• 한국의사학회지
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• 제36권1호
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• pp.1-9
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• 2023

To be an adjunct professor(gyeomgyosu) literally means to act as an instructor while also holding a different position. Adjunct professors were initially introduced under Confucianism. Gradually, technical offices also appointed adjunct professors using Confucian-educated bureaucrats for the purpose of educating lower-level technical officials and cadets. This paper examines the history of the civil service system related to adjunct professors through the Code of Laws, and examines those who have been appointed to the public office described in various documents. This paper argues that changes in the medical office's adjunct professor system reflect changes in the national medical talent training policy. The main basis of specific recognizing medical personnel is to decouple the appointment of Confucian scholars from that of full-time doctors. The replacement of the role of medical educators from Confucian scholars to full-time doctors was largely accomplished during the reign of King Jungjong(中宗) and was completed during the period of King Injo(仁祖). The time when Euiyakdongcham was created and the Office of Euiyakdongcham was established coincided with the period when the adjunct professor was disrupted in the medical office. However, this change in the adjunct professor system of medical authorities is in contrast to interpretation, which is a representative technical field. In the case of interpretation, Moonshin's sayeogwon position as adjunct professor was maintained even in the late Joseon Dynasty, and apart from this, there was a hanhagmunsin in Seungmunwon. Interpreter families had institutional arrangements that prevented them from making interpretation their own monopoly. Therefore, families of medical bureaucrats had more room for institutional growth than those of bureaucratic interpreters. Of course, these institutional devices did not prevent the growth of interpreting bureaucratic families in the late Joseon Dynasty. However, the situation in which medicine was accepted only as a kind of knowledge, not as an object of full-time work for sadaebue, would have been an opportunity to rise for those in technical jobs who were full-time medicine. As medicine became more differentiated and developed in the late Joseon Dynasty, medical knowledge and the knowledge about the medical profession became more important. The politicians could not avoid the use of a philosophically oriented system in which a confucian-educated bureaucrat equipped with only Confucian knowledge might replace a full-time doctor. Thus, the contradiction between the reality and the ideal of ignoring or denying reality was reproduced like other Confucian-centered societies. These contradictions have implications for us living in the modern age. Establishing the relationship between philosophy (or belief) and technology should not end with the superiority of one side or the other.

• Journal of the Korean Wood Science and Technology
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• 제49권5호
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• pp.462-470
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• 2021

조선후기 국용목재에 사용된 수종을 파악하기 위하여 영건의궤 조선후기 11종의 영건에 명시된 수종을 분석하였다. 주요 용도로는 궁궐, 제실, 사묘, 성곽의 수리와 보수 공사에 사용된 것으로 파악되었다. 17세기~20세기 영건의궤에 명시된 수종 중 활엽수재로는 가래나무, 느티나무, 물푸레나무, 박달나무, 오동나무, 참나무류(갈참나무, 굴참나무, 떡갈나무, 상수리나무, 신갈나무, 졸참나무)가 확인되었으며, 침엽수재로는 소나무와 잣나무가 확인되었다. 문화재를 수리할 때에는 동일 수종을 원칙으로 하기 때문에 수종 조사는 중요한 부분이다. 각 수종에 대한 목재해부학적 이미지는 실제 사용된 목부재를 대신해서 국립산림과학원 목재표본실에 소장 되어있는 같은 수종 재감을 활용하였다. 조선후기 영건의궤 편역본을 통하여 목조문화재 건축물에 사용된 주요 수종을 알 수 있었으며, 수리·보수 시 사용될 목재 수종을 판정하는 데 필요한 목재해부학적 이미지를 마련하였다.

• 한국산학기술학회논문지
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• 제18권5호
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• pp.200-210
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• 2017

