• 제목/요약/키워드: traditional silk fabrics

검색결과 58건 처리시간 0.021초

원단의 촉감에 따른 뇌파 특성 분석 (Analysis of EEG by Tactile Sensation of Fabric)

  • 이소영
    • 복식
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    • 제64권4호
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    • pp.118-130
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    • 2014
  • The purpose of this study is to measure the touching stimulus level of EEG for fabrics to create a reference data for product planning of clothes with touching characteristics of high satisfaction. The subjects were composed of 6 female college students and their EEG level was measured while they touched 6 kinds of Korean traditional silk fabric. The results are as follows: 1. Shantung and Myoungju showed the highest and the lowest values of alpha for the touching stimulus respectively. The fabric of Shantung showed high values of alpha, beta, theta, delta, gamma, high-beta and SMR for the touching stimulus. 2. The values of beta were the highest with Shantung and the lowest with Nobangju for the touching stimulus. 3. The highest values of theta and delta for the touching stimulus was assigned to Shantung and the lowest belonged to Gabsa. 4. The highest values of gamma for the touching stimulus was assigned to Shantung and the lowest belonged to Gongdan. 5. The highest value of SMR for the touching stimulus was assigned to Santung, and the lowest belonged to Gongdan and Nobangju. 6. The highest values of high-beta for the touching stimulus was assigned to Shantung and the lowest belonged to Gabsa and Gongdan.

전통 직물염료의 공예적 염색실험(I) (Technological Experimental Study of Traditional Plant-daes)

  • 선우은경
    • 복식
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    • 제29권
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    • pp.85-98
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    • 1996
  • WE SELECTED 30 SORTS OF PLANT-DYES WHICH WE CAN GET EASILY AROUND US DYED TEXTILE FABRICS THROUGH EXPERIMENTAL STUDIES AND GOT SEVERAL GOOD COLORS AS FOLLOWS WITH HISTORICAL REVIEW-ING ABOUT THE TRADITIONL NATU-RAL DYEING. 1. We got the colors of brown most com-monly yellow the nest black green and red in order of frequency 2. It is dyed more rapidly beautifully and deeply to the silk than to the cotton. 3. Salt worked the colors deeply K2CO3 more light FeSo47H2O more darkly and Alum the most beautifully and brightly as a mor-dant. 4. natural plant dyes contains various sorts of colors and we could confirm the possibility to create the composed implicit and secondary and tertiary colors through dual method of dyeing which couldnt's be got in the field of modern chemical dyes.

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불국사 석가탑 내 발견 금직물(錦織物) 고찰 (A Study of Geum Silk from Seokgatap in Bulguksa)

  • 심연옥
    • 복식
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    • 제62권3호
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    • pp.137-151
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    • 2012
  • In 1966, $Seokgatap$ pagoda in $Bulguksa$ temple was damaged by the tomb robbers and was dismantled to fix the damage. In the process, many offerings to Buddha and containers for Sarira(the cremated remains) were found in $Sarigong$(specially designated space for the Sarira casket) inside the second floor of the pagoda. Many fabrics like $Geum$, $Neung$(twill), $Rha$(complex gauze), silk tabby and linen were also excavated. In this study, $Geum$ fabric from the $Seokgatap$ was closely examined. $Geum$ of $seokgatap$ is weft-faced compound weave according to the analysis of its weaving pattern which was wrongly presumed as warp-faced compound weave for some time. Technical analysis of $Geum$: Main: silk, Binding: silk, Proportion: 1 main warp to 1 binding warp, Count: 15 main warps and 15 binding warps per centimeter, Weft: polychrome silk without apparent twist, Colors: yellow, mustard yellow, deep blue, green and purple, Weave: weft-faced compound twill, 1/2 S. $Geum$ of $Seokgatap$ was made in the $8^{th}$ century, since it was weaved in weft-faced compound weave twill which was popular in the $8-9^{th}$ century. And also, the arrangement of the colors was done in the same way of gradation $Geum$ silk which was popular in the $7-8^{th}$ C in China and Japan. Third, we restored the pattern of $Geum$ of the Unified Shilla Dynasty for the first time. It was very difficult to figure out the shape and the size of pattern since the fabric was partially lost and ruined. We tried to draw the diagram of structure with the cross point of the warp and the weft to restore the pattern. By doing so, we could identify two kinds of small flower pattern, palmette and the pattern of repeating vines. Fourth, we could infer that the $Geum$ of $Seokgatap$ was used for $geumdae$(a pouch made of $geum$) by analyzing all the documents and the characteristics of the fabric.

