• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2007.10b
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• pp.113-117
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• 2007

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 1999.03a
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• pp.58-59
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• 1999

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2011.10a
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• pp.47-50
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• 2011

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2003.03a
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• pp.78-83
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• 2003

• Journal of the Korean Institute of Landscape Architecture International Edition
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• no.1
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• pp.237-246
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• 2001

We need to have a universal system for the landscape architectural profession at the national level which focuses on public facilities from an aesthetic point of view and emphasizes the landscape architectural identity and traditional idiosyncrasy in Korea society. There should be established independent official positions in governmental systems in order to work practically in the field of landscape architecture concerned with ecological and environmental stability. Professionals should be acquired and diversity maintained for administrative efficiency, so that the governmental official position could create practical need and a theoretical approach to the human needs for environmental quality and ecological stability. In order to pursue the public good, we need to establish a new community and promote a global spirit, which include an ecologically stable environment developed through professional landscape architectural harmonization. The landscape architectural profession requires a new community spirit suitable to modern society, so that the Korean people continue a tradition of cooperative control of the common wealth and the labor market.

• Journal of the Korean Institute of Landscape Architecture
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• v.26 no.2
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• pp.181-193
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• 1998

Land art has always ben considered as a similar but distinctly separate field from landscape architecture. Landscape architechs look to land art for inspiration and new concepts, but has always hesitated to define their field as an "art." But as more and more design projects for social spaces are being commissioned to artists, especially land artists, the distinction between the two fields are starting to blur. "Art or Social service\ulcorner" has been a question that has been asked in the field of landscape architecture throughout the 20 th century. By reviewing the concepts behind various land art projects, this paper seeks to undermine several misconceptions that has prevented landscape architects from wholeheartedly embracing land art as a expansion of their own field. Land art, as a new form of sculpture, sought to create art forms that were not looked at but experienced from the inside. Land art challenges the principle of the picturesque and the pictorialized view of nature. Land art was influenced by a new interest in prehistoric art, and sought to reestablish communication between the artist and the public. Also, land artists acknowledge the social responsibilities of art and presents the concept of art as a community activity. As can be seen by the concepts behind the works of land artists, the dichtomy of the artistic and social aspects of landscape architecture can be reconciled, and land art can serve as a model for a expanded field of landscape architecture.dscape architecture.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• no.2
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• pp.9-13
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• 2004

After UNECD(United Nations Conference of Environment and Development) in 1992, ESSD (Environmental Sound and Sustainable Development) is an important concept of urban planning in Korea. The introducing environmental assessment system of urban planning and the district unit planning system were representative cases. In this process, Landchaftplanung(ecological landscape planning) was introduced from Germany. This study was executed for applying ecological landscape planning to Eunpyung New Town in Seoul city, and analyzing the problem to apply this system. The process of ecological landscape planning was followed to (1) the site survey, (2) the analysis and assessment of survey data, (3) the establishing ecological landscape planning. Three master architects participated in all investigations. The major fields of them were landscape architecture, architecture, and urban planning. Master Architects helped many aspects. In conclusion, ecological landscape planning was feasible to be applied to develop other New Town in Korea. However the mediation system is very weak, if different situations are confronted with ecological landscape plan and land use plan in the operative legal framework of Korea. Thus, the legislation of mediation system is necessary for an establishment of ecological landscape planning.

• Journal of the Korean Institute of Landscape Architecture
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• v.27 no.3
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• pp.80-87
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• 1999

This paper examines the conventional notion of natural beauty and its legacy on the aesthetic experience of nature and landscape architecture in terms of critical perspective. We can take its clue for discussion from the our routine convention of experiencing natural beauty from the picture-like nature. We often equate natural beauty with superficial representations of nature shown in pictures. However, it is no more than a by-stander's nature seen purely through the eyes of the outsider. Problems of the picture-like nature can be summarized as the contemplative and visual-oriented aesthetic experience of landscape, which has had its influence not only on the ways of seeing the natural beauty but also on the ways of making it. The tradition of the picture-like nature has been transplanted into the real world through the practice of landscape architecture. It has been mass-producing superficial beauty of nature, focused on visual form. Landscape architecture in such a form is just a static means of decoration devoid of meaning and content.

• Journal of the Korean Institute of Landscape Architecture
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• v.31 no.5
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• pp.130-138
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• 2003

This study aims to review the research trends concerning landscape plants and to foresee the next trends in Korea. The research scope was limited to the articles listed in the Journal of Korean Institute of landscape Architecture. The number of articles related to landscape plants was calculated for five-year-period over 30 years and for groups of ten issues from 1973 until 2003. Of all the related articles, subjects or materials, method types, and contents were categorized and analyzed for groups of ten issues from 1973 until 2003. The results, of the research were as follows. Of 1,018 articles in total, there were 930 paper-type, 52 discourse-type, and 36 remains. Of 212 related articles, there were 205 paper-type, 3 discourse-type, and 4 remains. Of 232 subject articles, there were 115 woody-related, 47 herbaceous-related, and 33 soil-related articles. Of 221 method articles, there were 89 experiment, 54 field research 33 planting articles. Of 243 content articles, there were 47 investigation, 36 construction, 34 environmental effect, and 33 maintenance articles.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• no.2
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• pp.199-205
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• 2004

Though Public Participation in the field of landscape architecture in China is still in an initial process, it has brought positive effects. The public exhibition of important landscape planning and design schemes is part of current public participation in China. The aim of it is to seek the opinion of the broad masses. Based upon particular situations in China, this paper analyzes two latest significant cases, public exhibitions of Landscape Design Schemes of Beijing Olympic Green & the Central Zone and Beijing South Axis Road Green Space Planning Schemes, pointing out that media introduction, voting, and feedback are three indispensable sections of Public Participation. The approaches by making full use of public exhibitions to create a partnership in public participation are also examined.