• Current Optics and Photonics
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• 제5권6호
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• pp.699-710
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• 2021

In this study, we propose a biomimetic optical structure design methodology for investigating micro-optical mechanisms associated with the compound eyes of insects. With these compound eyes, insects can respond fast while maintaining a wide field of view. Also, considerable research attention has been focused on the insect compound eyes to utilize these benefits. However, their nano micro-structures are complex and challenging to demonstrate in real applications. An effectively integrated design methodology is required considering the manufacturing difficulty. We show that photorealistic ray-traced visualization is an effective method for designing the biomimetic of a micro-compound eye of an insect. We analyze the image formation mechanism and create a three-dimensional computer-aided design model. Then, a ray-trace visualization is applied to observe the optical image formation. Finally, the segmented images are stitched together to generate an image with a wide-angle; the image is assessed for quality. The high structural similarity index (SSIM) value (approximately 0.84 to 0.89) of the stitched image proves that the proposed MATLAB-based image stitching algorithm performs effectively and comparably to the commercial software. The results may be employed for the understanding, researching, and design of advanced optical systems based on biological eyes and for other industrial applications.

• 산업경영시스템학회지
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• 제45권3호
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• pp.139-149
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• 2022

Korea's Corona 19(COVID-19) quarantine, referred to as 'K-Quarantine', is a globally recognized quarantine system that has achieved both conflicting goals: health and economy. The quarantine system represented by 3T(Test-Trace-Treat) is not a method of blocking an area, but a method of screening and treating infected and non-infected persons. The screening center, one of the key elements of this screening treatment system, has evolved to suit the timing and situation of COVID-19, and has succeeded in initial response by conducting large-scale tests quickly and safely. By analyzing the evolution of screening centers that produced such significant results from a problem-solving point of view, it proved its meaning as a practical success case of creative problem-solving. In addition, the usefulness of TRIZ (Russian abbreviation of Theory of Solving Inventive Problem), a creative problem-solving theory, was confirmed through an analysis of actual verified cases of COVID-19 response. TRIZ is a problem-solving theory created by analyzing the regularity of invention patents, and is widely used not only in the technical field but also in the non-technical fields such as design, management, and education. The results of this study are expected to provide useful meaning and practical examples to researchers interested in system analysis and TRIZ application from a problem-solving perspective.

• Current Optics and Photonics
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• 제7권6호
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• pp.745-754
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• 2023

In order to test the recognition ability and accuracy of a target imaging simulator under the irradiation of solar stray light in a laboratory environment, it needs to be fixed on a five-axis turntable during a hardware-in-the-loop simulation test, so the optical system of the simulator should have a long exit pupil distance. This article adopts a secondary imaging method to design a projection optical system suitable for thin-film-transistor liquid crystal displays. The exit pupil distance of the entire optical system is 1,000 mm, and the final optimization results in the 400 nm-850 nm band show that the modulation transfer function (MTF) of the optical system is greater than 0.8 at the cutoff frequency of 72 lp/mm, and the distortion of each field of view of the system is less than 0.04%. Combined with the design results of the optical system, TracePro software was used to model the optical system, and the simulation of the target imaging simulator at the magnitude of -1 to +6 Mv was analyzed and verified. The magnitude error is less than 0.2 Mv, and the irradiance uniformity of the exit pupil surface is greater than 90%, which meets the requirements of the target imaging simulator.

• 한국지하수토양환경학회지:지하수토양환경
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• 제7권4호
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• pp.68-76
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• 2002

