• 공연문화연구
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• 제19호
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• pp.281-315
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• 2009

20세기 초 일제강점기를 겪고 서양문화의 급격한 수입으로 인해 전통은 '과거의 진부한 유산'으로 취급받으면서 전통음악은 농경사회의 잔재 혹은 '기생문화'의 전형으로 여겨졌다. 이런 와중에 전통음악문화는 매우 빠른 속도로 붕괴되면서 피폐화되었다. 1960년대 이후 전통문화를 보호하기 위한 문화재보호법이 제정되면서 무형문화유산은 정부의 보호막에 들어갔다. 이후 많은 전통음악장르가 중요무형문화재로 지정되어 근근이 명맥을 유지하게 된다. 또한 많은 대학에 국악과가 설립되고, 국립국악원을 비롯한 각종 시립·도립 국악관현악단이 설립되면서 전통음악은 부활하고 있다. 그러나 제도권 음악계의 이런 변화는 우리의 전통음악문화의 전승방법과는 전혀 다른 것이다. 전통음악을 포함하는 무형문화유산은 살아있는 생명체이고, 전통음악은 이를 둘러싼 유기적인 환경이 바뀌면 외부환경의 영향으로 스스로 소멸되기도 하고 새로운 환경에 적응하기 위하여 끊임없이 변모하기 마련이다. 한번 창작되면 어느 정도의 고정성을 갖는 완성예술(product arts)인 서양예술음악과는 달리 한국 전통음악은 음악가의 손을 거치면서 시대적으로 끊임없이 새로운 모습으로 변화하는 과정예술(process arts)의 전형적인 형태를 보인다. 이것이 한국 전통음악의 생명력이었다. 일제강점기 이후 자생적 생명력을 소진한 전통음악은 해방 이후에는 외부의 동력에 힘입어 새로운 생명력을 얻게 되었다. 즉, 해방 이후의 전통음악문화는 기존의 음악문화와는 전혀 다른 경험을 통해 성장하고 있다. 이는 전통문화의 재창조·전승이라는 긍정적인 작용과 더불어 왜곡·박제화라는 부정적인 면도 공존하고 있는 실정이다. 이 글에서는 가야금산조를 중심으로 전통음악의 전승과 미래를 논의하고자 한다. 전통음악의 부침과 부활을 가장 극명하게 보여주는 것이 기악독주음악인 산조이다. 19세기 끝머리에 처음 만들어진 산조는 일제강점기에는 판소리의 전성시대에 힘입어 괄목할만한 성장을 이룬다. 그러나 해방 후에는 전통음악의 부침과 더불어 침체기를 겪다가 1960년대 이후 중요무형문화재와 대학 교육의 영향으로 부활하여 지금은 전통음악장르를 대표하는 음악으로 성장했다.

• 한국환경과학회:학술대회논문집
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• 한국환경과학회 2003년도 International Symposium on Clean Environment
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• pp.185-191
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• 2003

Walled town was located on the axis connecting symbolic places, which was a feng-shui lucky place of a mountain sits to the rear and a body of water sits to the front. It represents environmental development of cultural space by blend of folk belief, religion, social system, administration facilities and living culture buildings. Therefore it is sustainable cultural view connected of formed or formless religious view and artificial view(wall, government buildings, living houses, and cultivated land so on) in a nature landscape. Environmental design technique, enlarging its meaning and value of living to mental level was founded from space composition and settlement, which was constructed organized space of government and residence area of walled town within the wall for looking for lucky place(from best, better, and good places) in order to construct ecological network (天+地+人, 山＋水＋方位＋人, 地理＋生利＋山水＋人心) by outlook of space and settlement.

• 한국지역사회생활과학회지
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• 제11권2호
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• pp.29-42
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• 2000

It has long been believed that European clothing style has been developed independently without the Eastern influence. This deductive assumption has limited the understanding about the contents of Eastern clothing style, and there has only been limited studies on the Eastern influence on the European clothing. The lack of understanding and interest made the traditional Eastern influence on the European clothing. The lack of understanding and interest made the traditional Eastern clothing to be considered as merely exotic and relatively unimportant. Therefore, a thorough study and understanding of the contents of the Eastern clothing style and its influence on the western world is very much needed. The objective of this study is to see how the clothing of the Islamic Osman Turk had influenced Europe during the Gothic and Renaissance period and to find the relationship between the development of the East and West clothing style. This study also has the purpose of re-evaluating the importance of the Eastern culture in the present multi-cultural global era of the 21 st century. The most typical clothing of the Osman Turk was kaftan and other traditional clothing included narrow pants and head dress. Through trade, war and other channels, the Turkish influence changed the styles and colors of previous European fashion that can be characterized by the simple designs of tunic and mantle into a dynamic dress culture. Cotehardie adopted the styles of the Turkish kaftan. The new weaving techniques enabled new clothing such as Pourpoint, Houpplelande made of brocade and velvet with elegant patterns come into European fashion. Also, head dresses, which before were not used except for religious reasons were widely worn. As such, Turkish fashion gave significant influence on the development of European clothing style.