본 연구는 조선후기 병서 중 "이진총방"의 진도(陣圖)를 바탕으로 고전 진법의 기본모형(陣形)을 재구성하여 진법의 구성원리와 운영체계를 분석하였다. 연구방법은 고전진법의 기본인 방진(方陣)을 토대로 원진(圓陣), 직진(直陣), 곡진(曲陣), 예진(銳陣) 등의 오방진(五方陣)과 현무진(玄武陣), 팔진(八陣), 육화진(六花陣), 구군진도(九軍陣圖) 등 진법의 운영체계를 재구성하여 비교분석 하였다. 분석결과, 모든 진법의 운용은 기본적으로 방진에서 출발하되 정사각, 직사각, 오각형 그리고 원형의 형태로 변형되고 있음을 확인하였다. 또한 진법 내부의 진용 구성은 5가지 선형을 활용하는 바 직사각, 정사각, 대각선, 곡선, 원형 등 5가지 동선체계로 이루어져 있음을 확인하였다. 연구대상인 원진도는 기본방진에서 2중 원의 선형으로 동선체계를 갖추고, 예진도는 기본방진의 편성대열에서 여타 진법보다 최소의 동선거리로 공격적 선형을 갖춘다. 곡진도는 방패형 2중진 형태로 이동동선을 유지하고, 현무진도는 거북모양의 진형으로 좌우 균형의 5각형 동선을 형성한다. 육화진은 원이 지니는 회전력을 무기로 삼는 진법으로 좌우 및 상하 대칭으로 원주율이 같은 여섯 개의 원형동선을 형성하여 꽃잎모양의 선형(線形)을 갖춘 형태이다. 구군진도는 육화진도에서의 원형 대신 9개 정사각형 선형(線形)을 갖추는 방식이다. 팔진도는 정사각, 직사각, 십자형의 3가지 선형으로 14개 진형을 형성하며 면과 선, 외곽선과 대각선의 중층적 3중 방어체계를 갖춘 동선체계이다. 연구 성과는 군사적인 면에서 진법의 실체를 규명함으로써 조선시대 전투양상의 실체를 파악하게 해주면서, 현대전에서 병사들의 훈련에 활용가능한 병법의 유형을 제시한 점에서 군사적, 학술적 가치를 지닌다.

• 한국가구학회지
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• 제28권3호
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• pp.207-223
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• 2017

Jeonju-Jang is the wood furniture that was made in Chonbuk Jeonju province during the Joseon Dynasty, and was used by middle-upper social classes. It has value as a local cultural heritage because it has unique characteristics in terms of the shape of the furniture, the metal ornament and various functions are integrated in accordance with user's requirements. Therefore, the purpose of this study is to define the structural characteristics of the Jeonju-Jang through case studies of 16 existing artifacts in order to preserve and inherit the value as local cultural resources. The conclusion is as follows. First, Jeonju-Jang in the late period of Joseon Dynasty that is made up of one board to the bottom with the binding of the board. and the front wall, the Juibyuckkan and the Meoruemkan are omitted or made small, so the structure of the surface is simple. There are three or four drawers under the Cheon pan(top plate). There are drawers and shelf inside the hinged door. In the case of a two-layer type, there is a Gaegumeong type door which has half of one side hinged. Second, Jeonju-Jang of the Japanese Ruling Era had a Juibyuckkan by frame binding and an increase in the number of Meoruemkan. and it had independent legs. The Cheon-pan(top plate) was more left and right than both sides. Third, in the late Joseon Dynasty period as a feature of the metal ornaments, cast iron and yellow brass were used as materials. In the Japanese Ruling Era, nickel was mainly used. Various patterns were engraved and the number increased, and it became gorgeous surface as a whole.

• 천문학논총
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• 제31권3호
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• pp.65-76
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• 2016

We study a manuscript that includes 28 oriental constellations in the flags of barracks in Gangjin. According to the Joseon Chronicles, the constellation flags in the manuscript are thought to have originated from Seon-Pil Kim (金善弼) who first made 28 constellation flags for the barracks in 1878 during the Joseon Dynasty. Seon-Pil Kim was a commander and he used the 28 constellation flags for communications in a military camp. The flags also contain 28 animals and letter-like symbols with constellation maps. We examine the constellation maps in flags in terms of shapes and number of stars, and compare them with those of constellations in the Korean and Chinese star charts such as CheonSangYeolChaBunYaJiDo (天象列次分野之圖), Joseon-Butienge (朝鮮步天歌), Suzhou (蘇州) Star Chart, and Tang-Butiange (唐步天歌). Finally, we found that the shape of constellations in the flags might be similar to those in the Chinese Tang-Butienge. We also found several errors such as the shape, connecting pattern, and number of constellations drawn in the flags. It seems that the constellation flags were unofficially used in military camps in the late Joseon dynasty. Meanwhile, the 28 constellations are divided into four groups and each group has its own color and direction. We suppose that the constellation flags might represent the positions of military camps and each group of flags has their own color based on their cardinal points.