한북직물업체의 생산 및 유통구조에 관한 연구 (A Study on the Economic Performance of the Textile Industry for Korean traditional Clothes)

  • 조효숙
    • 복식
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    • 제34권
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    • pp.135-150
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    • 1997
  • The purpose of this study was to inves-tigate the economic performance of the textile industry for the Korean traditional clothes. The content of this paper had two pars; The first part was for the macroeconomic aspects such as location production employments and the produc-tion facilities of the textile industries. The second part was for the microeconomic aspects such as business type branding method fabric type R&D efforts sourc-ing and the distributional channel The major results were as follows: 1.) Most textile firms for the korean traditional clothes were located in Gongju for man-made fibers and in Jinju for silk fabrics. 2) The size of the textile industry in terms of the number of business produc-tion amount the number of employee de-creased during 1994 and 1995 due to the decreasing demand. 3) Over the half of the textile firms produced raw fabric products while only 20% of them were involved in additional dyeing and /or printing finish which re-sulted in low value added production 4) The R&D effort of the textile indus-try for the Korean traditional clothes was very low due to the market uncertainty lack of technological knowledge and most of all small size of the firms 5) Most raw materials for the textile in -dustry were imported with high(25%) tariff rates resulting in price increase and thus low competitiveness in the market. 6) The textile producers sole about the 70% of their products to the wholesalers while selling the rest to the retailers di-rectly. This showed the dual structure of the distribution channel in the textile products. These results suggested some implica-tions for the firms the policy makers and the researchers. The firms should develop new and improved products to increase and create consumer demand by intensive R&D efforts. The government policy ma-kers should give financial supports the firms with R&D investment and legal help such as lowing tariff rate for the raw ma-terials. The researchers from the academy could help the textile industry with the advanced technological knowledge and up-date information for the consumer fashion demand.

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생쪽잎분말의 염색성 및 저장성 (I) - 동결건조방법 - (Dyeing Properties and Storage Stability of Leaf Powder Prepared from Dyer's Knotweed (I) - by Freeze Drying method -)

  • 신윤숙;손경희;류동일
    • 한국염색가공학회지
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    • 제21권1호
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    • pp.10-20
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    • 2009
  • The objective of this study is to investigate the efficacy of leaf powder colorants as substitutes for traditional fresh juice extract dyeing. Three kinds of leaf powder colorants were prepared by freeze drying method with or without deep freezing as pre-treatment: one powder colorant from fresh leaf juice with deep freezing; two kinds of powder colorant from fresh leaves with and without deep freezing. Their dyeing properties and storage stabilities were studied and compared with the traditional fresh juice extract dyeing. The presence of indigo in the powder colorants was confirmed by UV/Visible absorption spectra. They showed absorption peak at 602nm which was same with indigo absorption peak. Dyeing was done at low temperature around 6$^{\circ}C$. All three powder colorants produced B colors on silk fabrics, showing similar color to the one dyed traditionally with fresh juice extract. The powder colorants from leaves gave higher color strength than the powder from leaf juice. The powder colorant prepared from leaves with deep freezing was the most stable for long term storage as its color and color strength were not changed after 360 days. So, this was used for further dyeing to study the effects of concentration and repeat dyeing on color strength and colorfastness. Fastnesses to dry cleaning and rubbing were fairly good above 4 rating. Further study is needed to improve light fastness. It was concluded that the leaf powder colorant with deep freezing could be used as a substitute for traditional juice extract dyeing at all seasons.