• 한국가구학회지
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• 제20권4호
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• pp.307-316
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• 2009

Seoul, the capital of Korea, is worldwide city; Seoul is 600 year-old city as a capital and more than 10 millions of population live in Seoul, Image of Seoul has began to be known to the peoples in the world through 1988 Seoul Olympic Games and 2002 World Cup. However, in the public design and trees lining street system, Seoul hasn't been escaped from the image of a city which lacks of the characterization in the culture and identity aspects. This paper applied a protective fence designing simulation for Cultural Street in Seoul to develop much more the identity of Seoul and characterization of local culture. Also, It's examined and analyzed R&D data, and applied traditional patterns to design to set developmental capacity of design and a direction of fence design in the past, present and future. It's analyzed the present condition of domestic manufacturers and examples for installation, selected randomly 7 places of domestic cultural places as an alternative to compare the previous design to the present design with 3D design and photos composing method, and developed the related situation. Also, It's visualized this method to let the citizens and all levels of society determine the design. besides that, developed the traditional patterns to apply the patterns to the design, considering the characteristic of each region and characteristic of each road. It's suggested this fence design to apply the image of advanced Korea and Seoul as a creative cultural city, and the international status of Korea and Seoul to the trees on the historical and traditional street. Also, put an importance to bring the identity of Seoul and Korea in the world into relief.

• 한국의상디자인학회지
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• 제8권3호
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• pp.27-34
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• 2006

Flexibility, love of symbols, small size-these are all qualites that accompany the proclivity towards compactness in Japanese culture. They developed and have been refined to an unusual level in Japan partly out of the necessity to use limited space economically, but these qualities also characterize the aesthetic preferences of the people. Because space is so precious, it receives a great deal of attention in every aspect of life. Over the centuries Japanese have devised innumerable ways to use space that are ingenious in their successful combination of pragmatism, harmony, and beauty. Folding, stacking, rolling, nesting, carrying, consolidating, miniaturizing and transforming are some of the techniques for living that have created the compact culture. Folding allows a one-dimensional object to be placed in prescribed small space. Stacking objects of the same shape makes use of vertical space, saving valuable horizontal space. Rolling an object reduces it to a tidy cylinder without creasing it, creating yet another form of repose for functionally flat things. Nesting several identically shaped objects of graduated sizes is known as ireko. Carrying things by hand makes them available for any occasion, by plan or on impulse. Consolidating is to bring together the multifarious systems of living into an integrated whole. Miniaturizing things is a way to bring even the universe down to the scale of a human hand. Transforming the face of things is another notable propensity in the Japanese life style. Each one is put to use in countless ways, suggesting principles and conceptions that encapsulate the wisdom of tradition. In this study I wishes to investigate the principals of Japanese traditional design and the applied case in fashion goods.

• 대한공간정보학회지
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• 제17권4호
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• pp.45-51
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• 2009

세계 여러 나라들은 전통문화를 바탕으로 국익증진과 경쟁력 향상을 위해 문화콘텐츠의 개발 및 홍보방식에 새로운 변화와 개혁을 추진하고 있다. 또한, 국민의 생활수준과 삶의 질이 높아짐에 따라 전통 문화의 향유를 위한 다양한 요구가 증가하고 있으며, 문화재 환경이 갈수록 복잡하고 다양해지면서 체계적인 관리와 보존 방안이 필요하다. 이러한 관점에서 웹을 이용한 지형공간정보 제공서비스는 위성사진이나 지형, 3D 뷰잉 등 다양한 형태의 서비스를 제공함으로써 사용자가 특정지역의 구체적 공간정보를 얻을 수 있도록 하고 있다. 특히, 3D 모델링을 이용한 지형공간정보는 구축비용이나 운용, 유지의 어려움 때문에 국한된 공간에서만 이루어지고 있다. 본 논문에서는 전통 건축물 및 문화관광 자원을 3D 객체 단순화를 통해 구글어스에 효과적으로 업로딩하기 위한 방법을 제시하고자 한다.