• 건축역사연구
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• 제19권3호
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• pp.89-106
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• 2010

Since the 1970's, UNESCO and ICOMOS have adopted or emphasized on the principles of historic preservation. One of them is what to require a repair should not be repaired beyond the limits of the features and techniques which had been adopted in those days of establishment. On the premise, this paper is to examine the materials and technique of wall plaster work in the government building constructions in the Joseon dynasty. The result of this examination shall come up with a basic conformity in the case of repairing the building established in the late of Joseon dynasty. This paper is carried out for the proper repair and restoration of architectural cultural properties. Construction reports and other documents in those days are examined for the study. Following conclusions have been reached through the study. The materials and technique which applied to wall plaster work in those days were quite different from the present. The technique that was used to wall plaster of government buildings in those days was not a lime wall plaster, but sand coat one. The kinds of material for setting of the sand coat wall plaster had been revised with the change of the times or constructions. The main kinds of material were composed of sand, white clay, paper fiber, and cereal starch. However, the present materials were composed of sand, white clay. Therefore, the present materials and technique which applied to wall plaster work for the repair and restoration of architectural cultural properties have to be revised and corrected.

• 천문학논총
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• 제31권3호
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• pp.77-85
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• 2016

We study the manufacturers of the astronomical instruments invented as part of the so-called Ganui-Dae (astronomical platform) project in the reign of King Sejong (1418-1450) of the Joseon dynasty. The main purpose of this project was to compile the Chiljeongsan-Naepyeon, a Korean calendar, that lasted for 5.5 years from 1432 to 1438. Through this project, a total of 17 astronomical instruments such as the armillary sphere, celestial globe, and auto-striking clepsydra were developed. It is generally known that most of them were manufactured by Lee Cheon (李蕆, 1376-1451) and Jang Yeong-Sil (蔣英實, fl. 1423-1442). In this study, we investigate the accounts of the Veritable Records of King Sejong, Munjong, and Sejo, focusing on the inscription written out to memorize the completion of the Ganui-Dae project. We found that at least 12 persons took part in manufacturing the astronomical instruments of the Ganui-Dae project. Lee Cheon was involved in the production of four instruments, while Jang Yeong-Sil was involved in two; therefore, it seems that the achievement of Jang Yeong-Sil was overestimated. We also found that Jeong Cho (鄭招, ?-1434) was a scientist and Lee Cheon was an engineer in the early phase of the Ganui-Dae project, while King Sejong and Yi Sun-Ji (李純之, 1406-1465) played major role in the late phase. According to our study, King Sejong and Yi Sun-Ji were involved in the production of at least seven and five instruments, respectively. In conclusion, we believe that this study will be helpful to understand the practical manufacturers of the astronomical instruments invented during the Ganui-Dae project in the Joseon dynasty.

• 한국한의학연구원논문집
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• 제15권1호
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• pp.1-11
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• 2009

The eminent brother doctors Cho-Gaek Hur (Young Hur) and Cho-Sam Hur (Eon Hur) represent the medical tradition of the southeastern region of Mt. Jirisan incluiding Sancheong. This study investigated and examined their herediatary testimonies and medico-historical facts described in the literature tale, genealogy and family collection of works. At an early age after their family run away to the southern region from the harm of political struggle, they gave up taking the highest-level state examination to recruit ranking officials and set their heart on learning medicine. Their choice of medicine was the second best plan for the survival of their family and descendents from the influence of their ancestors who suffered from the party strife during the late Joseon Dynasty. The case is a good example of the deliberate action of the nobility intellectuals since the late Goryeo and early Joseon dynasties to who made attempts to have the minimum elegance and cause while securing livelihood after they have been collapsed politically. The tale of Cho-Gaek and Cho-Sam is a typical story of eminent doctors which combined reality and fiction about the persons who had outstanding medical skills. In the tale, the elder brother was good at herbal prescriptions and the younger brother was good at acupuncture, contrasting the treatment of administrative internal medicine and insertive acupuncture treatment. It shows that the prepositions for the choice of the treatment method for the public during that period were safety and fast efficacy. In their old age, they wrote a book titled Jinyangsinbang. Another Jinwoosinbang is estimated as a different kind of copy, which was a medical writing from experience that derived from the same original book as Jinyangsinbang. written by Cho-Gaek Hur and it is a valuable medical material that possesses the distinct features of the local medicine during the late Joseon Dynasty. Most of the contents are variations in application using the basis of Dongeuibogam, forming the roots of the traditional Korean medicine in Sancheong region together with the medical activities of the Hur brothers.

