을 분석하기 위한 항목을 관람자의 시각으로 탐색하여 세부적으로 분류하여 실존하는 건축공간의 재현 여부, 초현실적 요소의 도입, 동선과 움직임의 자유도, 공간 표현의 포토리얼리즘 수준, 전시물의 재현 수준과 정보 제공 방법, 다른 참여자와의 상호작용 6가지 항목으로 설정하였다. 이 분석 항목을 저명한 건축가가 설계를 담당한 6개의 가상전시 프로젝트를 선정하고 여기에 적용하였다. 분석을 통하여 3가지 방향성을 발견할 수 있었는데 첫째는 자유도가 높은 가상의 전시공간을 설계하는 경우에도 익숙한 건축환경을 제시하는 경향이 많다는 것이다. 둘째는 현재 가상 건축공간을 제작하는 방법은 360도 렌더링 이미지를 이용하는 방법과 게임엔진을 이용하는 방법이 각각 장단점을 가지고 공존한다는 것이며, 셋째는 가상전시 참여자 간의 상호작용은 게임엔진을 이용하는 방법으로만 구현이 가능하다는 것이다. 최근 사실적인 렌더링을 실시간으로 구현하는 기술을 위한 하드웨어와 소프트웨어의 발전에 따라 게임엔진을 활용한 가상공간의 제작환경이 보다 유리해질 것으로 기대된다.

• 통합자연과학논문집
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• 제15권1호
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• pp.27-36
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• 2022

Metabus, currently represented by Second Life on the Internet, is the next-generation 3DCG Internet world in which the 2D Internet world has evolved, and has grown as a new ICT culture of mankind that can replace real society with virtual society. As such, the reason why the world of metabus has rapidly expanded is that the era of 3D Internet has arrived due to the evolution of the Internet, which only used information, and the spread of 5G communication in user-participating WEB. However, there are many situations in which laws do not exist in this virtual world and various illegal acts occur. As the Internet culture developed earlier, illegal activities by users began to appear, and as the legal responsibility of Internet providers was discussed, mankind quickly passed the Millennium Copyright Act or introduced new copyright protection measures such as technical protection, transmission rights, and rights management information. Therefore, this paper reviews and studies how to accept and further grow this new metabus culture, including the viewpoint of intellectual property.