• The International Journal of Costume Culture
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• 제6권1호
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• pp.52-60
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• 2003

The purpose of this study was to examine the cases of the head family's costume culture and to apply them to field experience education of adolescent's home economics subject. To examine costume culture, women in the two head families in the Hampyeong area, Jeollanam-do were interviewed. The findings had unique shroud making and custom in the Mo's head family of Hampyeong. Also it was found that the eldest daughters-in-law of the Lee's of Hampyeong have horizontally exchanged the information of the head family's costume with village women of the same family. They have initiated their costume culture directly through their daughters and it had the great influence on after-ages. The Spot experience program for adolescent to experience the head family's costume culture and life culture consisted of four subjects:(l)Educating the head family's traditional living culture including etiquette training, (2)head family village walk, (3)experiencing the head family's clothes life including natural dyeing and sewing, and (4)a field trip of Hampyeong Local Life Culture Museum. For a model experience of the head family's costume and life culture, three families with middle and high schoolers participated in 8- hour experience learning program.

• 한국의상디자인학회지
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• 제23권4호
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• pp.105-116
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• 2021

Pillows are tools that humans have used for a long time to sleep or lie down and rest. It is bedding, and the oldest literature dealing with it is Volume 29 of 'GoryeoDogyeong', which describes embroidered pillows. The oldest relic is the queen's pillow (National Treasure No. 164) excavated from the tomb of King Muryeong, and is in the Gongju National Museum. This study attempts to investigate and reproduce the materials used in traditional pillows Yukgol pillows and pine nut pillows designs are based on literature and artifacts from the Joseon period to modern times. Regarding the research method, after reviewing literature and the relics of traditional pillows, the process of reproducing the traditional Yukgol pillow and the pine nut pillow production method were explained step by step. This study found the plain attitudes in the lives of people who used materials that could be easily gained from their daily lives in rural communities oriented to rice farming never recklessly threw out any piece of cloth or cotton and use it for pillow stuffing or pillow ends. Also, the sophisticated sense of aesthetics that you can see from the pine nut pillows, whose ends were made of remnants from making clothing are exquisitely similar to what was shown in patchwork previously. The biggest meaning of restoring traditional pillows was looking into traditional culture, particularly the ordinary people's living culture. It was very difficult because the researcher had to find materials that were difficult to obtain in this age, the making process was complex, and it took much time; however, it is significant in that the restoration of traditional pillows allows for the succession of tradition.

• 한국콘텐츠학회논문지
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• 제17권2호
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• pp.394-403
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• 2017

본 연구는 부산광역시 영도구에 소재한 문화관광형시장인 남항시장을 대상으로 전통시장 육성 및 활성화 사업의 현황과 문제점을 고찰하였다. 제도, 분석의 틀, 설문조사 등의 방법으로 분석한 결과, 문화관광형 시장은 지역프랜차이즈(local franchise) 특화거리, 오픈스페이스, 생활권 문화 등을 고려한 공공시설 확보를 통해 주민 상인 관광객 모두가 만족할 수 있는 통합적 재생방안이 구축되어야 한다는 결론을 도출하였다.

• Human Ecology Research
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• 제54권4호
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• pp.415-426
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• 2016

We researched the modern meanings of traditional dining table courtesy education and its correlation with the main values of contemporary personality education based on dining table courtesy education stated in the social norms texts of the Joseon dynasty. Among the social norms of the Joseon dynasty, we chose Sohak, Naehun, Dongmongsuji, Seonghakjibyo, Gyeongmongyogyeol, Jeungbosallimgyeongje, Sasojeol, and Koamgahoon for research. As a result of our research on these documents and books, the modern meanings of the courtesy education at the dining table can be summarized as follow. First, the courtesy education has table manners appropriate for the development level of early children. Second, it teaches right-handed dining manners that match the features of Korean food culture. Third, it has the self-discipline and the values of community life, sharing, solicitude, and communication. Fourth, parents and grandparents are involved in the education. Fifth, it has the core values of modern personality education: manners, filial piety, respect, solicitude, communication, cooperation, and responsibility. Future courtesy education at the dining table should include practical education programs that can consolidate the bond of sympathy between the home, school, and society, and can improve its practice; in addition, to expand the opportunities for education, proactive social support is demanded.