동래 납석광산 지역의 산성광석배수(ARD)에 의해 오염된 동래천의 공간적 화학조성 변화와 중금속의 제거 과정을 중화실험을 통하여 조사하였다. 광산에 인접한 동래천은 강산성(pH 3.0~4.2)이며 많은 양의 Al. Fe, $SO_4$및 중금속(Pb, Cu, Zn, Cd)을 포함하고 있다. 동래천의 화학조성은 산성배수의 침출지에서부터 수영강과의 합류지점까지 체계적으로 변화한다. 즉, 동래천으로 유입되는 침출수는 Al과 Fe가 풍부하나 하류로 갈수록 Al이 풍부한 조성으로 변한다. 침출수(pH 2.3)는 오염되지 않은 동래천(pH 6.5)과 소규모의 지류(pH 6.2)와 혼합되면서 pH가 최대 4.2까지 증가한다. 이러한 낮은 pH 범위(<4.2)에서는 거의 모든 Fe가 침전되나 Al은 대부분 용존상태로 남게 되어 하류로 갈수록 A띠 풍부한 조성으로 변화하게 된다. 한편, Al이 풍부한 하류의 지표수는 유량이 큰 수영강(pH 6.9)과 혼합되면서 pH가 증가(5.7)하여 흰색의 Al 침전물을 형성시킨다. 침출수를 대상으로 한 중화실험 결과. pH 3.5 이하에서 Fe침전물이, pH 4~6범위에서 Al 침전물이, 그리고 pH 6.0이상에서 Mn침전물이 형성되었다. pH의 증가에 따른 이러한 Fe, Al 및 Mn의 단계적인 침전은 실제 동래천에서 관찰되는 침전물의 형성과 잘 일치하고 있다. 또한 pH 증가에 따른 Fe및 Ai침전물에 의한 중금속의 흡착순서는 Pb>Cu>Cd$\geq$Zn이었으며, 50%의 흡착을 보이는 pH의 값($pH_{50}$은 Pb 3.2, Cu 4.5, Cd 5.2 및 Zn 5.8이었다. 이와 비교하기 위해서, Al이 풍부한 하류의 지표수를 대상으로 한 중화실험 결과, $pH_{50}$의 값은 Pb 4.5, Cu 5.8, Cd 7.4 및 Zn 7.0으로서 침출수에 비해 높은 값을 보였다. 이와 같은 결과로부터, 광산배수에서의 중금속의 제거는 pH의 변화뿐 만 아니라 하천수의 Fe 및 Al의 상대적인 양에 따라 결정됨을 알 수 있다.

• 한국실내디자인학회논문집
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• 제25권1호
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• pp.101-114
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• 2016

In the center of our ancestor's culture, there were poetry, calligraphy, and painting. Above all, poetry was the heart of the culture involved in everyday life. The beauty of poetry was not limited to appreciation of the poetry but it influenced calligraphy, painting, seals, music, architecture and even how the ancestors viewed their lives. Categories of poetry(詩品, CP hereafter) is the poetry written to deliberate the style of poems and its influence went beyond the fields of calligraphy and painting. Even now, our architecture reflects the sentimental influences and values of CP. In order to understand the attitude, mind, and the world view of the architects in the past, comprehensive and deep understanding of their philosophy as well as their cultural and social norms is needed. In this paper, CP is used as the means to investigate and develop such understanding of our ancestors' philosophy and culture. This paper also intends to investigate how the seclusive thinking of Neo-Confucianism is reflected in CP and the overall literature. In addition, this paper aims to examine the trace of CP in traditional architecture as well as the relationships and the flow among various styles of CP. This study therefore serves as an important base in understanding the ancestor's philosophy that pursued balance between life and art, reason and emotion, study and practice, and their architectural expression. It is also expected that this study would work as the groundwork to regain our traditional culture identity.

• 정보보호학회논문지
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• 제27권1호
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• pp.103-113
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• 2017

사이버공격은 목적 및 의도에 따라 사이버 전쟁, 테러, 범죄 등의 유형으로 분류할 수 있고 해킹 DDoS 선전 등 다양한 전략과 전술이 동원된다. 사이버공격으로 발생한 피해는 경제 사회 군사 및 물리 정보 인식 등 다양한 범주에서 발생하고 공격주체 식별을 위해 통상 IP ID URL 등 사례기반분석이 이용된다. 그러나 최근 사이버공격은 디지털 정보의 조작을 통해 의도와 주체를 은폐하며 클라우드 기반의 사이버환경이 등장함에 따라 공격유형의 분류 및 대응전략 수립이 제한됨에 따라 피해기반분석의 필요성이 대두되고 있다. 이에 본 논문에서는 사이버공격시 발생한 피해를 경제 정치적 관점에서 분석하고 공격의도를 추론함으로써 사이버공격 유형을 분류하고자 한다.

• 한국주거학회논문집
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• 제25권6호
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• pp.101-109
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• 2014

It was early in the $20^{th}$ century when the space was begun to say through the mutual circumstances of form and contents. Adrian Forty explained that the characteristics of space can be divided into three steps by the period: a space of enclosure, a space as continuum and a space as an extension of the body. And there is common condition that all three spaces are accompanied by the form. In the new thinking of architectural form in terms of text in modern society, architecture becomes to more complex to understanding. Saying that there is nothing outside text (Il n'y a rien en dehors du text.) in the world, Jacques Derrida insisted the world to be texted and not to be special centrality, where can be existed by difference and delay its meaning. Text is the structural meaning (sign), not a metaphorical one (symbol). Without the symbol, the architecture can be recognized as text with signing to the form. For that, there is a question how can be explained the space in terms of text extracting the meaning and the symbol. Absolutely not intended by Mies van der Rohe, but in his works of houses and pavilion, its characteristics and traces of text can be seen. If it is possible to analyse his works in the textual view, space of Mies will be found in the same direction of text. And it will be an important opportunity to re-evaluate the space of Mies works standing in the heart of Modern Architecture.