비파괴 자외-가시 및 형광 분광 분석법을 이용한 황색계 전통염료 분석 (Analysis of Yellow Traditional Dye using Nondestructive Ultraviolet-visible and Fluorescence Spectrophotometry)

  • 유혜선;윤은영;김유란
    • 박물관보존과학
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    • 제11권
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    • pp.61-72
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    • 2010
  • 본 고는 우리나라 황색계 염재인 울금, 황벽, 황련, 치자, 괴화로 염색한 직물편에 대한 비파괴 자외-가시광 분광 분석 및 3차원 형광 분광 분석 내용이다. 직물이나 매염제 종류에 따라서 각 염재의 분석결과에 영향을 주는지 여부를 확인하기 위하여 직물 2종류(견과 면)와 매염방법 3가지(무매염, 백반, 철)로 염색한 직물시편을 제작하였다. 이 염색 직물편에 대한 자외-가시 분광반사 스펙트럼 측정 결과, 울금, 황벽, 황련으로 염색한 경우 직물의 종류에 관계없이 무매염과 백반매염한 시편의 결과가 유사한 반면 철매염한 시편에서는 차이를 보였다. 또한 치자로 염색한 경우 직물의 종류에 따라 다른 결과를 보였으나 매염제에는 영향을 받지 않았다. 반면에 괴화로 염색한 경우 직물의 종류에 관계없이 매염제에 따른 차이를 보였다. 3차원 형광 스펙트럼 측정 결과 울금, 황벽, 황련으로 염색한 직물편은 직물과 매염제에 관계없이 고유한 형광 스펙트럼으로 나타났으나 치자의 경우 직물의 종류에 따라 차이를 보인 반면 괴화의 경우는 직물의 종류에는 관계가 없었으나 매염제에 따른 차이를 보였다.

한국 전통 버선본집의 형태, 색상, 구성 기법 분석 및 감물염색 문화상품 개발 (Forms, colors and construction of the pattern cases for Korean traditional socks and cultural product development)

  • 홍희숙;김기억
    • 복식문화연구
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    • 제21권6호
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    • pp.860-876
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    • 2013
  • The pattern cases for Korean traditional socks are named "beoseonbongip" which means a pouch to keep patterns for making "beoseon". "Beoseon" is Korean traditional socks. This study is to identify characteristics of the pattern cases and to develop cultural products based on the unique characteristics of the pattern cases. One hundred fifty one photos of "beosonbongip" were collected and quantitatively and qualitatively analyzed. Seventy percent of them were made between Joseon Dynasty and 1960s. As a result, most of the collected pattern cases are rectangular and square shapes, red color, and silk fabrics, and sizes of them are from 9cm to 15cm. A few pattern cases with different sizes and colors were also observed. Most pattern cases were made by fixing two among four triangle pieces which made by folding four tips of a rectangular or square cloth and then puting a not or a loop on the remaining triangle pieces in order to open and close the pattern cases. In a small number of the pattern cases, three of the four pieces were fixed and a button, a bead, a broach, or two nots or two loops were put on the other piece for opening and closing. Products such as apparels, bags, pouches, frames, and key holders were made using "beoseonbongip" form and construction method. This shows that "beoseonbongip" is a useful motive for creative product development.

