• Title/Summary/Keyword: the imaginary

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Terahertz time-domain transmission and reflection spectroscopy of niobium

  • Hong, Taeyoon;Choi, Kyujin;Park, Byoung-Cheol;Ha, Taewoo;Sim, Kyung Ik;Ha, Dong-Gwang;Chong, Yonuk;Kim, Jae Hoon
    • Progress in Superconductivity and Cryogenics
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    • v.15 no.1
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    • pp.11-13
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    • 2013
  • We have developed a terahertz time-domain spectroscopy (THz-TDS) system for transmission and reflection measurements of metallic thin films. Using our THz-TDS system, we studied the conventional superconductor niobium (Nb) in the normal state in the spectral range from 5 to $50cm^{-1}$. Both the real and imaginary parts of the conductivity are acquired without Kramers-Kronig analysis. Nb exhibits a nearly frequency independent real conductivity spectrum in the terahertz range, with a very small imaginary part.

Calculation of Nodal Price for Nonoptimal System by Imaginary Constraint Condition (가상제약조건에 의한 비최적 현재운전계통의 모선가격산정)

  • Kim, Y.H.;Lee, Buhm;Choi, S.K.;Lee, S.J.;Lee, J.G.;Oh, S.H.;Kim, M.H.
    • Proceedings of the KIEE Conference
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    • 2003.11a
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    • pp.50-53
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    • 2003
  • This Paper proposes the new method of Nodal Price calculation on nonoptimal condition of power system. It uses Power Flow instead of Optimal Power Flow. We propose a idea of imaginary constraints at the first. And the proposed method is applied to IEEE-30 and results show the effectiveness of the method.

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Approximate Synthesis of 5-SS Multi Link Suspension Systems for Steering Motion (조향 운동을 고려한 5-SS 멀티링크 현가장치의 근사 합성)

  • Kim, Seon-Pyeong;Sim, Jae-Gyeong;An, Byeong-Ui;Lee, Eon-Gu
    • Transactions of the Korean Society of Mechanical Engineers A
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    • v.25 no.1
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    • pp.32-38
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    • 2001
  • This paper presents an approximate synthesis of 5-SS multi link suspension for 2 D.O.F motions. In the proposed synthesis method, alteration curves of camber, toe, kingpin and caster angles are optimized during the bump rebound and the steering motions. And joint positions can be located within desired boundari es. Especially, steering motions are considered for control of kingpin offset and caster trail. Prescribed motions contain both wheel center positions and imaginary kingpin axes in the multi link type suspension. Constraint equations are formulated with di splacement matrix and velocity matrix using instantaneous screw axis.

Modeling and Animation Implementation of 3D Humanoid base on the X3D (X3D 기만에서의 3차원 Humanoid 모델링과 애니메이션 구현)

  • 이성태;오근탁;김이선;이윤배
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.6 no.7
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    • pp.1089-1094
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    • 2002
  • We can travel every imaginary world and do every impossible thing via 3D character. People interest in 3D character animation for modeling like real world due to the increase of 3D game and imaginary Virtual Reality on the internet. In this paper, new framework for present of 3D character of high quality is applied. I represent 3-dimensional Humanoid modeling and animation technology and show the adequacy via simulation for various and natural representation certificate using VRML as a Web3D information type and XML.

A REMARK OF SOME IMAGINARY QUADRATIC FIELDS WITH ODD CLASS NUMBERS

  • Kim, Hyun;Lee, Keumyeon;Cheong, Cheoljo;Park, Hwasin
    • Honam Mathematical Journal
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    • v.36 no.1
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    • pp.147-155
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    • 2014
  • Let D be a square-free positive integer and let $K_D=\mathbb{Q}(\sqrt{-D})$ be the imaginary quadratic field. And let $h_D$ be the class number of the number field $K_D$. In this paper, we show the following: If D=l or 4l, where l is a prime number with $l{\equiv}3$ (mod 4), then $h_D$ is odd.

ALGEBRAIC NUMBERS, TRANSCENDENTAL NUMBERS AND ELLIPTIC CURVES DERIVED FROM INFINITE PRODUCTS

  • Kim, Dae-Yeoul;Koo, Ja-Kyung
    • Journal of the Korean Mathematical Society
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    • v.40 no.6
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    • pp.977-998
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    • 2003
  • Let k be an imaginary quadratic field, η the complex upper half plane, and let $\tau$ $\in$ η $textsc{k}$, p = $e^{{\pi}i{\tau}}$. In this article, using the infinite product formulas for g2 and g3, we prove that values of certain infinite products are transcendental whenever $\tau$ are imaginary quadratic. And we derive analogous results of Berndt-Chan-Zhang ([4]). Also we find the values of (equation omitted) when we know j($\tau$). And we construct an elliptic curve E : $y^2$ = $x^3$ + 3 $x^2$ + {3-(j/256)}x + 1 with j = j($\tau$) $\neq$ 0 and P = (equation omitted) $\in$ E.