• 헤리티지:역사와 과학
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• 제42권4호
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• pp.198-221
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• 2009

조선왕릉은 조선왕조의 역사, 이념, 문화, 미술, 건축, 제례 등이 종합적으로 융합되어 만들어진 결정체이며, 500년 왕조의 역사를 고스란히 보여주는 산물로서 그 상징적 의의가 매우 크다. 왕릉을 구성하고 있는 여러 요소 중에서도 특히 능침 주변에 배치된 석물들은 능침을 수호하는 상징적 기능으로서 중요한 요소였으며, 그 중에서도 봉분 가장 가까이에 표현된 십이지는 그 기능의 가장 중심에 놓여져 있는 대상물이었다. 통일신라시대 능묘에서부터 시작된 십이지신상은 전해지는 규모나 뛰어난 조각수법으로 미루어 능묘 축조에 있어서 중요한 역할과 위치를 차지했었음이 확실하나, 고려시대를 거쳐 조선왕릉에 이르러서는 규모나 형태에서 매우 간소화된 경향을 띠게 되면서 다른 석물들에 비견하여 그 중요성이 간과되어 왔다. 십이지신상은 무덤을 수호하는 역할과 방위의 개념으로서 능묘를 장식했던 중요한 요소 중 하나였으며, 시대별로 다양하게 변화되어 나타나며, 조선왕릉까지 그 전통성이 이어진다는 점에서 역사성과 상징성은 간과할 수 없다. 본고에서는 조선왕릉에 표현된 십이지 도상(圖像)을 크게 3가지로 형식 분류하여 그 원류와 시기별 전개 과정을 고찰해 보았다. 십이지 도상은 사람의 몸과 얼굴을 표현한 인신인수형(人身人首形), 관에 십이지 동물을 표현한 인신인수관형(人身人首冠形), 십이지와 십간 팔괘의 혼합 문자형으로 분류된다. 조선왕릉의 이 3가지 십이지 도상은 그 원류를 중국으로부터 볼 수 있으며, 조선 전기에서 후기에 이르기까지 시대의 흐름에 따라 변화 교체되면서 왕릉을 장식하는 주요한 요소 가운데 하나로서 애용된다. 조선왕릉 십이지신상은 통일신라 이래 이어온 우리나라 능제의 고유성과 전통성을 확인할 수 있는 산 증거로서 그 의미가 크다 하겠다.

• 헤리티지:역사와 과학
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• 제53권1호
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• pp.34-51
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• 2020

성남 고등동 회곽묘는 한 지역에서 다른 시기에 제작된 6기의 회곽묘가 발굴되었으며, 회곽묘 조성에 사용된 삼물회의 다양한 제작 기법이 확인되었다. 삼물회의 제작 기법을 규명하기 위하여 고문헌 기록을 바탕으로 석회 원료와 제작 기법 및 배합 방법을 고찰하였다. 조선시대 고문헌에는 석회의 원료 중 저품위 석회석을 사용한 기록과 배합 재료로 황토와 백토, 기와 가루 등과 같은 석회의 강도를 향상시킬 수 있는 포졸란 물질 사용에 대한 기록이 남아있다. 또한 삼물회의 다양한 배합 방법이 기록되어 있어 이에 대한 재현 실험을 바탕으로 석회 원료, 배합 재료, 배합 비율에 따른 삼물회 제작 기법 분석이 요구되었다. 조선시대 전기에는 석회를 다방면으로 사용하였으나 공급이 적고 기술적인 미숙함으로 지속적인 문제가 발생하였으며, 조선시대 후기에 이르러 대량 생산됨과 함께 석회 제작 기술이 발달하였다. 16세기와 18세기 회곽묘 삼물회의 제작 기법 분석을 바탕으로 고문헌에 기록된 배합비와 배합 방법들이 적용된 것을 알 수 있었으며, 회곽묘 삼물회는 시기에 따라 석회의 품질이 변화하였고 배합 재료 또한 변화됨에 따라 배합 비율이 다르게 나타나는 것으로 판단된다. 회곽묘 삼물회의 배합 비율은 시기에 따라서 변화하였으며, 주례와 가례를 기준으로 정해진 배합 방법으로 제작되었기 때문에 회곽묘 삼물회의 제작 기법에 대한 과학적 분석 자료가 지속적으로 구축된다면 회곽묘 편년 연구에 도움이 될 것으로 기대된다.