• 조형예술학연구
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• 제1권
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• pp.165-188
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• 1999

When we think about visual art, we can't pass over the matter of images and spaces. An image is fixed in a painting space. If the image were posited in the river of time, it would be changed as time flowed on. Its image might be created, rigged, transfigured or it might vanish or remain as traces. The image is changed through the process of expressing them on the painting surfaces. In paintings the changing of the image is caused not only by working processes but also recognizing the objects. In modernist painting, the idea of space was important, but in postmodernist view, the idea of time becomes essential. In this thesis I will focus on the matter of time and image of painting in the late 20th century. Studying the relationship of image and time is not familiar because we had considered the space as being more related to painting distinction than time. Presently, the concept of space can't be divided from that of time. In Physics, they recently called it as a united concept- time-space. Painting space also becomes one asking and recieve the concept of time actively. Now in painting, time is no more a supporting matter but becomes a major matter. In the late 20th century, we can find many trials to catch the change of images as time flowes on and express them as a trace through using verioty media. One of the way to drawing the change of images as time passes could be seen through various joint images in one painting space and another in the traces of one image. The other could be done by using new media such as computer in the example of fractal art. It shows the images chainging of practically as time changes. New understanding about time of this era has to be affirmatively accepted because it reflects the contemporary cultural situation and in art, the concern about the possiblity of it and finding new medias which has to go on.

• 한국시조학회지:시조학논총
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• 제21집
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• pp.241-269
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• 2004

본고의 목적은 <황강구곡가>의 창작 배경과 구성 방식, 내용상의 특성을 규명하는 것이다. <황강구곡가>는 권상하의 유풍이 쇠미해지기 시작하는 시기에, 구곡가의 전승을 통해 기호학파의 도맥을 재확인하고 백부인 권상하를 추숭하고자 하는 의도에서 옥소 권섭이 창작한 작품이다. 따라서 이작품은 각 승경처를 권상하의 삶의 궤적과 연관지어 서술하는 회고의 방식으로 구성되었다. 이 작품에는 권상하의 도학자적 삶이 직접적으로 드러나지 않는다. 권상하가 은거했던 황강 구곡은 선경(仙境)으로, 그의 삶은 신선적 풍류로 그려냄으로써 간접적으로 입증하였다. 이러한 구성 방식과 자연에 대한 인식 태도를 통해 볼 때 <황강구곡가>는 권상하를 위해 창작된 작품이지만 권섭의 의식 세계를 표출하고 있으며, 그의 작품 세계와 연장선에 놓여 있음을 알 수 있다.

• 한국정보과학회논문지:시스템및이론
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• 제34권5_6호
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• pp.228-237
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• 2007

역변위 매핑은 기하정보를 증가시키지 않고, 모델에 상세함을 더하는데 사용된다. 우리는 부드럽고 정확한 굴곡을 표현할 수 있는 GPU 기반의 실시간 역변위 매핑 기법을 제안한다. 이를 위하여, 렌더될 각 픽셀에서 광선을 만들고 이를 전진시켜 나가며 변위 맵과의 교차점을 찾는다. 광선 추적을 안전하고 효율적으로 수행하기 위하여, 변위 맵을 쿼드트리 형태의 이미지 피라미드로 만들고, 이 트리를 하향식으로 탐색하며 전진해 나간다. 나아가, 변위 맵이 화면에서 확대되었을 때 선형 보간을, 그리고 화면에서 멀어져 작게 보일때는 때는 밉맵 필터링을 통해 화질을 향상시키고 렌더링을 가속화한다. 실험을 통해, 기존의 GPU 기반의 기법들과는 달리 날카로운 변위 맵에 대해 예각에서도 깨끗한 이미지를 생성하는 것을 확인하였다. 초당 수 백 프레임의 빠른 속도로 렌더링할 수 있었으며, 변위 맵의 해상도가 커져도 렌더링 속도의 저하가 적었다. 우리의 기법은 구현이 간단하고 수행속도가 빠르기 때문에 현존하는 게임이나 가상 현실 시스템 등에 쉽게 적용할 수 있다.