INTEGRABILITY AS VALUES OF CUSP FORMS IN IMAGINARY QUADRATIC

  • Kim, Dae-Yeoul;Koo, Ja-Kyung
    • Communications of the Korean Mathematical Society
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    • v.16 no.4
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    • pp.585-594
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    • 2001
  • Let η be the complex upper half plane, let h($\tau$) be a cusp form, and let $\tau$ be an imaginary quadratic in η. If h($\tau$)$\in$$\Omega$( $g_{2}$($\tau$)$^{m}$ $g_{3}$ ($\tau$)$^{ι}$with $\Omega$the field of algebraic numbers and m. l positive integers, then we show that h($\tau$) is integral over the ring Q[h/$\tau$/n/)…h($\tau$+n-1/n)] (No Abstract.see full/text)

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Wave attenuation effect of the floating breakwater using imaginary boundary element method. (가상경계법에 의한 부소파제의 소파효과)

  • Han, Il-Woo;Yoon, Gil-Su;Lee, Kwi-Joo
    • Proceedings of the Korea Committee for Ocean Resources and Engineering Conference
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    • 2002.10a
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    • pp.94-99
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    • 2002
  • 최근 들어 해양개발에 관심이 고조되면서 심해저의 진출이 늘어날 것으로 보이며 또한 환경에 미치는 영향 등으로 부유식 소파제의 이용이 늘어날 것으로 생각된다. 이러한 부유식 소파제는 고정식 방파제의 문제점을 상당히 해소할 수 있는 반면 아직까지 완전히 이해되고 해결되지 못한 부정적인 면도 가지고 있다. 이에 본 연구는 부유식 소파제의 설계시 이용 가능한 정보를 얻고자 부유식 소파제의 형상과 파수에 따른 투과율에 대해 원형과 사각형 그리고 catamaran을 비교하였으며 사각형에 있어서는 계류삭의 위치에 따른 차이점을 비교하였다. 또한 catamaran 부소 파제의 후면에 catamaran 구조물이 있는 경우 즉, Dual catamaran의 운동에 대해서도 고찰하였다.

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Function and Meaning of Color Gray in Korean Films : Memory and Oblivion (한국영화에 표현된 회색의 기능과 의미 : 기억과 망각)

  • Kim, Jong-Guk
    • Journal of Information Technology Applications and Management
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    • v.28 no.3
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    • pp.77-87
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    • 2021
  • The color gray in the cinema expresses the private or public memory and oblivion in the reminiscence scenes. The aesthetic function and meaning of gray that interacts with other elements in cinematic time and space are expanded in various ways. This study was analyzed the cases in which gray was used as the main visual style by limiting the scope to Korean films. Based on the traditional cultural symbolic meaning of gray, I analyzed how it was applied and transformed in films, and interpreted the cultural-social meaning by the interaction between gray and other elements. In film history starting from monochrome, gray has been used as a visual device suitable for realizing cinematic or imaginary reality. Gray is adopted when dreams or recollections are visualized as imaginary reality, and it is used when dreamy imaginations of daydreaming are demonstrated. Gray, which reproduces the dreamlike reality of imagination, is the concrete and realistic way of expression. First, in Korean films, gray is a flashback visual device that recalls the past, and is an intermediary visual form that materializes the imaginary. In films such as Ode to My Father (2014), DongJu (2015), A Resistance(2019) and The Battle : Roar to Victory (2019), the gray of the past is a visual device for cultural memory that builds the homogeneity and identity of the group. In the era of hyper-visibility, gray in black and white images is intended to be clearly remembered by unfamiliarity rather than blurry oblivion by familiarity. Second, in genre films with disaster materials such as Train To Busan (2016) and Ashfall (2019), the grays of rain, fog, clouds, shadows and smoke highlight other elements, and the gray color causes anxiety and fear. In war films such as TaeGukGi: Brotherhood Of War (2003) and The Front Line (2011), gray shows a more intense brutality than the primary color. In sports films such as 4th Place (2015), Take Off (2009) and Forever The Moment (2007), gray expresses uncertainty and immaturity. Third, gray visualizes the historical memory of A Petal (1996), the oblivion in Oh! My Gran (2020) and Poetry (2010), and the reality of daydreaming Gagman (1988) and Dream (1990). At the boundary between imagination and reality, gray is a visual form of dreams, memories and forgetfulness.