생쪽잎분말의 염색성 및 저장성(II) - 열풍 및 상온건조방법 - (Dyeing Properties and Storage Stability of Leaf Powder Prepared from Dyer's Knotweed(II) - by Hot Air and Room Temperature Drying Methods -)

  • 신윤숙;손겸희;류동일
    • 한국염색가공학회지
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    • 제21권4호
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    • pp.23-32
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    • 2009
  • The objective of this study is to investigate the efficacy of leaf powder colorants as substitutes for traditional indigo dyeing. Leaf powder colorants were prepared by hot air($50^{\circ}C$) and room temperanrre($25^{\circ}C$) drying methods from fresh leaves. The presence of indigo in the leaf powder colorants was confirmed by UV/Visible absorption spectra. All the powder colorants showed broad absorption at 602 nm as same as synthetic indigo. Dyeing was done by reduction method with sodium hydrosulfite and sodium hydroxide. Leaf powder colorants produced blue color on silk fabrics, showing similar color to the one dyed traditionally with fresh juice extract. The powder colorants prepared at room temperature drying were more stable for long term storage than that prepared by hot air drying. Thus, the powder colorants prepared by room temperature drying was reduced and dyed in one-step process without sodium hydroxide in the dyebath for further investigate dyeing properties. K/S value of the fabric dyed without sodium hydroxide was much higher than one dyed with sodium hydroxide. Regardless of the addition of sodium hydroxide, rubbing fastness was fairly good showing above 4 rating. Fastness to dry cleaning and light of the fabrics dyed without sodium hydroxide were mote higher than that dyed in alkaline condition.

출토복식에 나타난 탄화직물의 분석적 연구 (A Study on Analyzing of Carbonized Fibers in Excavated Cloths)

  • 백영미;권영숙
    • 한국문화재보존과학회:학술대회논문집
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    • 한국문화재보존과학회 2004년도 제20회 발표논문집
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    • pp.109-114
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    • 2004
  • The purpose of this study lies in analyzing the characteristics of the carbonized textile fabrics and to know the carbonizing mechanism. Samples were Jiyo excavated from the grave of Mrs. Hansan Lee as the wife of Jinju Kang at Daeduk-gu, Daejon, and black fragements assumed as of the outside material of cotton skirt and black dusts collected out of Jikryung for official dress. The composition and status of the fiber were clarified by means of Microscopic FT-IR and both cross sectioanl and side parts of the fiber were observed using the technique of scanning electron microscopy(SEM). Finally EDS analysis was carried out to qualitatively analyze inorganic ingredients contained in the carbonized fiber. As a result of FT-IR measurement, characteristic peak was very strong around $1625cm^{-1}$ and could be found even between 2500 and $2300cm^{-1}$ because of a high-molecule pigmental substance, melanine. When SEM photography was applied to the fractions, the tissues were identified as silk fiborine through the observation of their side and cross sectional parts. SEM-EDS measurement indicated that both the cotton skirt and Jikryung for official dress contained a high proportion of inorganic substances such as Si, Ca suggesting the existence of silicide and calcium carbonate.

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목판 교환 방법을 활용한 다색 협힐 제작기법에 관한 연구 (A study of multicolored clamp resist dyeing techniques using a wooden printing-block exchange method)

  • 이정은;스가노켄이치
    • 복식문화연구
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    • 제28권5호
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    • pp.607-620
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    • 2020
  • The aim of this study is to define the new expressive techniques for multicolored clamp resist (hyuphill) dyeing, based on empirical verification on relics that are estimated to be dyed by the exchange of more than two wood blocks: a previously undiscovered technique. Clamp resist dyeing (assumed to be made by exchanging wood blocks) have uneven resist printing lines or cloudy gradation. These are reproduced as follows: first, they have uneven contour lines, particularly with the color blue. It is possible to exchange wood blocks separately on patterns with uneven resist printing lines, and it has been verified that the exchange of wood blocks makes these irregular resist printing lines. It has also been verified that exchanging the wood blocks according to the gradation (to emphasize the cubic effect on the patterns) yields clamp resist dyeing with no resist printing lines but with cloudy gradations that have accented borders. This study provides basic information that enables methods of multicolored clamp resist dyeing through wood block exchange to be deduced (something that has not been attempted for a long time). Thus, the revival of the modern Korean dyeing culture based on the conservation and perseverance of the traditional dyeing techniques can be achieved.